A few blocks from the fragrant street stands of Noailles, another multicultural bazaar unfolds indoors. An aproned man fries up falafel balls to stuff into sandwiches. At a wooden cart besides him, a girl pushes sugar cane into a whirring juicer that pours out the sweet nectar in a glass. Down the hallway, two women finger bolts of colorful Egyptian fabric and glittering ribbons. The Souk de Nour d’Egypte is a feast for the senses. Every inch of the soaring space is filled with something delicious or decorative. In the front half, wooden carts brim with spices, ice cream and other foodstuffs, leading to a long counter laden with baked goods, cooked dishes and a medley of salads.

Turkey’s rich regional food culture reflects its diverse landscapes: seafood, olive oil and wild greens along the Aegean Sea; wheat- and meat-heavy dishes in the country’s heartland; corn, collards and anchovies on the rugged Black Sea coast. But with climate change altering the environments that produced those ingredients, what will happen to the dishes they inspired? Will the way people in Turkey eat have to change too? And if so, how? Those are the kinds of questions posed by CLIMAVORE: Seasons Made to Drift, a thought-provoking exhibition on display at Istanbul’s SALT Beyoğlu cultural center on İstiklal Caddesi until August 22.

Every decent taverna in Greece has a category on their menu called alifes (αλοιφές), or “spreads” in English. It usually includes popular choices such as tzatziki, skordalia, taramosalata, tyrokafteri, melitzanosalata and more. We treat these dishes either as mezes, to be paired with a variety of other small plates for the main meal, or as dips, which we normally order as an appetizer to start the meal. One of my favorite dips is melitzanosalata, made with roasted eggplant. Believed to originate in Southeast Asia, the eggplant was not used in Greece before Ottoman rule. Its cultivation and use gradually became widespread in the Mediterranean region during the Ottoman period; nowadays, the eggplant is a staple ingredient of Greek cuisine, as evidenced by dishes such as moussaka, papoutsakia and briam.

We spoke to travel writer and cook Yasmin Khan about her latest cookbook, Ripe Figs: Recipes and Stories from Turkey, Greece, and Cyprus (W. W. Norton & Company, May 4, 2021). Author of two cookbooks, The Saffron Tales and Zaitoun, Yasmin turns her focus to the Eastern Mediterranean in Ripe Figs. Using the kitchen table as a lens through which to explore the issues of borders and identity in an interconnected world, she traces various migration stories in her travelogues and recipes. We chatted about the inspiration behind the book, her research process and the importance of documenting both the good and the bad in travel writing.

Vegetable main dishes abound in Greek cuisine. Those cooked in olive oil on the stovetop fall under the broader category of ladera (ladi means “olive oil”). They feature seasonal vegetables – usually one main vegetable is the star of each dish, with others adding flavor and color. In the lead-up to Easter – when there is a traditional fasting period of 40 days and lots of new vegetables come into season – ladera dishes enter the spotlight. One of my favorites is fasolakia (the diminutive of fasoli, or “bean”), which features fresh green beans cooked in tomato sauce with a few potatoes, carrots and often zucchini. It’s a dish that’s prepared all over Greece as well as in other Mediterranean countries like Turkey, with small variations.

Megali Sarakosti (Μεγάλη Σαρακοστή) is the 40-day period of Lent before Greek Easter, running from “Clean Monday” to Easter Sunday. The fasting rules prohibit consumption of any kind of meat or animal-derived products like dairy and eggs. Fish is not allowed either (with a few exceptions), but bloodless seafood like crustaceans, shellfish, fish roe, calamari and octopus are fair game. What always fascinated me is the fact that in Greek folk tradition, Sarakosti is personified as a woman, named Kyra Sarakosti (Mrs. Sarakosti), often made out of paper (still a common activity in schools – my son Apollo loves drawing her!), but also sometimes out of felt or even a basic dough.

Much as we may love the kitchen, and while the lockdown has given us plenty of time to experiment with old and new recipes, there does come a moment when the cook needs a meal off. Whether it’s because you have neglected to shop, have run out of inspiration or simply hanker for a dish prepared by someone else, being able to order from a place that has something more exciting than pizza, souvlaki, hamburgers and crepes is a very welcome treat. Some tavernas have come to the rescue, offering takeout from their regular menus, but the owners of a landmark Kifissia taverna have taken that option one step further and opened a special shop catering to takeout and deliveries. Cookos – the name is a play on the words “cook” and “kos,” the abbreviation for Kyrios or Mister – opened on December 15, 2020.

Born right before the Covid-19 storm, Taberna Noroeste opened its doors in February 2020, mere weeks before the pandemic hit Spain and strict confinement forced them to close. It was a turn of events that spelled disaster for many established restaurants and food businesses, let alone one that was brand new. Yet this project from the chefs Javier San Vicente and David López has grown healthy and strong, despite the hardship, and emerged with a unique culinary identity, now known across the city for elevating the popular cuisines of Galicia and Castilla y León (Castile and León, in western Spain) while incorporating Catalan touches.

We recently spoke to Marianna Leivaditaki about her cookbook, “Aegean: Recipes from the Mountains to the Sea” (Kyle Books, September 2020), which delves into the cuisine of Crete, the largest island in Greece and one of its most distinct. Marianna grew up on Crete, where her father was a fisherman and her mother ran the family’s restaurant, before later settling in the UK – she’s now the head chef at Morito Hackney Road in London. A skilled storyteller, she weaves an enveloping portrait of life on the island, which is simple but simultaneously rich, and presents its cuisine through a personal lens. The end result is a transporting love letter to Crete, an island with so much to give.

Sandwiched between Cours Julien and La Plaine, Rue Saint-Michel is stuffed with a smorgasbord of epicurean shops. Each window display is an edible advertisement: wheels of cheese at Art de la Fromagerie and mushroom-stuffed raviolis at Pâtes Fraiches et Raviolis Cédric Bianco tempting passersby behind the glass. The signless number 26 is more nondescript. From across the street, the mural of handymen above the storefront makes it seem like a hardware store. The jars of pickled vegetables beside the door say otherwise. Go inside, and you’ll find one of Marseille’s best épiceries.

A former village annexed to Barcelona in 1897, the city’s Sant Andreu district was a center of industrial development throughout the 20th century, becoming home to a large population of factory workers. Today, it is a quiet residential area that feels caught between its Catalan village roots and industrial past, with buildings being renovated and repurposed, including factories transformed into creative arts complexes and parks, and a former canódromo (dog-racing track) that is now an “innovation center.”

At a typical pâtisserie orientale, the front window is often stacked with towers of sweets – honey-soaked visual merchandising to entice passersby to pop inside. Some pastry shops line their walls with colorful geometric tiles and Moorish arches, the icing on the Maghreb cake. Pâtisserie Orientale Journo goes for a decidedly more subtle approach. Though located a block from Marseille’s main drag, the Canèbiere, this unassuming shop is somewhat lost in the shuffle of the pedestrian Rue de Pavillon. The few tables scattered out front suggest that there’s food to be found inside but the open storefront is bare – save for a giant five-gallon water jug propped on a stool, with a hand-scrawled sign “citronnade – 2 euros” beside it. That’s all the advertising needed for a pastry shop that has survived by word of mouth for 60 years.

Agapi Stavrakaki was born in Anogia, a mountain village on the island of Crete famous for producing fine produce and excellent musicians. Decades before she would open Raeti, a delightful restaurant in Athens’ Ambelokoipi neighborhood which pays homage to her island home, a 10-year-old Agapi worked by her grandmother’s side at her family’s vineyard in Anogia, cooking for the workers harvesting grapes and making wine. She and the other women would prepare huge quantities of food in enormous kettles. Despite being cooked in bulk, the food was always traditional, fresh and tasty – Cretans have high standards! Before continuing with Agapi’s story, a few things about Cretan cooking: One of the most legendary of Greece’s regional cuisines, it makes use of all the simple ingredients that are offered by nature with an open hand.

Dear Culinary Backstreets, My family is traveling to Athens in October. Some of our friends have told us that Athens is not very child-friendly and that the only places that cater to children are international fast food chains. Is this true? Are there any other options for those of us who do not want to eat American-style fast food?