It was the first of April and an absolutely pristine Istanbul spring day, the kind where one can break a slight sweat walking up a hill then catch a cool breeze in a nearby patch of shade. Returning to the city from a lovely weekend on Büyükada, we were smitten with spring and wanted to indulge in its finest offerings. In a fit of hunger-fueled inspiration, we quickly realized what we were craving: yenidünya kebabı. This spring-only affair is a specialty from southeast Turkey’s Gaziantep where chunks of minced beef and/or lamb are skewered in between sections of newly arisen yenidünya, or loquat, diminutive orange fruits that are as tantalizingly tart as they are sweet.

It’s no easy task handling a 70-kilo longfin tuna or a 20-kilo corvina. But over the past few weeks, we’ve watched our favorite fishmongers in Lisbon’s Mercado da Ribeira do just that – looking more like weightlifters or wrestlers, they endeavor to fillet the big, fat Atlantic fish that usually make their appearance in April. Even more humble specimens, like mackerel, are also at their fattest (and tastiest) come spring. That’s the joy of feasting on spring fish and seafood in Portugal – so much is in season that you can’t go wrong. To get a better sense of this spring’s “gifts from the sea,” we visited some of our favorite chefs to learn about how they are building their menus around seasonal fish and seafood.

For 48 weeks out of the year, Meijiawu village is pretty quiet. But in the weeks before and after Qingming, the Tomb Sweeping Festival held every year in early April, the tea terraces looming over the town come to life before sunrise. Tea pickers sweep through the fields, collecting the first buds of the season by hand. These emerald slivers will make up the bulk of the farmers’ annual income, although several more harvests of lesser leaves throughout the year will supplement them. Like wine from Bordeaux, Dragon Well (龙井 – Lóngjǐng) tea comes only from the hills near Hangzhou (although in China, counterfeit leaves – like bottles of Château Lafite – are everywhere). Meijiawu village (梅家坞村) is just a short drive from the actual Dragon Well (or “Longjing”) Village.

Today a residential neighborhood four kilometers north of downtown Athens, Galatsi was once comprised of endless fields where shepherds grazed their flocks. Until the mid-19th century, this area at the foot of the Tourkovounia hill range was uninhabited – the shepherds had free rein. All that changed some 150 years ago when the hills began to be quarried for building materials, particularly lime; workers at the lime kilns eventually became the neighborhood’s first residents. But the local shepherds didn’t immediately pack up and leave. In fact, according to one local legend, they inadvertently gave the new neighborhood its name. To sell their milk to the recently arrived residents, the shepherds would roam the streets shouting “Gala, gala, fresko gala” (Milk, milk, fresh milk). It was this constant cry that supposedly led people to call the neighborhood Galatsi.

Most tascas’ walls are covered with tiles, framed family or hometown pictures and soccer teams’ scarves. But inside A Provinciana, located between the neighborhoods of Restauradores and Rossio, the main decorative objects are dozens of original handmade wall clocks. Some work, some don’t, but all have great meaning for Américo, the owner of this establishment that has been around for 70-plus years. “I built them. All of them. Every Sunday, our day off, I sit at my house building these clocks with what I have: old tiles, bits of wood, pieces of barrel,” he says, glancing proud at his creations.

Istanbul’s T1 tramway is relatively pleasant if you can find a seat, but borders on unbearable if you are on your feet. Back in 2015, we wrote about a trip we took from the line’s first stop all the way to one of its last, which lies way out in the district of Güngören. By the time the tram has made it to this point, it begins to perplexingly share a lane with traffic, voiding the whole point of this type of public transportation. On one weekday evening, we found ourselves standing in a rather contorted position on the beyond-crammed train, a price we were willing to pay for a trip to one of our favorite culinary hotspots. The journey took over an hour. It was well worth it.

In 2017, Shanghai’s longest-running open-air market at Tangjiawan Lu, which had provided the neighborhood with fresh produce, fish, and seasonal foodstuffs for almost 115 years, shuttered its doors. The market and much of the area around the Laoximen metro station were some of the last historical (albeit run-down) structures in an otherwise central area full of expensive new residences. Construction has already begun on the entire city block’s worth of high-rises being built in its place, and the surrounding blocks – like many of Shanghai’s backstreets – are on notice, as the wrecking balls and construction crews continue to reshape the urban landscape at an incredibly fast rate.

Up in Barcelona’s hills, in the El Coll neighborhood, where the city ends and the sky is cut by the spiky shapes of the pine trees in Collserola Park, Agreste de Fabio & Roser is sprouting up. Emphasizing sustainability and healthy eating, the restaurant is creating delicious dishes that merge Catalan and Italian traditions with contemporary flourishes. Room manager Roser Asensi and her partner, chef Fabio Gambirasi, created this project (the name means “bad weed” in Spanish) less than a year ago and people are already singing their praises. On a recent visit, we could hear words of admiration from different guests flying around the room over the course of our meal.

One day, or so the story goes, a group of tourists asked an elderly priest in Naples which churches were really worth visiting. The priest replied, “There are many churches, but have you tried the spaghetti with clams?” Even a man of God recognizes the sacred bond established between two people sharing a plate of spaghetti with clams in a Neapolitan trattoria. So we consider it our moral duty to advise you how to order your spaghetti with clams and where to eat it.

If it weren’t for the dozens of brightly lit signs and paper lanterns promising libations of every sort, you might mistake the two narrow alleys alongside the train tracks on the northeast side of Shibuya station for a derelict apartment block. In reality Nonbei Yokocho (AKA Drunkard’s Alley) is one of Tokyo’s few remaining yokocho (side street) bar districts. Like the much larger and better-known Golden Gai in Shinjuku, Nonbei Yokocho is a collection of aging and tightly packed microbars. Each watering hole is scarcely more than a few square meters, and if longtime regulars aren’t taking up the scant floor space, newcomers may try any number of doors before they find an empty seat.

Once the Christmas nativities are packed away, after the New Year’s cotechino sausage and good luck lentils have been eaten and the Befana witch has filled epiphany stockings with candies, something strange happens in the old center of Naples. It erupts in flames. As the January sun sets, just as the days begin to lengthen, Neapolitan men light small bonfires in the dark alleys and decadent piazzas that lurk beyond Via Foria, the ancient boulevard that slices through the town’s Forcella and Rione Sanità quarters. The fires begin small. Men merrily douse bits of the Gazzetta dello Sport with gasoline, searching specifically for errant wrinkled pictures of Higuaín, loathed former Napoli footballer traded to Juventus.

Scan almost any menu in Lisbon and you’re bound to find bacalhau (salt cod) in some form. That should come as no surprise: Lisboetas have long had a taste for this preserved fish, which can be found in a number of traditional dishes. Yet despite being seemingly everywhere, there are very few spots that focus exclusively on bacalhau. A Casa do Bacalhau, as its name suggests, is one of them, using salt cod in almost everything it serves except dessert. Open since 2000 in the Beato neighborhood, the restaurant is housed inside the old stables of the Duques de Lafões palace, which was built after the 1755 earthquake.

We are on the eighth floor terrace of a relatively new apartment building in the Vedzisi neighborhood, nodding our heads with joker grins like gawkers at a freak show. The view is as spectacular as they come in mountainy Tbilisi, but that’s not what we’re chuckling at. There are 43 ceramic urns – kvevri – buried almost a meter and a half into a bed of sand and perlite in what was supposed to be a swimming pool for a nine-year-old boy. But in an epiphanic moment, the child’s father, 43-year-old doctor, Zura Natroshvili, decided to build a marani in the sky instead. The father of modern advertising, David Ogilvy, once said, “The best ideas come as jokes.” Dr. Natroshvili would probably agree. His friends thought he needed psychiatric help when he first shared his idea.

It has been said that when Greeks want a good meal, they stay at home, and that when they go out, having fun is the object, the food a secondary concern. But that was in the past. As diners have become more sophisticated and demanding, restaurants’ and tavernas’ standards have been rising and a mediocre meal is hard to find. But the craving for home cooking, for those laborious, slow-simmered soups, stews, and casseroles that mothers and grandmothers used to devote their days to creating still persists. And the old-fashioned mageirio or mageriko is an institution that satisfies this urge.

When childhood friends Yioula Svyrinaki and Michalis Psomadakis were planning last year to open up To Laini, a spot that would serve the kind of traditional food and drink found on their home island of Crete, it wasn’t very hard for them to decide on where to locate their new venture: the Keramikos neighborhood. The two budding restaurateurs were already living in the area, but there was much more that made Keramikos an ideal choice for opening up their ten-table kafeneio, which on Crete refers to a no frills café that also serves food. Located just a ten-minute walk from Athens’ buzzing historic center, the laid back Keramikos neighborhood seems to live in a magical world of its own, a place where old and new, Greece’s storied past and often turbulent present, tradition and forward-looking creativity, all coexist happily together.