On March 27 of this year, Monique and Josef, the Moroccan-born couple that own Patisserie Avyel, plan to roast a turmeric-coated lamb shoulder above a bed of onions. My friend Judith, whose family hails from Algeria’s Tlemcen region, will blend almonds and raisins into mlosia, a thick jam. And, in my apartment, I will simmer matzo balls in chicken broth as my Lithuanian ancestors once did. All of us Marseillais will be cooking these foods for Passover, the Jewish holiday that commemorates the exodus of the Israelites from Egyptian slavery. While Jewish celebrations and cooking are as intertwined as the braided challah bread we eat on Shabbat – “all of our fêtes pass through the kitchen,” quips Frédérique, a Marseillaise with Tunisian roots.

It’s 6 a.m. Lately I’ve been waking up really early. I don’t expend enough energy I guess – not in the rhythms that I am used to anyway. Everything is suddenly so different, so eerie and lonely, and at the same time I feel like I’m being watched – as if I’m part of a movie or a weird version of Big Brother or Survivor, the kind of game show where everyone is on the same mission, but no one really trusts each other. Everyone’s scared of something invisible, and if you sneeze or cough, you get a strange look. I was joking around with the few people who were worried about Covid-19 before it had even reached Europe. At the end of January, the coronavirus made it’s way to Italy – right next door. That’s when more people started worrying.

The typical Neapolitan trattoria is a place where you go to eat like you would at home: the cook buys everything fresh in the morning, just like at home, and then spends the rest of the day in the kitchen, which he rules like a maestro. For the quintessential trattoria experience, we head to Fuorigrotta, a working-class district on the west side of Naples. There, close to the border with the seaside suburb of Bagnoli and not far from the Cavalleggeri Aosta metro stop, stands Cucina da Vittorio, a small trattoria with a few tables and a steady rotation of regular customers.

Back at Culinary Backstreets Istanbul headquarters in 2012, every once in a while a conversation would arise about how çiğ köfte had emerged as a sort of fast-food franchising opportunity, with young entrepreneurial types starting up these meat-free meatball joints in all sorts of Istanbul neighborhoods. We all agreed it was much cooler than opening a KFC or an Orange Julius in the food court (though the former has been making its mark across the shopping malls of Turkey for a while now), and we were happy to see the ambitious souls of Turkey setting their sights on the bulgur meatball stand instead. The bespoke lokma shops and waffle bars may come and go, but çiğ köfte has its forever fans of all generations – and a new clientele now that it has caught on to its vegan marketing potential.

“We want to show people what Greek cuisine is really like. It’s not just souvlaki, gyros and moussaka. So in July and August when we’re closed, we travel all over the country looking for recipes, and because we love Greek wines too, we find recipes that go with them,” Xenophon says. We took a long time studying the menu – nibbling on their own olive bread – because even the dishes that sound familiar are not always what they appear to be. Take, for example, spanakopita (spinach pie). Here, it’s actually a salad. Moreover, their cheese dip, myttotos, made of three white cheeses plus black garlic, “goes back to the time of Hippocrates,” and the liver with apples, a combination we’ve never heard of, is a recipe from Karditsa in the northern Greek region of Thessaly.

Manuela, like many Neapolitans who emigrated abroad, used to make periodic trips home to see her family. On one such trip in 2012, she went to her grandmother’s house for Sunday dinner. As one does in Naples when a relative returns to the ancestral home, her grandmother prepared a ragù sauce for her. It was a simple meal, but one that would forever change Manuela’s life. When she finished eating, Manuela made the ceremonial scarpetta (dipping bread in the remaining sauce). Then a flash of inspiration came to her. “I thought, ‘Why isn’t there a place where you can eat only meat sauce? Where you can do the scarpetta like at home?’” she tells us.

Bios in Athens’ Keramikos neighborhood officially opened in 2003, but it all began two years earlier, when the Bios Cultural Organization was first founded as an audiovisual, electronic music festival held in various warehouses near central Athens. Following his instincts, Vassilis Charalambidis, the founder of Bios, decided to refurbish a beautiful Bauhaus-style building right on the corner of Pireos and Salaminos streets to give the festival and organization a permanent home. This innovative project had an immense impact on Athens, and very soon Bios became a kind of landmark and meeting point for creative young Athenians with an inquiring mind and a special love for their city. Its main goal over the past 25-odd years has been to promote contemporary arts, new technologies and creative, free thinking.

“His name was Mr. Antonio, and they called him the captain,” says 35-year-old Giusy Aiese, launching into the story of La Taverna del Buongustaio. “He was a wine producer from the province of Caserta, and he established a wine-making cellar here in the Fascist period, around 1930.” As we listen to Giusy recount the history of the tavern, we can’t help but think about hers: she comes from a family tree brimming with lovers of Neapolitan cuisine. Her 65-year-old father, Gaetano, a genius in the kitchen, has run La Taverna del Buongustaio since 1996, the year he bought the restaurant from Francesco de Micco, another excellent cook and, funnily enough, Gaetano’s wedding witness.

At the corner of Psaron and Salaminos streets, in a quiet neighborhood of Piraeus, there’s a place that looks straight out of a 1960s Greek black-and-white movie. Its name, eidikon, means “special,” and it’s the last of its kind: a bakalotaverna, or grocery store and eatery, all in one. The shop opened in 1920, when the three Papakonstantinou brothers from Gardiki, an impoverished village near Trikala in central Greece, came to Athens in search of better prospects. The building was the tallest in the area. It had large windows, and in good weather, one could even see the sea on the horizon.