On our way to the supermarket during Istanbul’s partial lockdowns in late 2020, we were surprised to see a new shop in our favorite building on Rıza Paşa Sokak – the street where the “nostalgic Moda tramway” makes it way down toward the sea. The bottom section of the decadent stone facade is now painted with a bright mural of lemons and leaves, and it stands proud between a modern building and a car park. In a meat-lovers’ paradise like Turkey, the sign on the door reads like a joke: “Limonita vegan kasap” – a vegan butcher. “The oxymoron is real!” laughs Deniz Yoldaç Yalçın, the blue-eyed girl who makes the sucuk (sausage), burgers and other delicacies lined up in the fridges and at the counter.

Though synonymous with Tunisia, Algeria and other North African nations, harissa’s main ingredient helms from Mexico. After 1492, chile peppers crossed the Atlantic via the Columbian Exchange, trading between the New World and Old World. It was Spain that introduced Tunisia to the spicy capsicum during their 16-century occupation. The Arabic verb harasa means “to crush or press,” and the process of pounding the pepper into a paste with olive oil, garlic and various spices gave birth to harissa. For centuries, the hot chile paste has been used to flavor simmered stews and as a condiment throughout the Maghreb and the Middle East – and, in Marseille, as immigrants have infused the multicultural city with their food traditions.

A few blocks from the fragrant street stands of Noailles, another multicultural bazaar unfolds indoors. An aproned man fries up falafel balls to stuff into sandwiches. At a wooden cart besides him, a girl pushes sugar cane into a whirring juicer that pours out the sweet nectar in a glass. Down the hallway, two women finger bolts of colorful Egyptian fabric and glittering ribbons. The Souk de Nour d’Egypte is a feast for the senses. Every inch of the soaring space is filled with something delicious or decorative. In the front half, wooden carts brim with spices, ice cream and other foodstuffs, leading to a long counter laden with baked goods, cooked dishes and a medley of salads.

Japanese trains have garnered worldwide admiration and praise for their punctuality, efficiency and cleanliness. The country’s railway network is supported by a strong surrounding infrastructure, and some stations have become tourist spots in themselves. And whereas eating at a train station might be a last resort in other countries, in Japan, you might find yourself at a gourmet destination. In 2005, JR East, the largest of the Japan Railways corporations, began to push the concept of ekinaka – literally “inside station” – as a way to expand their business in the face of a declining and ageing population. Previously, stations might have had small kiosks selling magazines and snacks inside the ticket gates, and perhaps a standing soba noodle shop, cheap bowls purchased by a ticket vending machine at the door.

For all its culinary riches, Marseille is not a mecca of cheese. France’s famous fromage regions are found where the cows roam – like Normandy and the Auvergne. Marseille’s warm weather doesn’t quite whet one’s appetite for filling cheese, nor is it well-suited for the cooler temperatures that cheese-making requires. The biggest claim to Marseille cheese fame is the region’s lone AOC, the ultra-fresh chèvre, Brousse du Rove. Now, a new urban dairy is adding to that reputation. Located a few blocks up from the Vieux-Port, the Laiterie Marseillaise brings the craft of cheesemaking into the heart of France’s second-largest city. Normally, a fromagerie (cheese shop) buys its wares from a fromager (cheese maker.) Here, they are one in the same.

In France, the poissoneries (fish markets) are often decorated in a palette of blue to evoke the sea while boucheries and charcuteries are blood red. Rouge, the color of meat, pops up on tile walls, around deli counters and on awnings above shop windows so that customers can spot their meat purveyors from afar. That was the case at Maison Payany, an artisan charcutier in Marseille’s 6th arrondissement, until its new owner gave it a fresh coat of pink. Marie Caffarel took over Maison Payany in the spring of 2019. Despite the unorthodox paint job, in many ways she has upheld the traditions of this neighborhood institution, which prior to her arrival had been run by three generations of Payany men since 1932.

In Marseille, dining out in the Covid era has often meant eating in. Pizza, kebabs and other fast food have triumphed over cooked dishes, since they can more easily withstand travel in cardboard containers. While many restaurants have either pivoted to portable sandwiches or tried to implement new packing methods (like soupe à l’oignon in a vacuum-sealed bag), La Cuisine de Gagny has embraced glass jars – a return to its roots. At this tiny restaurant and caterer, the plats du jour are dished into glass containers – the kind of jars (bocaux) filled with rillettes and jams in a French country kitchen. Sealed with glass lids and a thick orange-rubber band, the old-school jars don’t make the food taste like plastic.

At Culinary Backstreets, we tend to opt for tradition over trendy, street over chic. We delve into a city’s blind spots when it comes to local favorites. Taking that approach makes it too easy to dismiss new spots out of hand. So, if it weren’t for our friend Liz hounding us for months about a newish “falafel place” near her house, we almost certainly would not have thought about visiting it. But that’s the great thing about friends – they take us out of our routine and generally bring us to unexpected places, as was the case with Kebab Nation.

Vegetable main dishes abound in Greek cuisine. Those cooked in olive oil on the stovetop fall under the broader category of ladera (ladi means “olive oil”). They feature seasonal vegetables – usually one main vegetable is the star of each dish, with others adding flavor and color. In the lead-up to Easter – when there is a traditional fasting period of 40 days and lots of new vegetables come into season – ladera dishes enter the spotlight. One of my favorites is fasolakia (the diminutive of fasoli, or “bean”), which features fresh green beans cooked in tomato sauce with a few potatoes, carrots and often zucchini. It’s a dish that’s prepared all over Greece as well as in other Mediterranean countries like Turkey, with small variations.

Megali Sarakosti (Μεγάλη Σαρακοστή) is the 40-day period of Lent before Greek Easter, running from “Clean Monday” to Easter Sunday. The fasting rules prohibit consumption of any kind of meat or animal-derived products like dairy and eggs. Fish is not allowed either (with a few exceptions), but bloodless seafood like crustaceans, shellfish, fish roe, calamari and octopus are fair game. What always fascinated me is the fact that in Greek folk tradition, Sarakosti is personified as a woman, named Kyra Sarakosti (Mrs. Sarakosti), often made out of paper (still a common activity in schools – my son Apollo loves drawing her!), but also sometimes out of felt or even a basic dough.

It takes bravery and strength to swim against the flow, traits the Catalan sommelier Anna Pla and her partner, the Sicilian chef Nicola Drago, certainly do not lack. The duo opened Contracorrent (“Against the flow” in Catalan) Bar, a natural wine bar and restaurant, in November 2020, amidst a series of pandemic-induced openings and closings. In fact, it’s one of the few new culinary projects in Barcelona. But opening in these complicated times was in some ways easier for Anna and Nicola. They had been plotting this project for quite a while, but the pandemic created opportunities that had been hard to come by previously. “For us, not big business people with big fortunes, the pandemic made it possible to start something new, since more things were up for negotiation than before,” Nicola says.