Holiday traditions tend to be tied to numbers. In southern Italy there is the Feast of Seven Fishes on Christmas Eve, while in Poland, the night before Christmas is celebrated with borscht, herring and poppy seed cake at the 12-course Wigilia. Here in Provence, our lucky number is 13, with the Treize Desserts de Noël. By no means a static tradition, the 13 Desserts of Christmas have evolved over the centuries. Its first mention in 1683 by Marseille cleric Francois Marchetti in Explication des Usages et Coutumes des Marseillais (An Explication of Customs and Traditions of the Marseillais) detailed 13 breads, not desserts, alongside cakes and dried and fresh fruit. The table was topped with three tablecloths to represent the Holy Trinity – a custom that some families still practice today.

A visit to a pastelaria in Lisbon in the lead up to Easter brings with it new surprises. Alongside the usual pastries and cakes, you’ll spot folares, loaves of sweet bread, some topped with hardboiled eggs, and many surrounded by a colorful assortment of almonds. This type of bread, which contains ingredients forbidden during Lent, has long been associated with Easter and the feasting that occurs on this holiday. “After the winter months and the long fast during Lent, the Easter brings an intense activity in terms of culinary preparations and the exchange of cakes, namely the folares,” writes Mouette Barboff in her book A Tradição do Pão em Portugal (Bread in Portugal).

Folar is the generic name given to traditional Easter sweet bread in Portugal. Making it from scratch is somewhat of a long process, but being confined due to the coronavirus crisis, we seem to have a bit more time on our hands than expected. My family’s folar recipe is from my grandmother Felismina, who was from Rosmaninhal, near Mação (in the center of Portugal). As long as I can remember we would have this sweet bread around Easter. (A similar type of sweet bread is also baked around November 1, for All Saints’ Day.)

The squat, bright yellow building with red trim that houses Two Sistas ‘N Da East has the hours of operation – 10:30 a.m. to 4:00 p.m. – painted in big red letters on its side beneath a sign that announces “Soul Food.” But these days, hours are fluid and subject to change, especially in the restaurant business, so we double-checked the hours to make sure. Google told us that the hours of operation had been updated by the business in the last two weeks. We felt good about it. So, it was even more surprising when a hand reached out the door with two fingers extended upward in the peace sign and we heard a voice say “11 a.m., baby.”

Someone once said that humanitarian workers are like mercenaries, missionaries or madmen. It is a description we have also applied to expats who end up in far-flung places like Georgia. Like the foreigner out in the secluded Kakhetian village of Argokhi, between the Alazani River and the Caucasus Mountains, who has forged his life growing a nearly extinct variety of native wheat and baking it into bread; but he is no madman. He’s a Frenchman. We had first heard about Jean-Jacques Jacob some years ago while visiting the Alaverdi Monastery in Kakheti, when a friend pointed north of the giant cathedral and told us of a Frenchman who had started a farm in the middle of nowhere.

All things considered, bread is a relatively new arrival in Japan, having found its way there in 1543, when the first Portuguese ship arrived carrying missionaries and merchants who had come to spread the word of God and seek new markets. These Europeans brought with them commodities both tangible and intangible. When the Sakoku Edict, which essentially closed Japan to all international contact, came into effect in 1635, some of these commodities remained in one form or another. The vast majority of Japanese would never encounter bread during the subsequent Tokugawa Era (1603-1868), though the concept of doughy baked goods – pan in Japanese, from the Portuguese pão – remained.

Even as traffic slithers to a crawl west of the 405 Freeway on Santa Monica Boulevard, drivers may be hard-pressed to notice the small storefront known as Naan Hut standing on their periphery. Neither its name nor its red-and-yellow signage offer any indication that a 1,000-year-old Persian tradition of baking naan sangak is upheld within these walls in the heart of Tehrangeles, the unofficial name for the West L.A. stomping grounds of L.A.’s Iranian diaspora. An ancient bread, legend ascribes the origins of sangak to the 10th-century Persian military. Soldiers would march together carrying small river stones known in Farsi as “sangak,” arranging them together at their day’s destination to aid in the special technique of baking this bread come chow time.

There was a dowdy little joint in Batumi, Georgia’s Black Sea port town, where two middle-aged women churned out the most exquisite Adjarian-style khachapuri pies in an old pizza oven. It was a must-stop for every trip to the coast, as there were few places in Tbilisi that could scorch such an authentic acharuli. As the years passed, the seedy potholed streets that hosted a pool hall, brothels and our favorite khachapuri joint transformed into a gentrified neighborhood of gift shops and boutiques catering to the ever-growing number of tourists flocking to Batumi. Meanwhile, the boat-shaped acharuli has become one of the most emblematic dishes of Georgian cuisine and is not only found all over Tbilisi, but is also being served in New York and Washington, DC.

Cafe Allende’s manager, Roberto Hernandez, stands behind the counter, serving customers pan chino out of a display case grown foggy from the warmth of the fresh pastries inside. “The idea was to come and study, finish school, and work as a technical engineer. But it didn’t work out that way. This pulled me in,” he says, gesturing around the cafe. “Now it's my life.” Roberto had come to Mexico City as a boy, moving in with a sister 20 years his senior and her husband, Jesús Chew, a Chinese immigrant and the owner of Cafe Allende. Welcomed into their family as another son, Roberto worked at the cafe and spent many evenings with Jesús, learning Mexican-Chinese recipes like the varieties of pan chino, which means “Chinese bread” in Spanish.

Despite the bitter January cold, surging cases of Omicron and roaring inflation, Istanbul seemed its usual vibrant self on a recent Friday night: Our first choice restaurant was fully booked, even in its expanded space, and the new neighborhood ocakbaşı where we ended up bustled pleasantly, with every seat taken at the large counter encircling the grill. But appearances can be deceiving. “Meyhanes are still full, but people are eating less, drinking less; they can’t afford to consume like they did before,” says chef Aliye Gündüzalp, one of the owners of Müşterek meyhane in Beyoğlu.

At first glance, Berbena, a restaurant in Gràcia, resembles a small, pretty tree with dazzling foliage – it offers a sophisticated and complex dining experience. But the restaurant’s delicate attributes, those pretty leaves, wouldn’t be possible without a carefully tended trunk and roots. In short, the basics matter, something that its creator, chef Carles Pérez de Rozas, decided after years spent in high-end kitchens. Carles had a culinary education par excellence: After studying at the prestigious Hofmann School, a culinary institution in Barcelona, he worked at several Michelin-starred restaurants in Catalonia, such as Drolma, Saüc, and Carmen Ruscalleda’s iconic Sant Pau. A job in the restaurant at the Hotel de Ville de Crissier brought him to Switzerland; he then spent a short and intense period in France with the great chef Michel Bras. In Japan, he trained alongside Seiji Yamamoto, in his Tokyo restaurant Nihonryori RyuGin, adding more notches of refined knowledge to his belt.

When Tasos Perdikis and Aris Doukas met a few years back – the two men were working at the same restaurant, although not in the kitchen – they bonded over their love of food. As Tasos tells it, they were both obsessed with souvlaki. Almost immediately they started making future plans to open their own souvlaki shop. They agreed on the fundamentals: simple, old-school souvlaki (which also happens to be our favorite). Made without potatoes and often not even tzatziki, this type of souvlaki spotlights the quality of the pita bread and the meat (typically pork); slices of fresh tomato and onion mixed with chopped parsley round out this divine Greek “sandwich.”