Way south of the pure, unadulterated hustle and bustle of the historic center, east of refined and residential San Ángel, and northwest of Xochimilco and its colorful canals lies Coyoacán, a neighborhood unlike any other in the megalopolis that is Mexico City. Once an artsy hangout for the movers and shakers of the day, like Frida Kahlo and her husband Diego Rivera, as well as a refuge for exiled Communists like Leon Trotsky (all three have house museums dedicated to their honor in the barrio), Coyoacán is now a popular tourist hangout. However, you don’t have to scratch far beneath the surface to find remnants of Coyoacán’s traditional, if somewhat romanticized, past.

Around 30 people crowd into a small bar in a quiet neighborhood in Lisbon for a film screening. It’s a Wednesday night, but the place, called Valsa, is full, despite the fact that it’s in a peripheral residential zone. “Valsa” is the Brazilian translation of “waltz”; the Mittel-European folk dance that arrived to Brazil via Portugal in 1808. Danced in the elite salões of Rio de Janeiro, the term is now back on this side of the Atlantic, thanks to this tiny Brazilian-run association with one of the busiest cultural programs in the city.

“The moment we were born, the moment we entered the world, so many people were happy. Our mothers, fathers, relatives; the doctor who delivered us, the nurses that helped; maybe some guys hanging out with our fathers said ‘Cheers!’ or ‘Congratulations!’ and patted our dads on the back. So many people and we don’t even know their names, who they were. Let’s drink to all those people who were happy that we were born – that with this toast we can say ‘thank you’ to them.” The year was 2001, and I had just crossed the border from Turkey into Georgia with my partner, Justyna. The Batumi train to Tbilisi had been roasting under the blistering June sun all day. Boarding with heavy backpacks, we were instantly pummeled with the grim reality that the windows of these Soviet-born wagons were all sealed shut; save for one in the middle, just big enough for three heads to poke out, panting for air.

“The future is the past,” says Salva Serra, quoting winemaker Pepe Raventós, the latest in a long line of winemakers to run the famed Raventós i Blanc. While his lineage might not be quite as storied, Salva knows a thing or two about preserving the past – the Serra family has owned La Perla BCN, a restaurant located in the upper Poble Sec neighborhood, very close to Montjuïc Park, since 1965. It’s the type of old traditional restaurant that you only learn about from word of mouth – a friend who only went there because another friend told him about it. The wonderful area where La Perla BCN is situated, with the Poble Sec residential neighborhood on one side and the nearby gardens of Montjuïc hill, home to museums and theaters, including the Grec Theater (built for the Universal Exhibition of 1920), on the other, was not always so charming.

In a 2007 essay for the New Yorker packed to the brim with wonderful imagery arousing multiple senses, the novelist Orhan Pamuk recalls sneakily wolfing down a hot dog at a büfe near Taksim Square in 1964. His older brother Şevket catches him in the act and proceeds to rat on him to their mother, who did not allow the boys to partake in street food on the basis that it was dirty and gleaned from dubious sources. Hot dogs and hamburgers were new arrivals in Istanbul back then, as were street vendors selling lahmacun and sucuk ekmek. The city was undergoing a renaissance in terms of fast food and street food, delicacies eagerly sought after by youngsters like Pamuk but reviled by their concerned mothers.

They withstood the phylloxera and the strong Atlantic winds, and are slowly fighting back against urban expansion, so it’s no surprise that a glass of wine made from grapes grown in Colares tastes like no other. The smallest wine region in Portugal, Colares is also probably one of its most distinct. Located on the coastline of Sintra between the hills and the Atlantic, the region owes its fame to the amazing wines produced in the sandy soil so close to the ocean. It’s also the western-most wine region in continental Europe and has fought like no other the vile phylloxera, the plague that wiped out most European vineyards in the late 19th century.

There has always been a bit of a rivalry between the two main cities of Portugal, Lisbon and Porto, which is well illustrated by an old running joke among some tripeiros (the name given to the people of Porto): whenever someone asks what is the best thing about Lisbon they will reply, “The highway sign that says ‘Porto.’” But it’s a healthy rivalry for the most part – football aside. Lisboetas, Lisbon locals, in general even tend to recognize that the food might actually be better in Porto and its surroundings, especially traditional dishes. While Porto does not benefit from the same multicultural influences that helped shape Lisbon’s restaurant scene, it is home to some very talented cooks with a knack for doing so much with so little.

Throughout Italy, Naples is known as the “city of coffee” – the Neapolitan caffè is synonymous with high-quality brew. And within the city, there are a number of stories and legends that swirl around the black stuff. Coffee is far and away the most popular caffeinated drink in the city. Neapolitans are not tea drinkers. In fact, most see it as a kind of medicine, probably because when you’re sick to your stomach the doctor recommends eating white rice and drinking tea. But it’s not just about the coffee itself. In Naples, drinking coffee is a true ritual, a complex set of unwritten norms, customs and ancient habits.

We met Don Tirso in the center of Santa Ana Tlacotenco, one of 12 villages in Milpa Alta, Mexico City’s southernmost delegation, on a sunny and cool morning. The road from village to village in Milpa Alta snakes through fields and around ancient volcanoes, slowly climbing up the mountains that overlook the beast of a city to which it formally belongs. We take a truck to his property, part of a farming cooperative ceded to the campesinos (farmers) following Mexico’s decade-long revolution that ended in 1920, which focused heavily on agrarian reform. In his village, the city’s only rural area covered with forests and farms, his generation of elders is the one that mostly carries the torch of their direct connection to the Aztec past.

It’s the eve of Kurban Bayramı, and while most of Istanbul is eerily empty, the tables at Köklem Uygur Yemekleri in Çapa, a neighborhood in the Fatih district, are quickly filling up. A young couple calmly chats, using chopsticks to pick up sautéed chicken slathered in soy sauce. At a nearby table a man sits alone, his bored countenance swiftly replaced by a broad smile as a waiter arrives at his table with a steaming plate of noodles, ready to be devoured. Most of the customers are speaking a language we can’t decode. But based on how happy everyone looks, this food is bringing them some serious joy.

Don’t tell it to French winemakers, but in 2015, the Chinese wine industry hit a major milestone by narrowly surpassing France in land dedicated to vineyards. With 7,990 square kilometers of grape-growing land concentrated mostly in China’s north-central and northwestern regions, the country now ranks second only to Spain and holds almost 11 percent of the world’s vineyards by land area. Most experts estimate that the vast majority of these vineyards grow grapes for the table, not wine, but the statistic follows the trend of wine’s growing popularity in the Middle Kingdom. And China is now among the top 10 wine-producing countries in the world.

The geography of Lavrion, a seaside town located in southeast Attica, about a 45-minute drive from downtown Athens, has played a big role in shaping its population. The most important factor is Lavrion’s proximity to the sea. With an abundance of fish and seafood at its doorstep, as well as a marina and port, it’s not wonder that a large portion of the town’s population are fishermen. Perhaps not as obvious, considering it’s more concealed nature, is Lavrion’s mining industry. Since before 3,000 B.C., the area was famed for its silver and lead mines. Although abandoned in the 2nd century B.C., the mines were re-opened in 1864, attracting a large number of miners who eventually settled in the town.

Lisbon’s communities from Portugal’s former colonies provide the strongest link to the country’s past, when it was the hub of a trading empire that connected Macau in the east to Rio de Janeiro in the west. Though integral elements of Lisbon life, these communities can sometimes be an invisible presence in their adopted land, pushed out to the periphery of the city. With our “Postcolonial Lisbon” series, CB hopes to bring these communities back into the center, looking at their cuisine, history and cultural life. In this fifth installment of the series, we look at Lisbon’s Goan community.

The owners of Zuari and Delícias de Goa, two of the most traditional Goan restaurants in Lisbon, share not only similar backgrounds – both migrated from Goa to Mozambique before settling in Portugal – but also the dedication to keeping family traditions alive.

Last year, Casa de Goa, celebrated its 30th anniversary in Lisbon. Located in Alcântara, it’s a cultural hub for Goans in Lisbon, keeping both traditions and memories alive. Besides a library and museum, there’s a restaurant – currently closed but soon to re-open – and regular events, conferences, exhibitions, games, social gatherings and food workshops. Casa de Goa is particularly active in promoting traditional Goan music and dance: it hosts a folk dance group called Ekvat and the music group Gâmat. Jerónimo Aráujo e Silva is the musical director and also the composer of some of the original songs.