Despite Brazil being the largest of Portugal’s former colonies, the presence of its people in Lisbon has only been felt recently. During the 1950s and 60s, Brazilians in Portugal were limited to small groups of students, a few migrant adventurers and those Portuguese descendants born in Brazil who decided to return to the motherland. However, since the 90s, a more regular coming-and-going has been taking place between Brazil and Portugal. This pendulum-like swing of migration is a consequence of their respective political and economic crises and moments of growth. At the beginning of that decade, many Brazilians moved to Lisbon in the wake of the difficult inflationary crisis that was affecting South America’s biggest nation.

When it first began five years ago, Põe na Quentinha was an informal get-together for people who were equally passionate about food, beer and samba; they spent the day eating, drinking and dancing in preparation for Carnival. Fast-forward to 2017, when what had now developed into a proper street parade drew in over 5,000 people over three different days during the Carnival Season. This year, the food-focused event, the only one of its kind in Rio, is even larger, hosting a full month-long schedule of parades that started in mid-January.

“Tea,” our friend Lasha indicated with a head nod, driving past fields with rows and rows of overgrown, chest-high, bushes of green leaves. It was 2002 and we were zipping along a skinny road littered with potholes on the outskirts of Zugdidi in west Georgia, but we could have also been in Guria or Adjara or even Imereti; regions with tea fields that have also become agrarian relics. Later we visited the last operating tea factory in town, a Soviet era rust bucket of a building that Lasha said churned out leaf dust that was sold to Lipton. Such was the fate of an industry that had once provided the USSR with 95 percent of its tea. However, after decades of inaction, Georgian tea production is slowly making a comeback.

In 1977, just two years after the death of Franco, the great Catalan gourmet Manuel Vázquez Montalbán published a book titled L’art de manjar en Catalunya (The Art of Eating in Catalonia). The book, as well as the prologue written by Montalbán’s mentor Néstor Luján, rang the alarm bells, claiming that authentic Catalan cuisine was in grave danger and on the brink of disappearance. As Montalbán saw it, the unique Catalan culinary identity has been reduced to a few ubiquitous dishes: pan a la Catalan (bread with tomato pulp and ham) and rabbit with aioli. This demise was due, in his opinion, to the frenzied pace of modern life, the lack of high-quality ingredients, the ignorance of both restaurateurs and tourists regarding what good cuisine, not to mention true Catalan cooking, looks and tastes like and, of course, the Franco regime’s efforts at suppressing regional identities.

Colonia Santa Maria La Ribera, one of our favorite dining neighborhoods in Mexico City, is home to the historic kiosco morisco. Built in 1884, the Moorish open-air pavilion represented Mexico at the St. Louis World’s Fair in 1902 and has been in its current location since 1910. Just a few steps west of it sits a nondescript hole in the wall, which figures as prominently as the kiosk in our mental map of the neighborhood. Owner David García Maldonado offers just a few items on the menu, two of which are outstanding: pozole, a broth made from pork and maíz cacahuazintle, or hominy, and goat birria, a typical soup from the state of Jalisco.

To describe something that is better than good, Portuguese speakers sometimes use the word espectáculo (show, spectacle) as an adjective. João Gomes, the owner of Imperial de Campo de Ourique, does it every five minutes. He practically trademarked the phrase “É um espectáculo” (It’s a show/spectacle), to the point that he has it embroidered on his apron. His wife Adelaide’s reads “A chef do espectáculo” (The show’s chef) – she’s the cook and a very good one indeed. Nuno, their son, doesn’t have an embroidered apron but he is also part of the show, waiting tables and managing orders effortlessly. Imperial used to be one of Campo de Ourique’s many outstanding tascas. Now it is probably the last one standing.

The entryway of Espai Mescladís is jam-packed with people: neighbors, workers and visitors who come and go all day long, and waiters walking from the kitchen to the tables on the terrace. But there are also dozens of people staring out from black and white photos that cover the restaurant’s walls; some are alone, others in couples, families or groups, smiling and laughing. All the people pictured at one point emigrated to Barcelona, and whether they’re still living in the city or have moved elsewhere, their stories are always present at Espai Mescladís. The photos, taken by the photographer Joan Tomás, were originally part of an exhibition organized by the Mescladís Foundation, a multifaceted initiative that provides tangible and sustainable economic programs, particularly in the form of job training, for migrants and refugees in the city.

The city of Tokyo has over 1,000 train stations, which translates to just about that many neighborhoods. In recent years many of these communities have succumbed to top-down corporate “urban renewal,” losing the small shops and restaurants that created distinctive local flavors. With an average shelf life of 30 years for buildings, most Tokyo real estate is rebuilt as opposed to being renovated for further use. Bottom up gentrification and the repurposing or renewal of buildings is rare. Change has always been an integral part of Tokyo life, but as we begin the new year, we thought it was worthwhile to honor some of the old institutions of Tokyo and enjoy them anew.

Groaning sounds emanated from the other end of the line when we told a friend the location of our dining plans for the night. The spot, a rowdy, charming dive specializing in Bosnian-style mezes and grilled meats, was in Pendik, a district of Istanbul well over 20 kilometers outside the center, on the outskirts of the Anatolian side. Our friends’ reluctance to join was a normal response in a city with terrible traffic and nightmarish commutes. Who would want to spend their free time on a three-hour roundtrip journey to eat out when there are plenty of excellent options just a stone’s throw away?

In a market as diverse as Lisbon’s Mercado de Arroios, where people from all over the world shop, Mezze doesn’t seem out of the ordinary. But the small restaurant deserves a closer look: it’s not only one of Lisbon’s few Middle Eastern restaurants, but, more importantly, its staff is almost entirely made up of recently arrived Syrian refugees. For them Mezze represents both a link back to the country they left behind and a crucial aid for putting down roots in their new home. The idea behind Mezze is one that’s being tried out in other countries. Refugees, particularly those fleeing the war in Syria, are given the chance to earn a living and get established by sharing their culinary heritage, either by opening or working at a restaurant or catering business.

Editor’s note: Traditionally we have published State of the Stomach pieces when beginning coverage of a new city, to provide an introduction to its food culture and how it shapes daily life. But as we dive deeper into the cities we work in, we’re taking stock of what’s changed, particularly as internal and external factors reshape both the culinary and urban landscape. So we thought it was worthwhile to, over the coming weeks, reexamine how some of these cities are eating, which will inform our coverage in the new year. Next up is our look at Lisbon. Back in June, historic Lisbon neighborhoods like Alfama dressed up for the Santo António festival, just as they do every year. It’s a defining moment for the Portuguese capital – one where food, music, local customs, dance and religion all come together for a few joyous days.

For years we’ve looked into every Indonesian nook and cranny in New York, yet we always discover something new at the monthly Indonesian bazaar at the St. James Episcopal Church. We’re not surprised. Indonesia, the fourth-most-populous country in the world, comprises some 17,000 islands that stretch over a vast archipelago of diverse culinary habitats. We’ve tasted dozens of dishes and witnessed dozens more, but there must be so many soups, and stews, and fritters, and fishcakes that we have yet to set our eyes on – not to mention desserts that can be as bright as any jungle butterfly.

A few months ago a little storefront joint opened down the street next to our neighborhood green grocer, a mom and pop operation that has been there for decades. A varnished wooden counter behind the iron-framed windows and a few matching tables make it fit the new bohemian-chic Tbilisi style popping up the street around Rooms Hotel, the hip four-star flophouse all the travel magazines are fawning over these days. Although the wine list was not well-stocked, the food didn’t disappoint. The pork belly was not the standard room-temperature slab of bacon on a plate, but was oven-roasted and nestled on two puddles of cherry and plum sauce, zesty richness that nearly overpowered the smokiness of the pork. It was simple, bold and delicious. And it was Georgian, although not everyone will agree on that.