It started with a resurfaced meme. A 1953 black-and-white photo of a Ukrainian-emigrant-owned restaurant in Washington, D.C., offering free borscht to celebrate Stalin’s death. Seeing it reposted now has reminded me of the culture war that simmered last year over the hearty, beetroot-heavy soup when celebrity Ukrainian chef Ievgen Klopotenko started a campaign to have UNESCO recognize it as a part of Ukraine’s cultural heritage – partly in response to a 2019 tweet published by a Russian government account that claimed “#Borsch is one of Russia's most famous & beloved #dishes & a symbol of traditional cuisine.”

These days, you can buy an Adjaruli khachapuri anywhere from a pizza chain in Bueno Aires to a grocery store in Tokyo. In Tbilisi, you can get this usually cheese- and egg-filled bread topped with meat and beans, cucumber-tomato salad or wild mushroom stew — the Adjaruli khachapuri has been having a years-long moment. Because of its ubiquity, outside of Georgia the word “khachapuri” has come to mean Adjaruli khachapuri, and the other word is forgotten. But at what cost! Adjara is the subtropical autonomous republic of western Georgia bordering Turkey and the Black Sea, and its cuisine has more to offer than solely the iconic cheese bread.

Mtkvari, the local name for the Kura River, divides Tbilisi. Until the launch of Fabrika – a disused Soviet-era garment factory turned into a trendy social-space-cum-hostel in 2016 – few gentrified souls from the city’s fancier shore crossed over to the left bank. Fewer still stepped out further than the central Marjanishvili neighborhood, making it past Dezerter Bazaar – the throbbing gastronomic heart from where most of the city’s fresh produce and meats originate. This is also where Leonid Chkhikvishvili buys fresh cuts of meat each morning for his restaurant Duqani Kasumlo, located even further north on the left bank in Didube. Here is a neighborhood where few travelers tread, except perhaps to quickly pass through to catch cheap intercity mashrutkas (mini-buses). But despite its overlooked location, Duqani Kasumlo has acquired semi-cult status for its kebabs in an area better known for its cluster of home improvement stores and the labyrinthine Eliava market, home to hawkers of used car parts and construction materials.

With 2021 drawing to a close, we have much to be thankful for. Though Tbilisi, like all of Georgia, still faces struggles with the continuing pandemic, the harrowing days of 2020 – with its curfews and restrictions on gatherings (especially painful for Georgians, who are in the habit of meeting in large groups of friends and family) – are long gone. Restaurants, bars and cafes have been open again since February 2021, with indoor seating available since May, though opening hours would fluctuate based on spikes in Covid-19 transmission. When eateries fully reopened and the final curfew was lifted, we remember walking through Dedaena Park with friends late one night, not so long after regulations had largely relaxed; people were everywhere, some picnicking on the grass, a great many milling about, just glad to be out again amongst people.

The Georgian culinary experience is all about the dinner, stereotypically a glutton’s nirvana of singularly delicious foods stacked plate by plate to the ceiling alongside beer pitchers full of wine. This might explain why, after a night of belt-popping gourmandizing, there is very little in the way of a breakfast culture in Tbilisi. Another explanation might be that Tbiliseli are not morning people. Most cafes open around 11 a.m., which is about the time our neighborhood baker is slapping his first batch of bread in the tone. Nevertheless, people do break the fast at home, often with leftover bread and butter or a chunk of cheese, or maybe day-old khachapuri.

Amaghleba Street and its environs stretch like a long arm of the Sololaki neighborhood up into Tbilisi’s hills. The broad main street is lined with 19th-century brick buildings, some of them graced with the magnificent wooden balconies characteristic of Old Tbilisi. At No. 16 sits Terracotta, where a patinaed metal awning hangs over steps heading down into the small, welcoming restaurant and wine bar below. The warm earth tones inside evoke its history as a ceramics studio, and the vases, cups and plates on display are a direct inheritance of Tata Samkharadze, who took over her parents’ art space when they chose to close it in 2018. In its place, she opened a small restaurant a year later with cook Anna Burduli.

We spent our first few years in Georgia in a whirlwind of overindulgence, hostages to the unforgiving hospitality of friends and acquaintances. Try as they might to convince us that their wine and chacha were so “clean” we would not get hangovers, there were plenty of mornings when the insides of our skulls felt like 60-grain sandpaper and our tongues like welcome mats for packs of wet street mongrels. We would hobble out of bed and stumble to the fridge and, if lucky, find two of Georgia’s most recognized hangover remedies: Borjomi mineral water and matzoni, Georgian yogurt.

In 2013, Anthony Bourdain and the Parts Unknown team arrived in Batumi, the capital of Adjara, to shoot the first segment of their Georgian adventure. The show’s producers invited Zamir Gotta, a Russian sidekick unfamiliar with the city, to join him. They visited a casino, strip club and mediocre restaurant for khashi, tripe soup, which failed to impress Bourdain. When the episode aired, local social media users flamed with disappointment over the Batumi portion in particular: “Casinos and strip clubs! That’s not Batumi!” While they aren’t the places we would have taken Anthony Bourdain, they are most certainly Batumi, along with the rainy summers and stifling subtropic air, the new five-star hotels and crumbling Khrushchyovkas (Soviet apartment buildings), a McDonald’s housed in an award-winning modern structure and a chacha-spouting fountain that dried up shortly after it was built in 2012.

There was a large table made from a huge buzzsaw blade, covered in Russian and Western photo magazines. A greasy boombox played jazz, blues and classic rock cassettes. Behind the high wooden counter was a somber, dark-haired young woman who served semi-cold Argo beer for 3 lari a bottle and a simple lunch for a few lari more. We had found our watering hole. Apollo had been designed by local artist Guga Kotetishvili, a name we wouldn’t know until 2004, when he helped two young Apollo regulars auspiciously launch an entrepreneurial gastro-dominion with the opening of Cafe Kala on Erekle II Street, a narrow, 100-meter lane in Old Town. Back then, there was nothing else on the street.

This story starts with a hamburger, a juicy, perfectly grilled patty between a pair of fresh, no-frill homemade buns and the standard trimmings. As burgers become part of the culinary landscape in Tbilisi, we find that many cooks have a tendency to get too slick with a dish that loathes pretension. But this place, Burger House, nailed the balance between originality and straightforwardness. While sopping the drippings up with finger-thick fries we saw a hamburger story in the making and filed the idea away in our bucket list of food tales. A year or so later, walking down Machebeli Street in Sololaki, we saw a little basement joint named Salobie Bia with a Gault & Millau (a French restaurant guide) sign above the door and decided to investigate further. Several lip-smacking meals later, we learned that the chef and co-owner of this place is the same guy who was responsible for those impressive burgers.

“You’ve made me look angry,” laughs Marekhi Khatiashvili when we show our drawing of her making traditional Georgian bread in one of the tone bakeries in Tbilisi’s old city. “You’re concentrating,” I reply. “I was trying to show how hard you work.” It is incredibly hard work. Marekhi’s day begins at 4:30 a.m., when she and her co-worker Nona Khatiashvili (no relation) start making giant tubs of dough in the back of the low-ceilinged bakery, ready to be baked into the long, flat loaves of bread that Georgians call shoti. It’s a ritual of daily life here.

We used to live across the street from Dinamo Stadium, on the edge of the Deserter’s Bazaar and part of the Vagzalis Bazroba – Station Bazaar – complex, a sprawling, unhinged confederacy of free-marketers selling everything from counterfeit apparel to contraband from Russia, secondhand cell phones and coffee beans labeled Nescafé. Zaza, a musician and our roommate at the time, served as our guide. His song “Vashlis Gamyidvelo,” about an apple seller who sold him a beautiful but rotten apple, was a big hit on the radio and made him quite the local celebrity. Shopping with Zaza at the bazaar meant lots of discounts and free drinks at the many wine stands back then.

In March, as the teasing wafts of spring begin to fill the air, local farmers converge at the entrance of the Sunday bazaar in Garikula where they lean against their old jalopies with bundled fruit tree saplings and grapevine seedlings for sale. For someone who wants to start a little backyard vineyard with a handful of vines, the bazaar is a fine place to shop. More ambitious wine growers, however, need to go to a grafting nursery and place an order. In Shida Kartli, one of the largest is run by a family who has been nursing grapevines for generations. Kobe Cherqezishvili, his wife, Maia Dalakishvili, and their sons, Beso and Gio, tend to over 500 varieties at their seven-hectare nursery in Mukhrani, which they opened in 2004.

There is a day in February when we raise our noses to the sky like dogs and catch the first teasing wisps of spring. Our eyes widen, we nod and chime with giddy grins, “It’s coming.” Then the weather turns with a cold snap or even snow and we forget all about spring until one day in mid-March we wake up, pour a coffee, peer out the window and cry out, “Whoa, look!” jabbing our forefingers towards our tkemali tree and its little white flowers that bloomed overnight; the first blossoms of the year. No fruit says springtime greater than tkemali, which is a cherry plum (prunus cerasifera) harvested young, when it is exquisitely sour. Together with fresh tarragon, it is the basis of the mandatory Easter dish, chakapuli. People are stocked with preserved sour plums just in case Easter falls too early on the calendar.

When our friend applied for a chef gig at the cooking department of a northern California community college, a board of evaluators gave him a pair of chicken breasts, a frugal selection of ingredients and said, “Create something.” He assessed his workspace and smiled. He saw white wine, chicken stock, butter, shallots and plenty of garlic. He dusted the breasts in flour and hocus-pocus, finished off the dish with a five-fingered pinch of chopped parsley and got the job. Garlic chicken works. Its humble transcendence has conquered the world over – and the more garlic, the merrier. In provincial France they roast a chicken with no less than 40 cloves of garlic for poulet aux 40 gousses d’ail, while Oaxacans make pollo oaxaqueño con orégano y ajo with 30 cloves.