Sunday, April 19, was Easter in the Orthodox Christian world, the holiest day of the year. Like most people in today’s pandemic world, Maka Shengelia, one of our walk leaders in Tbilisi, was home being a responsible citizen. But she was also spreading butter on her own freshly baked paska, Easter bread, popular in the Eastern Church. It is a tall, dome-shaped cake, inseparable from Easter’s other “edible decoration,” boiled eggs dyed a deep magenta with endro (madder root). God will forgive you for celebrating Easter without going to church, but commemorating it without red eggs and paska is another matter entirely.

The aggressive spring winds took a break, and I can finally hear the village: the nearby river rolling through the valley, roosters singing, chickens gossiping and our dog barking at who knows what. Garikula is our summer retreat, but thanks to Covid-19, we got here a season early. The young cherry blossoms just popped this morning, and the tulips – gifts from our Dutch neighbors trapped in Rotterdam – opened wide yesterday while the plum, apple and pear trees are in full bloom. In ordinary times, our patio is full of boisterous friends as the delirious waft of mtsvadi roasting on oak coals fills the air. The only infections we are used to here are laughter and inebriation. But now, even our neighbor Zakhar stays away.

I don’t recall who first poured us a shot of Riravo’s plum araki, or brandy, but I do remember the surprise at the subtleness of the cool spirit as it smoothly slipped over my tongue and down my gullet. Finally, someone was making a fruit brandy that didn’t smell like a soiled pair of grandpa’s socks. Later, friends recounted a fabulous brandy tasting they attended at the Riravo distillery in Saguramo, a village just north of Tbilisi. I tightened with pangs of envy from missing out. “You have got to meet Goga, the owner,” they urged, and I agreed, wondering whom I could get to be my designated driver out to his place. In the meantime, I’d sip a Riravo pear or persimmon brandy as a digestif when opportunity called and remind myself to get out to Saguramo soon.

Covid-19 officially arrived in Georgia on February 26 with a Georgian man who had traveled home overland from Iran. That and international news coverage provoked a mad rush on face masks and an initial panic raid at several supermarkets. The government warned us to stop kissing when we greet each other and extended the springtime school holiday by a week. By March 6, a dozen Georgians had contracted the virus and the global death toll was in the thousands; we spent that evening with a few dozen people around a big table at Sulico Wine Bar tasting chacha, laughing and clinking our shot glasses to its antiseptic powers.

Last June, Georgian lawmakers invited a Russian legislator to address an international assembly of Christian Orthodox devotees from the Speaker of Parliament’s chair. This, predictably, did not go over well. Thousands poured into the streets and gathered at the Tbilisi parliament building demanding explanations, resignations and reform from a government many believe is much too cozy with the country that invaded Georgia in 2008, occupies some 20 percent of its territory and quietly moves the border whenever it feels like it. The protests were violently broken up by riot police, who shot rubber bullets into the faces of demonstrators. Russian President Vladimir Putin immediately imposed a ban on all direct flights from Russia to Georgia because Russians, he insisted, were in physical danger in Georgia, which wasn’t the case at all. Shortly after the ban, the BBC reported how welcomed Russian guests felt in Georgia. However, the relationship between the two peoples is rather complicated.

Up above Freedom Square where the Sololaki and Mtatsminda neighborhoods blend together, there is a 100-year-old building with an apartment five steps below the sidewalk. It’s a warm, intimate space, part living room, part museum. A massive collection of wine glasses hang from the ceiling, 19th-century framed portraits of Georgians decorate one wall above a piano, while opposite are glass cases displaying antique ceramic pitchers and elegant, polished drinking horns called kantsi. There are also two vintage silver vessels – exquisite ashtray-sized pans with long stylized handles used in days of old for drinking wine to special toasts. This cup is called an azarphesha, and this entire collection (and the walls containing it) belong to Luarsab Togonidze, a folklorist, author, entrepreneur and co-owner of this welcoming restaurant, also called Azarphesha.

The name Aristaeus Ethno Wine Bar suggests many things, some puzzling but the most obvious being that wine is served. One look at the menu, though, and it becomes clear this spot is more restaurant than bar. One food item in particular caught our attention: dambalkhacho. We first heard of dambalkhacho some years back when a friend offered us hard, moldy cheese bits cut from a ball about the size of a healthy orange. It was rich, slightly peppery with a sharp, tart finish; nothing like any cheese we had ever tried.

It was our first Tbilisi summer stroll down the city’s main drag, Rustaveli Avenue; two sweaty, newly arrived pie-eyed tourists tripping on the 2001 reality. There were billboards advertising the recent kidnapping of a Lebanese businessman, policemen in crumpled gray uniforms extorting money from random motorists with a wag of their batons, and at the top of the street, a former luxury hotel looking like a vertical shanty was full of displaced Georgians from Abkhazia. Parched and cotton-mouthed, we entered a café of sorts for cool respite. The room had high ceilings, was stark and all marble-tiled, including the long, wide bar. A splendid social-realism mosaic of women, grapes and wine was laid into the back wall. The counter was decorated with a few tin ashtrays and a spinning rack holding several tall cone-shaped beakers filled with technicolored syrups.

In Sukhumi, the capital of Abkhazia, there is an old pier with a sorrowful rusting shell of a café poking out over the Black Sea. What had been a dining room is a vacant space that mostly seems to serve as a public urinal, while upstairs a kiosk-sized café serves Turkish-style coffee, beer and snacks with plastic tables and chairs for locals who bitterly recall when the café was one of the most happening spots in Sukhumi. Georgians and Abkhaz dined, drank and danced together at the café, called Amra, until war erupted in 1992, and these friends and neighbors began killing each other. Within a year, much of what had been the capital of the Soviet Union’s “Red Riviera” was destroyed and as the Abkhaz advanced, some 250,000 Georgians were forced to flee their homes, not realizing they would never be able to return.

Renowned orange wine expert and award winning writer Simon J. Woolf tells the full history of this ancient wine and its modern struggle to gain acceptance in Amber Revolution: How the World Learned to Love Orange Wine (Interlink Books; Fall 2018). While the focus is mainly on orange wine history and culture in Slovenia, Italy and Georgia, the book also includes profiles of 180 of the best producers from 20 countries worldwide and is crammed full of all the information you need to find the best orange wines worldwide. We spoke to Woolf about the relationship between natural and orange wine, how Georgia fits into this story, the future of orange wine and much more.

You are motionless, stuck in a traffic jam after a long day at work while your stomach growls. You know the rest of the family will be hungry when you get home and that the fridge is empty and sad. Shopping and cooking is out of the question, so you turn onto a Vera side street, zig-zag through one-way lanes to Tatishvili Street, double park, and run into a tiny gastronomic oasis that has been saving lives like yours for nearly a decade. Its name is Tartan. Located in a step-down ground-floor apartment, takeout cafeterias don’t get homier than this. The front room is taken up with a long counter of refrigerated display cases half filled with enough ready-made dishes to lay down a feast when you get home.

In the latest installment in our Book Club series, we spoke to Alice Feiring about her new book, Natural Wine for the People (Ten Speed Press, 2019), a compact illustrated guide to natural wine. While this category is becoming enormously popular, especially in the U.S., there is still a lot of confusion about what exactly natural wine is, where to find it and how to enjoy it. This easy-to-understand primer sets the record straight. Feiring is the author of four other books, including For the Love of Wine: My Odyssey through the World’s Most Ancient Wine Culture, which was the subject of a previous CB Book Club Q&A. A prominent figure in the natural wine movement, she also publishes the natural wine newsletter The Feiring Line.

Miss Maria, a Tbilisi Armenian, sells cured pork, salted pork fat, and Armenian cured beef basturma and sujuk at the Deserter’s Bazaar. We meet her and other vendors like her as we meander through the market – a bustling medley of people selling those products that are the rudiments to Georgian cuisine – on our Tbilisi walk.

Ènek poured a rosy-colored splash of wine into our glasses, avidly explaining how this particular Aladasturi grape vine was meticulously cultivated in its native west Georgia. In a tasting ritual uncommon in Georgia, we swirled it, sniffed it and savored the flavor as it caressed our tongues. Here in the “cradle of wine,” the land where viticulture is believed to have originated 8,000 years ago, wine is customarily poured into a water glass and “tasted” in one long drag, until drained. But in this cozy cellar in the heart of Tbilisi’s historic Sololaki neighborhood, seven winemakers have come together to offer an alternative convention to winemaking and consumption. They call it Vino Underground, but we call it wine heaven.

We used to spend a lot of time in western Georgia’s Samegrelo region when breakaway Abkhazia was our beat. Zugdidi, the regional capital, was our overnight stop coming and going across the river to the disputed land in the north. Our local friends would welcome us with Megrelian hospitality, decorating their tables with hearty and spicy local fare that made us purr. The wine, however, with its sweet barnyard vinegary tang, was a different story. We assumed that this subtropic-like land, with its year-round lushness and mandarin, hazelnut and overgrown tea fields, was hostile to good wine grapes. We didn’t realize back then that the practice of making sugar-wine was not exclusively a Megrelian thing, but a Communist legacy practiced throughout the country.