Some recipes are so deeply connected with the region from which they originate that they are simply named after that place. Circassian chicken, an appetizer beloved in Turkey and throughout the Caucasus, is such a dish. The recipe itself takes on many different variations across different geographical locations, much like the mosaic of people and cultures that can be found within the large area in which Circassian chicken is enjoyed. There is record of the recipe for Circassian chicken entering Ottoman cuisine as early as the year 1859, by way of immigrants and exiles who came from the Caucasus to the Ottoman Empire.

Our friends were puzzled: back after two years away from our hometown of New Orleans, we were heading to a far-eastern suburb of the city to eat. With so many blessed dishes in the city center, why were we out in Chalmette? The answer was simple: Our destination was Secret Thai, a restaurant well worth the trip. Its location may seem odd at first, but it only adds to the allure of making a pilgrimage past the city’s industrial canal and the Lower Ninth Ward. About five miles east by way of the Mississippi River’s bend from the French Quarter, when the condensed city spills into strip malls, Secret Thai sits along another bend on Judge Perez Drive, St. Bernard Parish’s main commercial artery.

In the spring of 2017, the Bywater Bakery opened its doors and became something of an “instant institution.” Part casual restaurant and part impromptu community center, the cafe space hummed with perpetual activity. Deadline-racked freelancers posted up with their laptops, soon to be covered in butter-rich pastry flakes. Neighborhood regulars would crowd tables for a lingering lunch visit over salads or sandwiches. On many busy mornings, New Orleans jazz luminaries (the late-Henry Butler, Tom McDermott, John Boutte, Jon Cleary) might wander in to make use of the dining room’s upright piano, filing the space with impromptu performance and the occasional singalong.

“Five years ago, I started to write a cookbook about tripe,” Chef Gareth Storey tells us. “But I realized that I knew nothing about it other than how it was served in France and Italy. I needed to explore more about tripe in different parts of the world.” It could be said that he’s conducting his research in Portugal. Gareth is originally from Ireland, but is currently the head chef of Antiga Camponesa, in Lisbon. The restaurant is overseen by André Magalhães, of Taberna da Rua das Flores fame.

Long before Halloween – nowadays a popular event marked by pumpkins and costumes here in Italy, too – arrived in Naples, we had Carnival. A mix of pagan and religious festivity, celebrated with exuberance and (mainly culinary) excess before Lent, it culminates with Mardi Gras, the Tuesday in February which falls six weeks before Easter. In Naples, Carnival used to imply embarrassing homemade costumes and the desperate effort to escape egg throwing in the streets on the way home from school – as well as much more pleasant rites, including the food-related ones. Which, luckily, still endure. The widespread Italian habit of frying food for Carnival here takes the irregular, indented shape of chiacchiere – thin, crunchy fritters sprinkled with powdered sugar, which are also common in other regions of Italy but with different names – traditionally served with sanguinaccio, a decadent chocolate sauce originally made with pork’s blood, to honor the animal’s sacrifice.

"I always wanted a place where I could go a couple of times a week and have a good plate of pasta," Franco Raicovich tells us. From where we're sitting – across the table from Franco at Fuzi Pasta, which he opened in Fresh Meadows, in eastern Queens, in the summer of 2023 – we might be at any number of casual Italian restaurants. Tables for two, singly or pushed together for larger parties, line a banquette. The walls are hung with charming portraits of diners, most of them attractive women or cute children, wrangling spaghetti. We hear Sinatra in the background, but also 1960s soul and 1970s pop and rock.

It’s not an exaggeration to say that Lisbon’s fresh markets are disappearing. The Greater Lisbon area is home to 28 market spaces, yet only ten of these witness any significant commercial activity. As the city’s shoppers increasingly shift to supermarkets, its traditional markets have had to find new ways to remain relevant. In an effort to do this, some Lisbon markets have opted to transform part of their spaces into food courts – a phenomenon sometimes called the “Time Out effect,” after the high-profile market of the same name. It’s been a decade since the first of these relaunches, so we decided to visit the three Lisbon markets that have adopted it. What we witnessed showed a model that in one case seems to benefit both the traditional market and food court sides alike, while in the other cases, appears more lopsided.

In a city where it can be hard to keep track of trendy new restaurant openings, dining at El Mirador is a timeless tradition. Open since 1904, the beloved cantina stands in a corner across from the city’s iconic Chapultepec Park, hiding more than a century of history behind its green awning. Stepping inside El Mirador immediately calls for a decision: sitting on the restaurant side or in the cantina. Cantinas, which rose in popularity during Porfirio Díaz’s presidency in the early 20th century, are laid-back watering holes where food and drink are usually served with a side of live music and games such as dominoes. While similar in decor – green chairs, white tablecloths, ornate plates hanging on the walls – the restaurant and cantina at El Mirador offer two different ambiances, especially as the week progresses.

“A pie might seem to be just a pie, but it’s not,” Drew Ramsey, the head of the family-run Hubig’s Pies tells us. We’re standing in the company’s new location, where conveyor belts carry a steady stream of freshly baked and glazed hand pies. Ramsey is certainly right about his pies. Odes have been composed, bedtime stories have indoctrinated young ones, and Mardi Gras floats and costumes have been fashioned in Hubig’s Pies’ honor. In the 2010 HBO series Treme, a drama partly set in the neighborhood of the same name in the aftermath of Hurricane Katrina, the ashes of John Goodman’s character are scattered out of a pie bag as a brass band plays “Down by the Riverside.”

Dreamers make the world more beautiful. These extravagant eccentrics fascinate us with their seemingly impossible, utopian ventures, while equally making us wonder how their projects endure. Mario Avallone, 62, is one of these people. Get to know him, and he’ll happily tell you his tale: his travels around the world, his years living in Sicily, his incredible projects and the Mediterranean goods that he sources from A-to-Z. It is this truly extraordinary expertise in gastronomic culture that feeds his Neapolitan pantry – Drugstore Napoli – and the attached tasting room, La Stanza del Gusto, which was created to satisfy the most discerning palates, Neapolitans and travelers alike.

“Bom filho à casa torna,” we like to say in Portuguese, a maxim that translates to “a good son comes home.” Can the saying be applied to a sandwich? In Porto, we would argue, the answer is yes, especially now that A Regaleira, the birthplace of the francesinha – Porto’s signature dish – is open again after being closed for three years. Even former A Regaleira regulars passing by the reopened restaurant might miss the fact that it has moved a few doors down from its original location. We could have sworn that the restaurant was in the same spot since 1934, but the original A Regaleira was forced to close in 2018 when the building housing it was sold.

From the mid-1800s to World War I, Marseille played a prominent role in France’s industrial revolution. Semolina mills, pasta manufacturers, soap factories, and oil and sugar refineries churned out goods to be loaded on giant ships at the Vieux-Port and shipped across the globe. Most of these factories shuttered after World War II, leaving a blight on the Quartiers Nord (Northern neighborhoods) where they were based. Recently, culinary entrepreneurs like Tava Hada Pilpeta’s gourmet harissa and Sarabar’s exceptional spices are aiming to revitalize the area’s food processing past in an artisanal way. Two others who are making their mark on the area are Stéphane Chevet and Georges Temam, who are transforming Marseille’s strong bond to the sea into smoked and cured delicacies.

On a side street just behind the lower edge of the Grand Bazaar lies a small, unsuspecting sign directing one up a flight of stairs to Kardeşler Köftecisi, a no-frills, hole-in-the-wall shop that has been serving grilled meatballs (köfte) for more than half a century. Unlike many nearby restaurants on the touristy strip, no one is trying to pressure you to go inside and there is no English menu, or any menu at all, for that matter. Kardeşler Köftecisi is truly an esnaf (small tradesmen’s) restaurant, as most of their customers work in the massive covered market and in other shops in the vicinity.

It’s an early example of guilt tripping. The story goes that a monk arrived in a Portuguese village, hungry and clever. He grabbed a rock and carried it door to door, claiming that it was his only ingredient, asking people if they would be kind enough to supplement it so he could make a meal. Tugging on heartstrings in this manner, he was able to accumulate a pot, a potato, some beans, a bit of sausage and some salt-preserved pork and seasonings – a hodgepodge of ingredients that, along with that crucial stone, he united as soup. Thus, goes the story, sopa de pedra, “stone soup,” was born. Hélia Costa, a restaurateur in Almeirim, an hour north of Lisbon, tells a much more practical origin story for the dish’s unique name.

Most of Murat Kelle Paça’s clientele stumble in between 1 and 5 o’clock in the morning, after a boisterous night of drinking, concert-going and dancing. Located in the heart of Beyoğlu and surrounded by the best nightlife in Istanbul, if not all of Turkey, Murat attracts one of the most diverse crowds of any restaurant we have seen in Istanbul. During the day, the usual blue- and white-collar crowd – from lawyers to bankers to store attendants – trundles in during their lunch break. But flash-forward to nighttime and the scene becomes much more interesting.