Stories for eastern european

For a city whose natural beauty is what often sweeps visitors off their feet, Rio’s historical gems often look a little like urban ugly ducklings next to the bikini crowds and chic bars on sandy Ipanema beach. That’s a shame, because Rio Antigo has a great story to tell. Old Rio runs along the Guanabara Bay rather than the open Atlantic, and it was the former that gave the city its name – River of January – when Portuguese explorers came upon it in the first month of 1502.

The eyes of Tacacá do Norte’s harried staff widen as yet another customer arrives during the lunchtime rush. The bedroom-sized snack bar can barely hold one line of chairs around its bar but they have somehow managed to squeeze in two. Impatient regulars shake hands and whistle “psst” to the young men staffing the establishment, who gingerly hand steaming pots of shrimp soup and freshly puréed juices over the packed bar.

Chefs have long touted – and scientific research has confirmed – that we “eat with our eyes.” Hence the swishes and swirls of plating. Yet the importance of visual stimulation extends beyond food to include restaurant design, a point that is not lost on the all-day café Monsieur Madame. The eye-catching space is so full of ‘60s and ‘70s knick-knacks that you might mistake it for a vintage shop. Vinyl records are used as placemats on the brightly colored Formica tables. Shelves overflow with old cameras and plastic figurines. From wooden crosses to mounted fish heads, the walls offer a visual feast – so chock-a-block with mementos the vivid print wallpaper is somehow mellowed.

When you hear something go crunch on the left side of L’Eixample, whether crispy bread or churros, croquettes or socarrat, the toasted bottom of paella, there’s a good chance it came from the kitchen of Miquel Pardo. The 30-year-old chef runs his own restaurant called, appropriately, Cruix (Crunch), a place to have fun with food and discover amazing rice dishes from Castellón, a province in the Valencian Community. A native of this region, Pardo mixes his granny’s sofritos with a creativity inspired by the Adriá brothers, cooking dishes that will fill the stomachs of his relatives and friends, among whom he counts the clients of his restaurant.

When it comes to food, Onofrio Ioakimidis takes his inspiration from both the north and the south. His love for cooking blossomed in Thessaloniki – he was born and raised in the northern Greek city, which is second only to Athens in terms of size and legendary for its cuisine. But his grande amore with the culinary arts really began with his grandmother Constanza. Originally from the southern Italian city of Naples, Constanza fled Italy during the difficult years of Mussolini and moved to Greece. Fate brought her to Thessaloniki and into the arms of Grigoris, who soon became her husband. Onofrio recalls a childhood spent in nonna’s kitchen, at first playing with flour and dough, and then eventually learning how to make pasta.

We’ve written previously about flautas, one of our favorite street foods. Those crisp, finger-friendly “flutes” with their deeply savory, spiced chicken, pork, beef or potato filling are all about the gratifying crunch of the golden, deep-fried rolled tortilla (and the sour cream and grated cheese don’t hurt either). It’s hard to imagine how that winning combination can be improved upon, but at El Rey de las Ahogadas in Colonia Del Valle, we’ve found a delicious alternative. Although El Rey offers quesadillas, tacos and other Mexican delicias, as the big banner above the open storefront advertises, people come here mostly for the flautas ahogadas. These “drowned” flautas sit in a bowl filled with a soupy salsa verde so that they soften.

It was our first Tbilisi summer stroll down the city’s main drag, Rustaveli Avenue; two sweaty, newly arrived pie-eyed tourists tripping on the 2001 reality. There were billboards advertising the recent kidnapping of a Lebanese businessman, policemen in crumpled gray uniforms extorting money from random motorists with a wag of their batons, and at the top of the street, a former luxury hotel looking like a vertical shanty was full of displaced Georgians from Abkhazia. Parched and cotton-mouthed, we entered a café of sorts for cool respite. The room had high ceilings, was stark and all marble-tiled, including the long, wide bar. A splendid social-realism mosaic of women, grapes and wine was laid into the back wall. The counter was decorated with a few tin ashtrays and a spinning rack holding several tall cone-shaped beakers filled with technicolored syrups.

As winter descends over Istanbul, cloaking the city in gray rain clouds that make for beautiful sunsets but unpleasant commutes, we flee the many open-air eating options in the city for cozier digs, replacing outdoor meyhane feasts and rakı toasts with homey bowls of lentil soup and steaming cups of tea. Yet when we’re craving a place that is warm in ways beyond food, the average Istanbul lokanta often leaves something to be desired. Which is why, on a recent rainy Friday evening, we were pleasantly surprised to stumble upon Galaktion, a Georgian restaurant on a cobbled side street off Taksim Square, smack dab between Istiklal Caddesi and Sıraselviler Caddesi.

Think of Blavis in the Sant Gervasi neighborhood as the restaurant equivalent of the iconic Fiat 500 or Mini – perfect for a crowded city and charmingly so. Even though there are only two regular members of staff, this tiny spot packs a powerful punch. Chef and co-owner Marc Casademunt crafts tapas-style plates influenced by local and international cuisines, which are then served by Paco, the friendly waiter. When Marc and his partner, Sonia Devesa, opened the small restaurant in 2008, the financial crisis informed their initial concept: offering an affordable daily lunch menu for workers. In the beginning, they only opened for dinner two nights per week.

Corn is so vital to Mexican cuisine and culture that we could scarcely avoid it even if we wanted to. Not that we would ever want to – one of the things we love most about dining in Mexico is the high likelihood that our meal will have a healthy dose of corn in one form or another. Take atole, a traditional beverage made of corn flour, fruit, spices, and milk or water, which is often sold alongside tamales, corn patties most often stuffed with meat or veggies, steamed in a corn husk or banana leaf. Wash down your corn with some corn; that’s the Mexican way.

Location, location, location is a familiar mantra of New York real estate; invariably it comes to bear on restaurants and other food businesses, too. When e-commerce giant Amazon decided not to build a second headquarters in Long Island City, many food vendors were disappointed, sometimes bitterly, at the loss of a possible 25,000 new customers. With an eye on the lunchtime rush just across the Hudson River, in Manhattan, they wondered, why not in Queens? By contrast, continual development in Flushing, albeit on a much smaller scale, continues to displace many small businesses. The food stalls in the lower level of the celebrated Golden Mall shuttered in late summer for a renovation that was planned to last several months; it seems nowhere near completion.

Editor’s note: We’re celebrating another year of excellent backstreets eating by reflecting on our favorite meals of 2019. Starting things off is a dispatch from Alexis Steinman, our Marseille bureau chief. This year began with a bang, when Marseille nabbed a coveted spot on the New York Times’ “52 Places To Go in 2019” list. Written by food writer Alexander Lobrano, the blurb lauded the city’s ever-expanding food scene. Throughout 2019, new restaurants opened, captained by chefs who trained at local tables, first-timers emboldened by the city’s entrepreneurial energy and Parisians seeking sun and the easygoing vibes that go along with it.

A philosophical bar with a throwback name, Cuccuma Caffè opened in October 2018 as a counterpoint to the Neapolitan coffee culture – unlike the many, many bars where you sling back a shot of espresso while standing at the counter, this spot prioritizes a slow coffee. Achille Munari, 32, fell in love with Naples when he arrived 10 years ago from Umbria and decided to stay here in our city. A brilliant guy, Achille prefers a calm, relaxed pace of life, one that allows for reflection and conversation. So he decided to set up a bar that puts his life philosophy into practice.

When ordering a café in Marseille, keep your eye out for sugar packets and espresso cups lined in yellow and white. These diagonal stripes are the sign of Café Luciani, a logo inspired by the red and white panels on truck tailgates. Yet while those stripes implore you to be careful and hang back, Luciani encourages the opposite – they want you to dive head first into your cup of coffee The father-and-son coffee company began in 1863 as the Phocéenne de Torréfaction (the Phocaean Coffee Roaster), named after the lineage of the sailor who founded Marseille. Pascal Escudier’s locally roasted coffee was reputed for its “exquisite aromas” in an era when the petit noir was more about consumption than the quality of its composition.

When Lisboetas are looking for a night out on the town, Lisbon’s Bica and Bairro Alto neighborhoods aren’t as high on the list as they used to be – the area is crowded with tourist traps and expensive menus that make locals roll their eyes and run away. But António and Bruna Guerreiro saw an opportunity to upend the current state of things and bring a breath of fresh air to this corner of Lisbon. Both are artists, as well as seasoned consumers of culture and good food. Intent on marrying these two passions, the couple set out to create something that connected gastronomy and the arts while also paying homage to their Portuguese regional culinary heritage.

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