For a city whose natural beauty is what often sweeps visitors off their feet, Rio’s historical gems often look a little like urban ugly ducklings next to the bikini crowds and chic bars on sandy Ipanema beach. That’s a shame, because Rio Antigo has a great story to tell. Old Rio runs along the Guanabara Bay rather than the open Atlantic, and it was the former that gave the city its name – River of January – when Portuguese explorers came upon it in the first month of 1502.

The last 12 months have been quite a ride. Unlike the past two years, 2022 seemed to pass in the blink of an eye. While 2020 was a year for protecting ourselves from a microscopic menace, and 2021 a year in which we still were struggling to reconcile our old ways and the world’s “new normal,” this year has been a time to reap all the improvements and reflections we did during some of the 21st century’s most challenging years so far. In the end, some values have played a key role for facing this brave new world: strength and resilience to keep moving forward, excitement and optimism for what it is to come, and gratitude for being able to enjoy life as it is.

Oaxaca has become one of our favorite food destinations in Mexico. A few weeks ago we visited the city again, but this time it wasn’t the moles or the decadent regional food that caught our attention, but an organic market where we had a delicious breakfast one morning. El Pochote (named after a thorny, flowering tree native to Central America) is an organization of local organic producers that was founded in November 2003 by local artist Francisco Toledo. Making an omelet at Mamá Lechuga, photo by Ben HerreraThe market offers all kinds of products, from vegetables and fruits to prepared meals and juices. The main objective of the market is to support those who grow or make healthy products of excellent quality, who interact with the natural environment in a way that respects local ecosystems and who maintain and increase the fertility of the soil and land.

The year is almost gone and, though many expected it to be free from the waves of chaos and change that the Coronavirus brought us in 2020, 2021 has proved to be just as challenging. But, at the same time, it has been more interesting than ever. It’s been a year of transition, with everyone trying to make the best of their circumstances and transform challenges into solutions. When it comes to eating out, this was also a year where we oscillated between feeling connected to community again, the thrill of finding new culinary projects and going back to the places and flavors that have always been comforting and safe.

In Oaxaca, a state where gastronomy is almost a religion, there are some extraordinary dishes that are prepared only for special occasions because of the complexity of preparation. Mole chichilo, for example, uses more than 30 ingredients, and its preparation can take up to 3 days. But there are spectacularly tasty (and complex) dishes that can be had anytime. One of these is caldo de piedra (stone soup) from the Tuxtepec region. On our last visit to Oaxaca City, we visited a restaurant a few miles outside of the center whose rendition of this soup blew our minds.

The line between legend and actual history is often blurred by time, particularly when it comes to the origins of beloved foods. Such is the case of Oaxaca’s most popular cheese, quesillo, a type of string cheese that’s a member of the pasta filata (“spun paste” in Italian) family, similar to mozzarella. The most widespread origin story is that in 1885, Leobarda Castellanos, a 14-year-old girl in charge of preparing the cheese at her family’s business, got distracted and let the milk coagulate past the exact point for making cheese. To avoid being punished, she tipped hot water over the milk, accidentally creating a gummy product that unexpectedly became very popular among the clients of the Castellanos family in the Oaxacan village of Reyes Etla, the official birthplace of quesillo.

On my way out of Oaxaca center and on to the city of Santa Catarina Minas, a good friend suggested I make a pit stop to visit “Frida.” Me: “Wait! Frida? Frida Kahlo the Mexican art icon? But she died in 1954!” Him: “You'd better go and try her chile encuerado.” So here I am, having stopped in Ocotlán, only 32 kilometers south of Oaxaca city, to sample Frida’s “naked” chiles. I find my way to Mercado Morelos in Ocotlán’s main square, and immediately head for the many eateries in the medium-sized market’s food aisle. A sign is painted with flowers, roots, hummingbirds, butterflies and other insects – with these tell-tale motifs of the tormented artist, there can be no mistaking La Cocina de Frida.

The historic Plaka district might be one of Athens’ most popular tourist destinations, but there’s another part of the area that visitors rarely see, one where the city’s ancient heart beats a little louder. Under the shadow of the Acropolis, this is the place that saw the birth of classical Greek and Western civilization and also the turbulent arrival of Christianity. There are traces here of the ancient Greeks, Romans, Byzantines and Ottomans, found in the ruins, churches, local houses and – most importantly – in the food

The thrill of hanging out in Oaxaca’s historic city center is something that has always made me happy since I was young. Almost every afternoon, I would walk, together with my best friend, to the colonial-style streets of downtown. From buying comics to returning a book to the library, there was always some reason to go to El Centro. Before heading back home, one of our rituals was to stop at the long-gone La Esmeralda, our favorite downtown convenience store. We would sidle up to the vintage wooden counter and order a cold soda, a spicy tamarind candy or a torta, a savory sandwich that, along with tacos and tamales, forms the backbone of Vitamin T, as this holy trinity of Mexican grab-and-go foods are often referred to.

Some of my strongest childhood memories are of warm afternoons spent at my grandparents' garden in Oaxaca, sitting around a big table eating all sorts of snacks. My grandfather would ask all the cousins to line up, close our eyes and open our hands, into which he would place a “special candy.” Then came the challenge: “I will give 10 pesos to the first one who eats the candy without opening their eyes.” Little did we know that these so-called “special candies” were chapulines (grasshoppers), little insects with tiny legs and a tangy flavor. Our grandfather's jokes introduced us to a world of challenging flavors and textures that eventually became synonymous with home, where we were surrounded by delicious food and innocent laughter.

Introduced during Ottoman times, the kafeneion – the old-fashioned kind of coffee house – has long been a fixture in Greece. By 1860, Athens already had more than 100 establishments that were serving what has been called both Greek coffee and Turkish coffee (name debates aside, we can all agree that it’s more or less the same thing, a small cup of strong coffee with a thick sludge at the bottom). They were (and still are) the domain of men, who would congregate there to talk politics and socialize over coffee as well as more substantial fare, usually simple meze and ouzo or tsipouro. Although the traditional Greek kafeneion still exists in many Athenian neighborhoods, it’s slowly dying out.

Growing up in Oaxaca, la gelatina rosita (“pinkish jelly”) was a biweekly ritual – every other Saturday, our mother would return from the market with this special dessert. It was so ingrained in our routine that we couldn’t imagine life without it. In fact, on a family trip to Mexico City, we were shocked to learn that gelatina rosita wasn’t readily available. Did they know what they were missing? It was only when we were older did we learn the proper name of this precious Oaxacan specialty: nicuatole. Some say its etymology can be traced back to Nahuatl (one of the many Indigenous languages spoken in ancient Mexico), specifically the words necuatl (“agave honey”) and atolli (“liquid corn”). While this may be true, it doesn’t quite portray what nicuatole is, not really.

Back in 1966, when it opened on Avenida da República, one the main roads connecting the new avenues of Lisbon with the city center, Galeto caused quite a commotion. Lisboetas flocked to the huge snack bar, seduced by both the design – it was styled like an American diner – and the menu, which in those days seemed wildly innovative. Locals used to more conservative Portuguese fare were suddenly introduced to club sandwiches, burgers, mixed plates that brought together some wildly disparate elements and even Brazilian feijoada. Eating at the long counters while perched on a comfy seat was quite different from sitting on a stool at an everyday tasca. When combined with the avant-garde décor, swift service, and long hours (it was open late, until 3:30 a.m.), it felt like Lisbon was catching up with the dining habits elsewhere in Europe or the U.S.

Sold by the slice, pizza is emblematic of New York City. It’s an inexpensive antidote to hunger pangs that can be ordered quickly, and eaten quickly, even on the go. Think of Tony Manero, the John Travolta character in Saturday Night Fever, double-decking a pair of slices while strutting through Bay Ridge, Brooklyn. At a less bouncy pace, we recently visited Astoria, Queens – home to what might be the densest concentration of pizza purveyors in the borough, including some that beckon customers from all across the city – in search of good slices. Some took the form of a triangle, cut from a circular pie; others were squarish, a shape that in recent years has become trendy in Manhattan but that for decades has been a staple in New York’s outer boroughs.

Up above Freedom Square where the Sololaki and Mtatsminda neighborhoods blend together, there is a 100-year-old building with an apartment five steps below the sidewalk. It’s a warm, intimate space, part living room, part museum. A massive collection of wine glasses hang from the ceiling, 19th-century framed portraits of Georgians decorate one wall above a piano, while opposite are glass cases displaying antique ceramic pitchers and elegant, polished drinking horns called kantsi. There are also two vintage silver vessels – exquisite ashtray-sized pans with long stylized handles used in days of old for drinking wine to special toasts. This cup is called an azarphesha, and this entire collection (and the walls containing it) belong to Luarsab Togonidze, a folklorist, author, entrepreneur and co-owner of this welcoming restaurant, also called Azarphesha.