Since the coronavirus crisis began in France, our computer and TV screens have been with barraged with public health missives. The Alerte France ads feature a four-pronged plan to “protect yourself and others.” The first step, “wash your hands very often,” has made good old-fashioned soap the best anti-viral weapon – especially due to the drought of antibacterial gel. Consequently, the emblematic savon de Marseille – an olive-oil based soap that makes use of Provence’s green gold – is more popular than ever, turning the city’s savonneries into unintentional ambassadors of public health. One of them, Savonnerie Fer à Cheval, has been particularly prepared for the role.

To make my 12-person quiche I need: 12 eggs, 4 cups of cream, a pound of Emmenthal and two giant bags of frozen spinach. No, I’m not on lockdown with a soccer team, nor am I hosting an illicit dinner party. I am cooking for the nighttime ER team at the Hôpital Nord. My effort isn’t a solo act, but in alliance with one of the grassroots associations created in response to the coronavirus crisis. The clearly named Cuisinons Pour Les Soignants de l’Hopital Nord (Cook for the Medical Staff of the Hopital Nord) gathers local home cooks, restaurants and food purveyors to make meals for hospital staff. For those who aren’t culinarily inclined but want to contribute, Pizza du Coeur delivers Marseille’s most popular food to caregivers.

Growing up with a Midwestern Protestant mom and a Montreal-born Jewish dad, my family’s holidays wove together traditions, much like a braided challah bread. We topped our Christmas tree with the Star of David and served matzo at Easter brunch. More cultural than religious, our celebrations weren’t restricted to one faith or another. What mattered was the meaning: respecting our roots through ritual and thoughtfully gathering together around the table. Now living in multicultural Marseille, I still celebrate with the same interconnected spirit. Here, the similarities of the springtime holidays abound. For starters, they are semantic cousins, with Passover, Pâque juive, known as “Jewish Easter” in French.

Though half of France’s population is officially Catholic, only 5 percent of the country regularly attends mass. Yet, les français still remain faithful to their Christian holidays. After Christmas, Easter is the second-most popular fête – perhaps because it falls on a Sunday, when lunch en famille is a French tradition that is as revered as a religion. Like many nations, chocolate is France’s essential Easter ingredient. Not surprisingly, the French exception – the country’s belief that they are unique – extends to the shape of their holiday confections. Here, a cloche (bell), not a rabbit, delivers Easter’s chocolate-y treats. How did an inanimate object become the bearer of sweets?

This past Friday I wrote the following reflection on how Marseille is coping with the coronavirus crisis: “Marseille’s most visited monument, Notre Dame de la Garde, hasn’t seen a decline in visitors to her golden beacon. At La Samaritaine, the iconic Vieux Port café, locals pack the terrace to soak up the sun. And, when taking public transit, I rarely spot a face mask. Unlike the empty piazzas in Milan and the masked subway riders in NYC, it’s been smooth sailing in this port city.” That was clearly the calm before the Covid-19 storm.

Some of Marseille’s most majestic buildings surround the Estrangin métro stop: the American consulate, the ornately sculpted Caisse d’Epargne bank, and the Napoleon-style Préfecture. Between them sits an equally iconic institution, Café de la Banque. Yet while its high-profile neighbors deal in banking and bureaucracy, this spot serves something more essential: a dependable place for delicious food and drink. Named for the surrounding banks, this non-stop café is a neighborhood fixture that hums all day. Regulars fill the old-timey interior and one of Marseille’s best patios for a morning café, the perpetually packed lunch service, and post-work beverages. In a city whose Mediterranean identity often sets it apart from the rest of France, Café de la Banque serves up a comforting slice of classic French café culture.

Once the stomping ground of sailors and the Corsican mafia, Marseille’s oldest district, Le Panier, has evolved into a tourist hub and creative neighborhood. Its winding streets are peppered with ateliers (like blade smiths, chocolatiers and painters) and the 17th-century facades are canvases for colorful murals. One of them, a powerful black-and-white image of a couple kissing, faces the funky cantine and concept store, Ahwash. Its owner, Amar, commissioned the Alberto Ruce work – a sign of the artistic energy infused throughout his unique place. Named for the traditional Berber dance in which men and women mix together, Ahwash is a blend of Amar’s worlds – of Morocco and France, of art and cooking. “Eating here is like coming to my house,” he smiles, serving tagines to patrons sitting at vintage tables topped with glowing candles, their dripping wax embodying the restaurant’s romantic and relaxed ambiance.

Chefs have long touted – and scientific research has confirmed – that we “eat with our eyes.” Hence the swishes and swirls of plating. Yet the importance of visual stimulation extends beyond food to include restaurant design, a point that is not lost on the all-day café Monsieur Madame. The eye-catching space is so full of ‘60s and ‘70s knick-knacks that you might mistake it for a vintage shop. Vinyl records are used as placemats on the brightly colored Formica tables. Shelves overflow with old cameras and plastic figurines. From wooden crosses to mounted fish heads, the walls offer a visual feast – so chock-a-block with mementos the vivid print wallpaper is somehow mellowed.

After the Vietnamese War, many of the refugees bound for France landed in Paris. A minority spread out to other French cities like Toulouse, Lyon and Marseille, the latter being a ville refuge (refuge city) due to its bustling port. The small community in Marseille used to be concentrated near Joliette, before its building boom. But now they’re scattered across the city, taking their cuisine with them. No matter, for we know exactly where to go whenever we’ve got a hankering for Vietnamese: We join the line of people waiting for a bowl of pho outside Nguyen-Hoang.

Editor’s note: We’re celebrating another year of excellent backstreets eating by reflecting on our favorite meals of 2019. Starting things off is a dispatch from Alexis Steinman, our Marseille bureau chief. This year began with a bang, when Marseille nabbed a coveted spot on the New York Times’ “52 Places To Go in 2019” list. Written by food writer Alexander Lobrano, the blurb lauded the city’s ever-expanding food scene. Throughout 2019, new restaurants opened, captained by chefs who trained at local tables, first-timers emboldened by the city’s entrepreneurial energy and Parisians seeking sun and the easygoing vibes that go along with it.

When ordering a café in Marseille, keep your eye out for sugar packets and espresso cups lined in yellow and white. These diagonal stripes are the sign of Café Luciani, a logo inspired by the red and white panels on truck tailgates. Yet while those stripes implore you to be careful and hang back, Luciani encourages the opposite – they want you to dive head first into your cup of coffee The father-and-son coffee company began in 1863 as the Phocéenne de Torréfaction (the Phocaean Coffee Roaster), named after the lineage of the sailor who founded Marseille. Pascal Escudier’s locally roasted coffee was reputed for its “exquisite aromas” in an era when the petit noir was more about consumption than the quality of its composition.

One of the many charms of daily French life is the ability to eat and drink well without needing beaucoup bucks. The best place to put this in practice is at a bar à vin. Since one never drinks alone in France – literally and figuratively – these bars always offer something to snack on. Sometimes, it’s simply a plate of cheese or charcuterie to soak up the wine. Other times there are more substantial plates that alone are worth a visit. The unpretentious Les Buvards, one of our favorite bars à vin in Marseille, exemplifies the latter – an impressive feat since the kitchen is barely wider than a wine barrel.

Anise-based liqueurs are as ubiquitous as outdoor terraces across the Mediterranean. Long prized for its medicinal benefits, anise is the ideal antidote to the region’s sweltering temps, especially when sipped in tall glasses with refreshingly chilled water, as is common practice. From Turkey’s rakı to Italy’s heavily sweetened sambuca, each country has its own recipe. France has two, anisette and pastis, with the latter having licorice root thrown into the mix. Born in Marseille, pastis is the republic’s most popular aperitif, but both beverages are poured at bars around town, whose shelves are stocked with bottles from a variety of producers. There’s one brand, though, that deserves special attention: Cristal Limiñana, one of the city’s last distilleries.

At a typical pâtisserie orientale, the front window is often stacked with towers of sweets – honey-soaked visual merchandising to entice passersby to pop inside. Some pastry shops line their walls with colorful geometric tiles and Moorish arches, the icing on the Maghreb cake. Pâtisserie Orientale Journo goes for a decidedly more subtle approach. Though located a block from Marseille’s main drag, the Canèbiere, this unassuming shop is somewhat lost in the shuffle of the pedestrian Rue de Pavillon. The few tables scattered out front suggest that there’s food to be found inside but the open storefront is bare – save for a giant five-gallon water jug propped on a stool, with a hand-scrawled sign “citronnade – 2 euros” beside it. That’s all the advertising needed for a pastry shop that has survived by word of mouth for 60 years.