There are certain places that experience the strange phenomenon where everything and nothing change at the same time. Take the example of El Racó del Mariner (The Sailor’s Corner), located for 40 years at the old fishermen’s dock in the port of La Barceloneta until it was forced to move when the area was turned into a marina for luxury yachts. Regardless, even at its new address in the modern Port Fórum area, reaching El Racó del Mariner requires that you cross a port police checkpoint, just as you had to at the old spot.

When Tonkatsu Hamachan first opened in 2001, it became an industry favorite – one of those places chefs, foodies and lifestyle journalists kept to themselves. Perhaps they closely guarded this spot because the dining room barely fit six tables, most of which were usually occupied by Japanese businessmen. The restaurant itself refrained from self-promotion – the shoji screen with hiragana script and a frosted glass door would have been as illustrative as a blank canvas to the mostly Japanese-illiterate pedestrians in the expat-friendly enclave of Jing’an. We lived just two blocks away from Hamachan for over a year when we first moved to Shanghai in 2007 and didn’t know about the tonkatsu genius until a friend drunkenly whispered the secret to us one night.

Though it’s an age-old method for preservation and flavor enhancement all over the world, the smoking of meat, fish, and cheese is not a notable tradition in southern Europe. In Portugal, in the old days, salt curing was more common – particularly for the national staple, cod. However, the presence of smoking traditions in the north, particularly around the Minho river, indicates the possibility that the Vikings’ favorite method for cooking fish may have reached all the way to the northeastern Iberian peninsula.

Inside Barcelona’s lesser-known Mercat de Les Corts is a small, unassuming bar offering up the bounty of the Mediterranean. El Bisaura opens up shop at 6:30 a.m., serving esmorzars de forquilla (hearty Catalan breakfasts like sausage and beans, tripe stew and grilled cuttlefish) to local workers. At lunch, it serves a more refined seafood menu composed of whatever owner Alfonso Puig gets from Peixateria Anna, the fish stand on the other side of the market. The fish and seafood of the day are always seasonal, local and impeccably fresh – which is no surprise, since Puig is also the owner of the fish stand.

Tucked away from the constant hustle and bustle of Queens Boulevard, Anna and George Artunian’s Sunnyside bakery, Arsi’s Pateseria, is a pleasant surprise. As we walk down 47th Avenue towards the gauzy Midtown Manhattan skyline, the smell of freshly baked burekas greets us long before we get to the bakery’s wide window. Inside, in metal trays behind the counter, four different types of burekas, savory sesame ring cookies and even baklava gleam in different shades of gold. Also behind the counter is 60-year-old Anna Artunian, one-half of the husband-and-wife team running the establishment and chatting with the customers, most of whom are regulars.

Portuguese gastronomy is at the core of Rio's botequins, the small, often family-run gastrobars spread all over the city. Traditional botequins offer European food and some unique aspects of Brazilian culture – mix you’ll find only in Rio. That being said, it’s hard to say whether Tasca Carvalho, the brand new Portuguese gastrobar in Copacabana, is a typical botequim. Run by two young Portuguese friends newly arrived from Porto, Tasca Carvalho is not a mix, but 100 percent Portuguese. And that makes it unique in Rio's street food landscape. Perhaps the only indication of Brazilian influence you might find at Tasca Carvalho is in the ambience. The tables and benches, spread all over the sidewalk, follow the carioca rules of informality.

In past centuries, ones of economic hardship, Neapolitans’ ancestors feasted only during religious holidays. It was easier then to distinguish the piatti delle feste, feasting foods, by their richness and variety. In these more prosperous times, and with the availability of raw materials throughout the year, these lavish dishes can be prepared or purchased virtually any time, which makes it seem difficult to talk about “festive meals.” However, with the approach of Easter (and Christmas), many Neapolitans, beyond their religious beliefs, are seized by an irresistible desire to return to family traditions and to eat the dishes prepared by their forebears.

In the past year, we’ve seen more new noodle houses hawking spicy Chengdu and Chongqing style noodles than we can count on two hands. Very few of the Shanghai-based noodle houses do the fly restaurants of Chengdu justice. Some dish out bowls of insipid strands that barely register on the Scoville scale, while others go for that unbalanced, burn-your-face-off flare that means the chef has likely never been to Sichuan, much less studied the careful art of the region’s balanced cooking. Liu Dao Men is among the exceptions, carefully walking the tightrope of spicy yet tasty, with its menu of Chengdu noodle classics.

Some sociologists say that Spanish society and culture can’t be properly understood without spending time in its bars. You can find bars in mountain refuges, subway stations, on the beach and by the highway. In Barcelona, there are as many bars as taxis and ten times more bars than bookshops. In fact, a recent study by Coca-Cola found that in Spain there’s a bar for every 132 Spaniards. The same study points out that a third of Spaniards wouldn’t hesitate to leave their house keys at their local bar and that two-thirds of them are on a first-name basis with the employees there.

It all started with a seriously delicious hamburger in New York City. Rumor has it that it was this burger that first gave acclaimed Catalan chef Oriol Rovira the idea of opening Sagàs Pagesos y Cuiners (“Farmers and Cooks”) in the Born district of Barcelona. Specializing in high-end sandwiches, the restaurant embraces the farm-to-table philosophy, with a menu that is both distinctively Catalan and international in scope. Rovira, who also runs Els Casals, a Michelin-starred restaurant in the tiny village of Sagàs near the edge of the Pyrenees, opened his sandwich spot in May 2011. As at Els Casals, nearly all of the food at the Barcelona venue comes straight from the chef’s village farm. But why sandwiches?

One of Lisbon’s best views is just steps away from Largo da Graça in Saint Andre, one of the city’s seven hills. The famous overlook offers views of most of the city and even some of the Tejo river. Most days it’s filled with a mix of tourists making good use of their selfie sticks, wanderers minding their own business and street musicians busking for small change. But locals – or, at least, locals who like to eat well – prefer to hang out a few meters back, at one of the neighborhood’s iconic restaurants. O Pitéu da Graça could also be described as having an excellent view – but only if you like looking at fish. Yes, the thing to see here is the menu’s crowded fish section.

To make excellent octopus broth, you must first fill a huge pot with water to the brim – at least 20 liters – bring it to a boil, add salt and pepper in industrial quantities and immerse four large octopuses. After 33 minutes (and not one more) of simmering, it’s ready: the octopus has reached the perfect consistency. Yet in Naples there’s a saying, “The octopus cooks in its own water” – a proverb that means that a person needs to get to the truth on his own and in his own time. Lello tells us that what this saying is referring to isn’t actually true, since clearly, an octopus needs much more water than what it comes with to actually cook.

Neapolitan cuisine encompasses such a variety of dishes, ingredients and preparations that sitting down for lunch in Naples is always a feast of smells, tastes, colors and sensations. Menus here are populated by numerous meat dishes and equally many seafood options, and the extraordinary variety of vegetables are complemented by unique dairy products, preserves and sweets steeped in history and quality. Restaurant kitchens know how to be baroque (as demonstrated by menesta maretata, a complex soup that “marries” a variety of vegetables and cuts of meat), sumptuous (as in eggplant parmigiana), or deceptively simple (as in the classic spaghetti aglio e olio, which combines the basic trio of pasta, garlic and oil to great effect).