Stories for galicia

The eyes of Tacacá do Norte’s harried staff widen as yet another customer arrives during the lunchtime rush. The bedroom-sized snack bar can barely hold one line of chairs around its bar but they have somehow managed to squeeze in two. Impatient regulars shake hands and whistle “psst” to the young men staffing the establishment, who gingerly hand steaming pots of shrimp soup and freshly puréed juices over the packed bar.

On our Made in Catalonia walk, we partake in Barcelona’s beloved vermut tradition, symbolized by colorful, 1960s-era carbonated water siphons. Since the end of the 19th century in Barcelona, this ritual – a fresh drink accompanied by tapas composed usually of preserved food, cold cuts, cured or marinated fish or seafood – has been a way to bring people together before meals.

“Caliente!” Juan calls out, and we all duck to avoid the steaming hot pan as it floats across the kitchen. He holds one side with a folded up towel, the other with a pair of pliers. Kitchen might be a bit of a misnomer. The small stall sits on the sidewalk, with a temporary tin roof overhead and brand new white tarps tied tightly to the back to protect against Mexico City’s afternoon thunderstorms. Each day for the three weeks leading up to Día de los Muertos, the Day of the Dead holiday, Tito Garcia, the stand’s owner, and the rest of the crew, will make hundreds of pan de muerto sweet rolls, as part of the Jamaica Market’s holiday romería.

The classic neighborhood bodega in Barcelona is a place where customers feel at home. At Bodega Pàdua, an old bodega turned bar-restaurant in the El Farró neighborhood, part of the Sarriá-Sant Gervasi district, this quintessential spirit – usually invisible to the eye – is, somewhat surprisingly, physically manifested on the walls. The long space, which extends to a patio in the back, is decorated with mementos from the community: old photos, antique objects such as radios, cameras, and typewriters, a claviharp, written tributes to local musicians and house pets (including the bodega’s beloved parrot Ricky, who is now in a “better life” but used to say hello to the clients), and even pieces of the old iconic SEAT 600 car, which still has lots of fans in Spain.

Chaikhana Sem Sorok, a newly opened little café just off the Central Asian thoroughfare of 63rd Drive in Rego Park, proves more than anywhere else that all cuisines are fusion cuisines, if you go back far enough. Every day but Saturday – the Sabbath – loaves of round, crusty bread called non or lepyoshka emerge from the restaurant’s towering brick tanur oven. They’re distinctly Uzbek, but share Persian roots with the naan of the Indian subcontinent. Meanwhile, samsas, similar to samosas, bake while clinging to the sides of another tile tanur, which was built in Samarkand and shipped to Rego Park. Filled with onions and either lamb, pumpkin or beef, and lightly charred like a Neapolitan pizza, they are Chaikhana’s big draw.

At first glance, Berbena, a restaurant in Gràcia, resembles a small, pretty tree with dazzling foliage – it offers a sophisticated and complex dining experience. But the restaurant’s delicate attributes, those pretty leaves, wouldn’t be possible without a carefully tended trunk and roots. In short, the basics matter, something that its creator, chef Carles Pérez de Rozas, decided after years spent in high-end kitchens. Carles had a culinary education par excellence: After studying at the prestigious Hofmann School, a culinary institution in Barcelona, he worked at several Michelin-starred restaurants in Catalonia, such as Drolma, Saüc, and Carmen Ruscalleda’s iconic Sant Pau. A job in the restaurant at the Hotel de Ville de Crissier brought him to Switzerland; he then spent a short and intense period in France with the great chef Michel Bras. In Japan, he trained alongside Seiji Yamamoto, in his Tokyo restaurant Nihonryori RyuGin, adding more notches of refined knowledge to his belt.

During a busy evening on Main Street in Flushing, the sight of a food cart grilling skewers of meat doesn’t seem out of the ordinary on a thoroughfare filled with street vendors. After hanging around long enough, though, it becomes clear that this cart is different from similar ones up the block. The most obvious difference is its operator, Ekrem, a young man from western China’s Xinjiang region who shows an intense care for each and every skewer of his Uyghur-style barbecue. As he effortlessly and gracefully flicks the perfect amount of his secret spice blend on each bit of meat (all of which are quality cuts), he tells us that nothing in them is artificial, gesturing up the street to indicate that the others in the area do not have the same exacting standards.

Wooden wine barrels with taps, shabby old furniture, noisy antiquated fridges, soda siphons from the 1960s… these are the building blocks of Barcelona’s classic bodegas. Formerly shops that sold bulk wine, liquor and ice, these bodegas survived the Spanish Civil War, social conflicts, food shortages, financial crises and, of course, modernity, with their essence intact, even if they morphed into bars or restaurants along the way. The most important element of a neighborhood bodega, however, is neither readily visible nor easily captured: it’s the place of importance these spots occupy in the lives and hearts of the local residents. They are the scene of innumerable childhood memories and infinite moments shared with other locals from the block, making them a dependable point of reference in time and space.

At Pollería Fontana, a cozy restaurant inspired by the owner’s history in a poultry shop, it’s neither chicken nor eggs, but rather family that comes first. The name, which means Fontana’s Poultry Shop, is a tribute to the owner’s family business, a store selling chickens and eggs that was established by chef Nil Ros’ grandparents in 1935. But for the last six years, Pollería Fontana has been a contemporary, lovely little restaurant with an idiosyncratic personality in Gràcia, a fittingly idiosyncratic neighborhood that hosts Barcelona’s highest concentration of small independent restaurants. With old kitchenware and trinkets strewn about, numerous family photos in black and white hanging and a casual but warm atmosphere perfect for small groups and families, the space is like a contemporary tribute to the Catalan culinary neighborhood tradition.

Olivos Comida y Vinos is like an independent movie playing at a small cinema on a quiet street in Sants, a neighborhood just outside of Barcelona’s center. It leaves you with the impression of having had an unexpected, intimate connection with something personal and precious. They don’t have customers – they have fans. Decorated with plants and flowers in a comfortable setting of simple, natural materials, Olivos is full of thoughtful details (enough space between tables, no table cloths for green eating) and super-friendly service. The exquisite food follows a sustainable “slow food” philosophy, where products should be local and obtained in both a clean and ethical way, and everything is cooked with a highly professional hand. In Barcelona, where mainstream culinary trends, big hospitality groups and huge investments in interiors and PR are frequently the rule that moves the masses, the independent, honest spirit at Olivos is a treasure.

Sometimes we like to indulge ourselves and start the day off with fresh grilled scallops and sparkling cava wine, simple and lovely Catalan delicacies found on our Made in Catalonia tour in the Gràcia neighborhood. 

Bars, cafés, taverns and restaurants have historically functioned as meeting spots for all kinds of urban communities, from intellectuals to politicians and artists – revolutions have even been planned around the table. Nowadays in Barcelona, another community, one that has flourished in numerous cities around the world, has started gathering in these types of venues: cyclists. The number of cyclists in Barcelona has increased some 30 percent in recent years, according to the City Council – in 2017 alone, 38 percent of residents moved around the city on two wheels. With more than 230 km of cycling lanes and a fleet of 7,000 brand new municipal bikes, the city is still adjusting to coexisting with so many bikes and riders.

A tomato is a tomato, or that’s what it might seem like to grocery shoppers in Barcelona. But Karim, who currently oversees two hectares of organic gardens in Campíns, an area northeast of Barcelona located at the foot of the Montseny mountain range, knows otherwise. “We don’t know what we eat,” he tells us. “I used to work at other places dedicated to industrial farming, and they added a powder to tomatoes to force them to mature in a couple of days. There was a storeroom where we had to put on a special protection suit before entering [the greenhouses] because the tomatoes were sprayed with harmful products that could go directly to our bones.”

Pa de Sant Jordi, bread striped with the bright yellow and red of the Catalan flag to celebrate La Diada de Sant Jordi, may be the new-kid-on-the-block of culinary traditions in Barcelona, but it’s been accepted by nearly everyone as a genuine part of the holiday. The patriotically colored bread is now a ubiquitous presence in bakeries throughout the city come April 23.

Just as moments in time can be captured by a photograph, to savor at a later date, so too can the freshest meats and produce – almost equally as fleeting – be preserved (albeit in a can) for enjoyment later down the line. Only we can’t guarantee that they’ll last as long, given how good they taste. Prevalent in various Mediterranean countries, including Spain, Italy, Greece, France and Portugal, canning offers a sustainable way to increase the shelf life of delicate seafood and sophisticated recipes. And while many associate conservas, foods preserved in cans and jars, with student life or basic survival fare, they are in fact experiencing a golden age in Spain.

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