There’s a joy in staying in China’s big cities over the upcoming Lunar New Year (春节, chūnjié). As people start the “great migration” back to their ancestral hometowns to enjoy the annual reunion dinner (团圆饭, tuányuánfàn, or 年夜饭, nián yè fàn) with their family, Shanghai becomes a ghost town. Nearly every shop and restaurant closes up for at least a week (and sometimes more like three), as employees travel back to inland provinces like Anhui and Henan for a well-earned break and the chance to eat traditional, home-cooked meals with relatives. So long as you have a well-stocked fridge, the New Year is a peaceful time to explore the empty streets.

Among the many bars of raucous Bairro Alto, Casa do Brasil is a steadfast nighttime institution for Lisbon’s Brazilian community, hosting concerts and cultural events in a non-profit capacity. This two-floor venue is the place to chat, drink, eat and dance to a myriad popular rhythms from the homeland, all performed live: the festive accordion-drone of forró, the fast, happy chorinho or 1960s bossanova, as well as samba, rock and maracatu. The grungy ground floor, which mainly functions as a bar and dance floor, also hosts poetry sessions, film screenings and gastronomic events. Usually held on Mondays, their dinners provide the ideal space for getting to know the regional specificities of Brazilian food – its 26 states occupy more than half the South American continent, meaning it will take more than a couple of visits to get a full sense of the national palate.

In 1977, just two years after the death of Franco, the great Catalan gourmet Manuel Vázquez Montalbán published a book titled L’art de manjar en Catalunya (The Art of Eating in Catalonia). The book, as well as the prologue written by Montalbán’s mentor Néstor Luján, rang the alarm bells, claiming that authentic Catalan cuisine was in grave danger and on the brink of disappearance. As Montalbán saw it, the unique Catalan culinary identity has been reduced to a few ubiquitous dishes: pan a la Catalan (bread with tomato pulp and ham) and rabbit with aioli. This demise was due, in his opinion, to the frenzied pace of modern life, the lack of high-quality ingredients, the ignorance of both restaurateurs and tourists regarding what good cuisine, not to mention true Catalan cooking, looks and tastes like and, of course, the Franco regime’s efforts at suppressing regional identities.

To describe something that is better than good, Portuguese speakers sometimes use the word espectáculo (show, spectacle) as an adjective. João Gomes, the owner of Imperial de Campo de Ourique, does it every five minutes. He practically trademarked the phrase “É um espectáculo” (It’s a show/spectacle), to the point that he has it embroidered on his apron. His wife Adelaide’s reads “A chef do espectáculo” (The show’s chef) – she’s the cook and a very good one indeed. Nuno, their son, doesn’t have an embroidered apron but he is also part of the show, waiting tables and managing orders effortlessly. Imperial used to be one of Campo de Ourique’s many outstanding tascas. Now it is probably the last one standing.

The city of Tokyo has over 1,000 train stations, which translates to just about that many neighborhoods. In recent years many of these communities have succumbed to top-down corporate “urban renewal,” losing the small shops and restaurants that created distinctive local flavors. With an average shelf life of 30 years for buildings, most Tokyo real estate is rebuilt as opposed to being renovated for further use. Bottom up gentrification and the repurposing or renewal of buildings is rare. Change has always been an integral part of Tokyo life, but as we begin the new year, we thought it was worthwhile to honor some of the old institutions of Tokyo and enjoy them anew.

In a market as diverse as Lisbon’s Mercado de Arroios, where people from all over the world shop, Mezze doesn’t seem out of the ordinary. But the small restaurant deserves a closer look: it’s not only one of Lisbon’s few Middle Eastern restaurants, but, more importantly, its staff is almost entirely made up of recently arrived Syrian refugees. For them Mezze represents both a link back to the country they left behind and a crucial aid for putting down roots in their new home. The idea behind Mezze is one that’s being tried out in other countries. Refugees, particularly those fleeing the war in Syria, are given the chance to earn a living and get established by sharing their culinary heritage, either by opening or working at a restaurant or catering business.

It’s not easy to get to Mania de Boteco. You have to go up, up, up, first by car (or, for something more thrilling, on the back of a motorcycle taxi) and then by foot, cutting across alleys and climbing narrow stairwells. But this spot is worth all the effort. Tiny and humble, Mania de Boteco has an almost improvised feel to it, teetering at the top of Vidigal, one of Rio’s most scenic favelas. The first thing noticed here is the astonishing view of the ocean and Leblon and Ipanema beaches down below. But Mania de Boteco is more than just a scenic spot: it also happens to be a top-notch botequim serving wonderful food and amazingly good drinks.

On a busy thoroughfare in Keramikos near the bustling neighborhood of Gazi, it’s easy to miss Athiri – but we urge you to keep an eye out for this culinary gem. When we last visited the restaurant, the polite waiters welcomed us with gracious smiles. We chose a table in the verdant courtyard, a small oasis in the heart of Athens. The interior of the restaurant is simple and elegant as well, with modern details to complement the lovely atmosphere. Chef Alexander Kardasis has a personal and modern vision of Greek cuisine and is always striving to create clean flavors with traditional underpinnings. To that end, he’s assembled a collection of the finest raw materials, many of which arrive fresh daily.

A few months ago a little storefront joint opened down the street next to our neighborhood green grocer, a mom and pop operation that has been there for decades. A varnished wooden counter behind the iron-framed windows and a few matching tables make it fit the new bohemian-chic Tbilisi style popping up the street around Rooms Hotel, the hip four-star flophouse all the travel magazines are fawning over these days. Although the wine list was not well-stocked, the food didn’t disappoint. The pork belly was not the standard room-temperature slab of bacon on a plate, but was oven-roasted and nestled on two puddles of cherry and plum sauce, zesty richness that nearly overpowered the smokiness of the pork. It was simple, bold and delicious. And it was Georgian, although not everyone will agree on that.

The view from Weekender’s doorway is promising only for those comfortable with snooker: The room is dominated by three intimidatingly broad tables devoted to that challenging cue sport. Compared with New York’s typical coin-op bar-pool tables, a snooker table’s balls are smaller, its pockets tighter and successful shots consequently rarer. They certainly were for us. Crossing to the far side of the counter, we found more action, of a different sort, in a screened-off dining area provisioned by a Bhutanese kitchen. This Woodside establishment is one of the few in all of New York that serves the cuisine of Bhutan, a Himalayan kingdom landlocked between Tibet and India.

With new restaurants popping up in this increasingly popular city and so many more disappearing due to rising rents, 2017 was a year of change – both good and bad – in the Lisbon food scene. We mourn those spots that have left us, but also celebrate the arrival of some exciting places helmed by a new crop of young chefs who are highlighting quality and local products and ingredients. Pies at Bel’Empada: Bel’Empada, a tiny restaurant and takeaway in Alvalade, a residential area in the northern part of the city, bakes the most delicious pies with a thin light dough that are bursting with flavor.

After an awful 2016 punctuated by bomb attacks and a failed coup attempt, Istanbulites were clinging to the desperate hope that tensions would ease in the new year. Then, shortly after bottles had been popped and toasts had been made, news suddenly poured in that the city’s ritziest nightclub had been sprayed with bullets in a shocking and tragic attack that claimed the lives of 39 people. Though the year started off with the kind of bang I wasn’t expecting, things have calmed down in 2017. This has afforded Istanbulites the opportunity to spend less time worried about their own personal safety and more time focused on the still-troubling political situation that clouds Turkey today.

This year saw record-breaking numbers of tourists descend on Tokyo, and a handful more Michelin stars to further the capital’s lead over every other city in the world. Feeling vicariously fatigued from all this attention, for the most part I tried my best to avoid both the throngs of tourists and Michelin-grade ostentation this year, though both proved impossible to elude completely. For that reason, my most memorable meals in 2017 were a combination of old favorites and unexpected discoveries. Ushitora: I’ve lost count of how many times I’ve spent an entire evening unwinding at a corner table in Ushitora.

There’s a new phenomenon in Rio’s botequim scene. Until some years ago, running one of these small bars was something done exclusively by immigrants from Portugal, Spain and Brazil’s northeast. But ever since botequims became extremely popular among the carioca middle class, new players have gotten into the business: the customers themselves. Since the beginning of the 21st century, it has become more and more common to hear about botequim customers who decided to buy the bars they used to frequent. Initially, it might be to help the former owners and to keep the bar from closing due to financial problems. But then they might notice that running a botequim in Rio can be enjoyable – and also good business, if the job is well done.

Hong Kong native and Cha’s owner Charlie Lau became a restaurateur because of a hankering. A movie producer by day, Lau came to Shanghai with Ang Lee to film “Lust/Caution,” and was disappointed that Shanghai lacked a proper Hong Kongese cha canting, a casual all-day eatery that serves traditional Cantonese food alongside milk teas and coffee. So he decided to open his own. On the set of “Lust,” a 1930s period piece, Lau was responsible for ensuring the historical accuracy of the costumes, casting and set design, so it’s not surprising that he designed Cha’s with the past in mind. Walking across the restaurant’s threshold transports you to 1950s Hong Kong.