If you hadn’t read the flyer closely before heading to Shanghai’s first ever MeatFest in June 2019, you might have been a bit disappointed upon arrival. The sounds and smells of sizzling meat might have seemed like a carnivore’s dream come true, but the name was tongue-in-cheek; the event was thrown by Vegans of Shanghai for “eco-conscious meat lovers” and served only domestically sourced plant-based “meat” products. It’s part of a bigger push towards eating a plant-based diet in China, where vegetarians make up less than 5 percent of the population. But even at such a low rate, that still comes out to approximately 50 million people (a population larger than that of Spain).

Pastitsio (παστίτσιο) is rightfully among the most beloved and classic dishes of the Greek cuisine. Its name, deriving from the Italian noun pasticcio, means a mess or a big mix-up. “Ma che pasticcio!” cry the Italians, meaning “But what a mess!” It’s also a musical term with a similar meaning: A pasticcio or pastiche is an opera or other musical work that draws from different composers. Likewise, from architecture to fine arts and literature, the term refers to works that directly imitate the style of one or more artists. Pasticcio, the dish, is also comprised of different elements and ingredients. The term was first used in Italy during the 16th century to refer to a Renaissance-born category of hearty pies or, more accurately speaking, pasties (because they are pies that are also covered on top with pastry).

Although reputed for its meat, La Femme du Boucher is nothing like your classic steakhouse. Plants dangle from the ceiling and sprout on shelves, making the covered patio feel like an outdoor garden, and a heap of roasted vegetables gets equal footing with our huge hunk of boudin, or blood sausage. We have chef Laëtitia Visse, the woman behind “The Butcher’s Wife,” to thank for this departure from the clubby, gentleman vibe. The young chef’s first restaurant reflects her simple desire: to serve up great food and good times. The generous plates and convivial space help see to that.

A waiter whisks platters of schnitzel and heaping challah-bun burgers to a large family, their laughter reverberating throughout the long dining room. We watch a pair of men beside us tuck into a Flintstonian-size steak as we try to fit our family-style vegetarian feast onto our small two-top. In spite of its quiet side street locale, Yossi resounds with a dinner party conviviality the moment you step inside. Situated near Marseille’s most prominent synagogue and the Rue Saint-Suffren, aka Rue des Juifs (Road of the Jews), Yossi is a kosher restaurant serving up Israeli comfort food in an industrial chic space that bears all the markers of cosmopolitan cool: exposed pipes, brass light fixtures and an open kitchen decked out in subway tiles.

Cecina is a food for the road. In its most common form, the salted and dried meat can last for months, which explains why it was a main source of sustenance for travelers, sailors and soldiers in colonial Mexico. Nowadays, cecina is still known as a thin cut of cured meat – almost always beef – that can be eaten completely dry, similar to beef jerky. Yet in central Mexico, specifically in the state of Morelos, cecina is normally salted (tiny cuts are made in the meat and fine salt is added) and then sun dried and air cured for two or three days (the thin sheets are usually laid out on tables or hung over wires), before being grilled over charcoal.

When épiceries first set up shop in France in the Middle Ages, they predominantly sold spices – les épices, as their name implies. In the 19th century, they added foodstuffs on their shelves, evolving into magasins d’alimentation générale. Some of these general stores are North African-owned corner shops. Open 24/7, they play an indispensable, yet oft-unsung role in the social fabric of a neighborhood (similar to NYC’s bodegas and Lisbon’s minimercados.) Others are épiceries fines, offering gourmet goods and seasoned advice on how to cook with them. Unlike impersonal supermarkets that sell pre-sliced salami suffocating in plastic, these intimate shops spark a conversation on the difference between coppa and bresaola. Épicerie l’Idéal fits somewhere in between, both a community fixture and culinary wonderland.

It’s 6 a.m. Lately I’ve been waking up really early. I don’t expend enough energy I guess – not in the rhythms that I am used to anyway. Everything is suddenly so different, so eerie and lonely, and at the same time I feel like I’m being watched – as if I’m part of a movie or a weird version of Big Brother or Survivor, the kind of game show where everyone is on the same mission, but no one really trusts each other. Everyone’s scared of something invisible, and if you sneeze or cough, you get a strange look. I was joking around with the few people who were worried about Covid-19 before it had even reached Europe. At the end of January, the coronavirus made it’s way to Italy – right next door. That’s when more people started worrying.

Old Carnide feels like Lisbon’s land that time forgot. Just a 15-minute subway ride from the tourist bustle of downtown, tucked away behind a sprawling mega-mall and phalanxes of high-rise apartment blocks, it’s a neighborhood of cobbled lanes and pastel-painted 18th-century homes, where children play beside the cream-colored medieval church and graybeards argue soccer and politics under shady lime trees. Come lunchtime, however, and the sleepy, village-like calm is shattered. Cars honk for parking spaces, and packs of besuited business types, chatty troops of workmates, extended family groups and multiple couples suddenly emerge onto Carnide’s narrow streets with one thought in mind: food.

This is a story that starts and ends with the land. First there was the father, Spyros Vracha, a farmer who owned fields nearby Chalandri, now a middle-class suburb around 8 km north of downtown Athens. His crops supplied the kitchens of the tavernas in the area, which until the 1980s was dotted with villas, rather than the apartment blocks of today. Before it closed down almost 30 years ago, Ta Marmara (“The Marbles,” so called because of Chalandri’s many marble suppliers and workshops) was one of the tavernas that Spyros supplied. It was owned by Stavros and Athena, Spyros’ neighbors.

One tip often given to travelers is to look for restaurants full of locals. In fact, we do the same thing when dining out in Naples: If we see a spot packed with groups of employees or policemen on their lunch break, it’s almost a guarantee that we’ll eat well. Trattoria Avellinese, the late Peppino (Giuseppe) Cipriano’s restaurant near the central train station, is one place that’s always crowded with Neapolitans. Moreover, we can personally testify that this trattoria is a local favorite. Growing up, we lived near Piazza Garibaldi, and whenever our family went out for lunch – which, to tell the truth, wasn’t that often – we went to Peppino’s place.

Few places conjure more vivid images of delicious, cult meat consumption than Vari, a southern suburb of Athens, particularly the neighborhood of Vlahika. How, exactly, Vari became a meat-eating paradise goes back to members of the nomadic Sarakatsani tribe, who used to move their herds from the neighboring mountains of Parnitha and Penteli to spend the winter in this area, with its milder clime. In 1917, a few Sarakatsani families decided to make Vari their permanent residence. Later down the line, in 1962, Christos Goulas opened the first butcher-taverna called Tseligas (the name for a sheep herder) on Varis Koropiou Avenue (now called Eyelpidon, it’s one of the main drags in town).

The typical Neapolitan trattoria is a place where you go to eat like you would at home: the cook buys everything fresh in the morning, just like at home, and then spends the rest of the day in the kitchen, which he rules like a maestro. For the quintessential trattoria experience, we head to Fuorigrotta, a working-class district on the west side of Naples. There, close to the border with the seaside suburb of Bagnoli and not far from the Cavalleggeri Aosta metro stop, stands Cucina da Vittorio, a small trattoria with a few tables and a steady rotation of regular customers.

During a busy evening on Main Street in Flushing, the sight of a food cart grilling skewers of meat doesn’t seem out of the ordinary on a thoroughfare filled with street vendors. After hanging around long enough, though, it becomes clear that this cart is different from similar ones up the block. The most obvious difference is its operator, Ekrem, a young man from western China’s Xinjiang region who shows an intense care for each and every skewer of his Uyghur-style barbecue. As he effortlessly and gracefully flicks the perfect amount of his secret spice blend on each bit of meat (all of which are quality cuts), he tells us that nothing in them is artificial, gesturing up the street to indicate that the others in the area do not have the same exacting standards.