“My mother had many celebrity customers,” says Luis Enrique Mejía Rosales, the son of Merendero Biarritz’s founder, Esther Rosales. “When they were opening the storefront, the famous [Mexican] bull-fighter Luis Procuna came up to my mother and said, ‘Call it Biarritz!’ He had come back from a tour in Europe and had fallen in love with a woman in Biarritz.” So, in 1956, when the family opened a storefront on Doctor Velasco Street, they called it Merendero Biarritz. Merendero, because they sold “meriendas,” nighttime snacks. The restaurant’s founder, Esther, now 82, arrived in Mexico City from the near-by state of Morelos in 1950, when she was just 15 years old. She started working at a food stand that sold chicken soup and tacos dorados, fried tacos, along Cuauhtémoc Avenue in Doctores.

In Japan, there’s a different version of Newton’s third law of motion that applies to etiquette: for every act of kindness, there must be a similar and equal act, usually in the form of a gift. Japanese people are perpetually cognizant of the opportunities and appropriate moments for giving gifts and the many meanings and rituals attached to them. Rather than considering it a burden, many of them love to give gifts and believe it a tradition worth observing. The gold standard for gift giving in Japan are the mid-year ochugen and the end-of-year oseibo, or seasonal presents.

It’s not too often that you find a restaurant in Barcelona where rock & roll, blues and jazz are some of the main ingredients. But that’s just the case at Bar Ramón, an iconic restaurant and tapas bar in Sant Antoni. Mediterranean grilled red prawns, patatas bravas, and xipirones (baby squids) a la Andaluza (coated in batter and fried) are carried from the kitchen to the table under the watchful eyes of Charlie Parker and Muddy Waters, who look down from posters on the wall. Also on the wall, sharing space with the standard FC Barcelona crest and a photo of a castell (Catalan human tower) in front of the old Sant Antoni Market, is Bo Diddley’s guitar.

Before gentrification, Tbilisi’s ancient bath district of Abanotubani was a collage of dome-roofed sulfur baths and carpet shops, claustrophobic grocery stores and teahouses packed inside crooked multi-storied brick buildings with condemnable wooden balconies, a sneeze away from collapse. Yet this quarter is the nucleus of Tbilisi, the site of its founding and from where the multicultural city grew to become a key hub along the Silk Road. Today it is home to a tight, multiethnic community of mostly Azeris, who have lived here for generations. Directly above the baths is the 120-year-old Jumah Mosque, renowned for being a place of worship for both Shia and Sunni Muslims.

Everyone seems to feel at ease in Emice’nin Yeri. It’s the kind of place where workers come after their shifts, families and couples dine, single men drink their tea and watch football matches on the TV, and women too are comfortable eating alone. It’s not just a welcoming place – Emice’nin Yeri also happens to be one of the best Black Sea restaurants around. The emice part of the name comes from the Laz language and means “uncle,” or amca in Turkish, so can be translated to “Uncle’s Place,” a fitting moniker for the restaurant does have a certain avuncular charm.

It’s a paradise on earth for tourists, and a harsh place to live for many of its own people. Traveling between the various islands of Cape Verde, on slow boats and delayed inter-island flights, it’s clear that the complex historical identity of this Atlantic archipelago, mixed with its heavily diasporic culture and unique natural extremes, make it somewhat of an anomaly on the African continent. Its maddening magic – as well as, of course, its cuisine – lies in its long, mixed-up story. Cape Verde is generally associated with “Caribbean-style” holiday packages and tour group vacations. But its mainstream appeal, helped by the sandy white beaches, palm trees and the emerald waters of its eastern islands, obscures the country’s dependence on foreign aid and remittances from its emigrants, who actually outnumber the national population.

Truth be told, we’re often not impressed with traditional holiday gift guides. They’re either littered with undisclosed affiliate links or seemingly endless lists (much like our holiday to-dos) that make us want to turn off the computer and hibernate until the end of January. So, what makes our gift guide different? It’s a highly-selective (and relatively short) list of products that our correspondents and guides eat and use. Many of them are featured in stories that we’ve published, and we worked our hardest to connect you directly with producers – while we weren’t always successful, we did manage to avoid Amazon entirely (and no affiliate links in sight).

The charming sign outside Schmidt’s Candy speaks eloquently, especially when we look closer. The words “home” and “made” frame a tall glass candy jar; we notice the slight irregularity of the brushstrokes, and we see that the candy jar is slightly lopsided, as are the colorful candies inside it. Obviously the sign was painted by hand, and lovingly so. We hear a refrain of that theme when we open the door to the candy shop, where, in the words of third-generation owner Margie Schmidt, everything is made with “these ten digits.” Like her father, Frank, and his father, Frank, who founded Schmidt’s in 1925, Ms. Schmidt disdains mechanical candy making: She dips her chocolates by hand.

Change may be inevitable but it’s the last thing we want in a restaurant we cherish. We were reminded of this a few months back when by chance we were taken out to dinner at Piperiá in the Neo Psychiko neighborhood by friends who live nearby. It had been five years since we last visited the place and we were very happy to find that little had changed in the interim. What a joy it was to find the same welcoming smiles and friendly young faces; excellent but not oversolicitous service; some items on the menu that we could never resist ordering; and some new tastes that rivaled the familiar treats.