Çukur Meyhane, a small, slightly shabby basement meyhane in Beyoğlu’s Galatasaray area, certainly does not look like the kind of place with any shining stars on the menu. On one of our very first visits, the floor seemed to be covered in a mixture of sawdust, table scraps and some cigarette ash. The tiny open kitchen occupies one corner, while the VIP table – where a group of old-timers can be found watching horse races on TV, scratching at racing forms, cursing and cheering – takes up a slightly larger area. A good bit of the other half of the room is home to a giant ornamental wooden beer barrel.

Introduced during Ottoman times, the kafeneion – the old-fashioned kind of coffee house – has long been a fixture in Greece. By 1860, Athens already had more than 100 establishments that were serving what has been called both Greek coffee and Turkish coffee (name debates aside, we can all agree that it’s more or less the same thing, a small cup of strong coffee with a thick sludge at the bottom). They were (and still are) the domain of men, who would congregate there to talk politics and socialize over coffee as well as more substantial fare, usually simple meze and ouzo or tsipouro. Although the traditional Greek kafeneion still exists in many Athenian neighborhoods, it’s slowly dying out.

San Diego de la Mesa Tochimiltzingo may not be the prettiest pueblo around, but people who know their mezcal certainly know about this town in the state of Puebla. Just three hours southeast of Mexico City, the pueblo is tiny and unprepossessing, tucked into the Atlixco Valley in the Sierra Mixteca. Almost all of its 1,000 residents work in mezcal. No one can say for certain when mezcal production started there. When we asked, several mezcaleros (mezcal makers) debated for a while before agreeing it was some time in the 1800s. After more discussion, they finally zeroed in on the year 1864, though how and why they settled on the date remains a mystery. Mezcalero Silvistre Reyes admits, “No one really knows.”

“When you like what you do, and you're young, nothing is impossible,” says Doña Juanita Hernandez, one of a handful of female master distillers in Oaxaca, the heart of Mexico’s small-scale mezcal industry. She sits, tiny and relaxed on a wooden bench as we sip mezcal in her distillery, El Rey Zapoteco, in the Oaxacan town of Santiago Matatlan. Doña Juanita herself was just a young girl when she started filling and labeling the bottles at her uncle’s distillery. He was the first person to bottle in the town, which has a long-held tradition of mezcal production. “[His brand was] Mezcal Matatlan,” she remembers. “He bought a bottling machine – a tiny one for four bottles at a time, and he had me fill the bottles and put on the labels.”

Years ago, we were traveling with a friend through Belgium during a particularly cold spring when, after a long day, we decided to warm up at a local bar. We were happy – and a bit surprised – to find that they had a decent selection of Oaxacan mezcales. Filled with yearning for our warm homeland, we ordered two shots of mezcal made with tepextate, the agave with the longest lifespan among the 20 wild varieties used for making mezcal in Oaxaca. That first sip unleashed the mineral and herbal flavors of this lonesome agave plant – which can require up to two decades of maturation before it can be turned into mezcal – and took us to its terroir: a rocky Oaxacan landscape where the central valleys meet the mountains and the wind blows dry and gentle.

Beer is one of the last things that comes to mind when thinking about the Istanbul suburb of Başakşehir, a large district known as one of the city’s conservative heartlands. Tellingly, it’s also home to Başakşehirspor, the unofficial football team of Turkey’s ruling Justice and Development Party (AKP). Yet tucked in a sprawling industrial complex of Başakşehir is the headquarters of Istanbul’s best microbrewery, 3 Kafadar, which translates to “three buddies.” The name is rooted in the longtime friendship of the three owners, Hakan Özkan, Harun Aydın and Tarık Apak. Their interest in brewing was sparked by a trip to Oktoberfest in 2013. It was Özkan and Aydın’s first time, and the place was so packed that they had a hard time securing a place to sit and drink.

In Marcel Pagnol’s iconic 1930s Marseille trilogy, dockworkers sip pastis at Bar de la Marine, a Vieux-Port bar that still stands today. Later in the century, pastis is as prominent a character as its star, Detective Fabio Montale, in Jean-Claude Izzo’s 90s Marseille noir crime novels. The city’s quintessential quaff is as popular as ever in present day Marseille. At lunchtime and apéro hour, locals clink glasses filled with the opaque green elixir on sun-soaked terraces. A group of tracksuit-clad fans shares a bottle of Ricard on the Velodrome steps before an OM game. “It is a drink meant for sharing,” says Guillaume Strebler of local Distellerie de la Plaine.

Though France shares a border with Belgium and sits across the English Channel from the UK, the country doesn’t have as big a beer culture as its neighbors. The French consume less than half of the European average of seventy liters per person. The trends have been shifting over the past few years, however, spurned by the deluge of microbrews in the United States and elsewhere. From 246 microbrasseries in 2016, France now has a whopping 1653 since the start of 2020. Marseille’s first microbrasserie, La Plaine, set sail in 2013 (the industrial La Cagole – whose bottles sport the city’s clichéd bimbo – doesn’t count). La Minotte followed in 2015. Then, in April 2018, we got our first bona fide brewpub: Zoumaï.

At a sleek counter, diners are perusing a menu of modern Vietnamese cuisine with a Japanese twist to be paired with sake. They might begin with something light – delicate rice paper rolls filled with shogayaki, ginger-fried pork and a Japanese home cooking classic – before moving onto a modest portion of motsuni, a dish of beef intestines stewed until tender. The chef smiles across the counter as he prepares the next dish, and then asks how they like the pairing with a robust yamahai sake. Just a few paces away, a similar scene is playing out at another counter restaurant and another, with diners hopping between them. Two floors of tiny restaurants are tessellated into a modern, stylish space. However, while the set-up might look like yet just another modern food hall, the underlying concept marks a growing trend within Tokyo’s dining scene to turn to the city’s past for inspiration.

The consumption of sake is a sacrosanct affair in Japan. In Japanese, the term “sake” technically denotes all alcohol, though it is often used interchangeably with the less ambiguous “nihonshu.” The true genesis of the island nation’s archetypal brew is lost to time, though the divine concoction of water, rice, yeast and koji mold likely originated, or at least became more standardized, sometime during the Nara period (710-784 AD) when Empress Genmei consolidated rule over an agrarian society. Most people in this fledgling nation state participated in animistic and ancestral folk worship, within which rice, and by extension nihonshu, came to play important ritualistic roles.

Poverty and social problems are a worrying side effect of the pandemic, especially in big cities like Lisbon. As in most urban environments, there is a significant homeless population. Moreover, skyrocketing unemployment has meant more people than ever are in need of some assistance – families are struggling to pay their rent and put food on the table. The Portuguese have responded, however, to this large need with an equally large number of solidarity projects. While it’s impossible to name all the people involved who have stepped up to help, we thought it would be worth highlighting the efforts of many people in the food and wine industries.

Next to some wooden shelves overloaded with spirits, a photograph of Natália Correia hangs on the wall. The photo’s placement makes it appear as if Correia, cigarette in hand, is surveying the small room, which is crowded with semi-broken tables. The late poet and upstart co-founded this tiny bar/café a few decades ago, and her presence is still felt here and in the neighborhood more generally: A nearby street, with a spectacular view of the city, is also named after her. Botequím is one of Graça’s oldest bars, located on the ground floor of Vila Sousa, one of the worker apartment complexes built at the end of the 19th century.

Down the street from Istanbul’s upmarket Etiler neighborhood and above the even-glitzier shoreside quarter of Bebek lies Hisarüstü, a ragtag maze of unplanned urban growth that happens to be adjacent to the newer campus of Bogaziçi University, Turkey’s most prestigious college. Once upon a time the area was home to a pig farm, but Hisarüstü became quickly built up as Anatolian migrants rapidly settled in Istanbul, not shying away from the area despite its location on an impossibly steep hill. Though Etiler and Bebek are among the city’s most prestigious areas, Hisarüstü doesn’t get much attention from outside visitors – if you don’t live in the neighborhood or attend Boğaziçi, you likely have no reason to go there.

On a stormy night sometime in the mid-9th century, as the legend goes, a Greek pilgrim named Pontus sought refuge underneath a Roman aqueduct in Salerno, some 50 kilometers south of Naples along the Amalfi Coast. With rain pounding down on the town and debris flying everywhere, Pontus took a terrible blow to his arm and found himself gravely wounded. Just as he sought treatment for his wound, Pontus noticed that a fellow Italian traveler called Salernus was also wounded, but applying seemingly innovative dressings to his injury. Fighting back superstitions and embracing his medical curiosity, Pontus approached Salernus to inspect his bandaging technique. As Salernus explained his methods to the Greek, two additional travelers, Helinus, a Jew, and Abela, an Arab, passed under the same aqueducts.