In Turkish popular lore, the residents of Kilis, a town in Southeast Turkey near the Syrian border, are known for two things: kebab-making and smuggling. We haven’t been to Kilis, so we can’t vouch for the smuggling bit (although these days the town is featured regularly in the headlines as a hub for fighters being hustled across the border into Syria). But based on the food we’ve tried at Öz Kilis, a wonderful little spot on a quiet backstreet in Fatih run by two Kilis natives, we can report that the kebab-making reputation is well-deserved. Not just any kebab, mind you. Clearly an unorthodox and clever lot, the people of Kilis have a distinctly different approach to cooking meat. While a wide swath of humanity stretching from the Balkans to the Hindu Kush makes their kebabs by putting meat on a skewer and cooking it over a fire, the people of Kilis are famous for their “pan kebab,” a thin disc of ground meat that is cooked in a shallow metal dish that’s put in the oven.

In Portuguese, it’s now known as Efeito Time Out, the “Time Out effect.” An iconic fresh market – for example, Lisbon’s Mercado da Ribeira – is renovated and rebranded, given a new life, albeit one that has little to do with the traditional Portuguese market. In 2014, the Time Out media brand took over control of more than half of Lisbon’s central market, renaming it Time Out Market Lisbon, and essentially turning it into a food hall, one that is largely frequented by tourists. On the market’s opposite side, the neat rows of produce, fish and meat vendors remain, but just barely. It would be easy to heap blame on the Time Out group, but the truth is, across Lisbon, fresh markets are dying.

Tanini Agapi Mou may be one of the most ambitious wine bars in Athens’s growing wine scene. But nothing about it feels pretentious.   Plants hang from the ceiling and windows, growing wildly and draping the store in green. The furniture is simple, with tables crafted by independent producers out of highly-sustainable birchwood. The music that fills the room is a mix that spans genres, but is a pleasant background sound to the clinking of glasses. The employees don’t wear uniforms, and when they talk about the menu, their enthusiasm is real. 

Il Grottino (meaning “The Little Cave”) is a small wine bar located in an area of Naples still not explored by many tourists. Despite being situated in the heart of the old town, the upper Decumani area is off the beaten track and feels like a small oasis (hopefully for a long time to come). Here, we are just a few meters from the Naples Cathedral, and after feasting our eyes on its baroque beauty, Il Grottino is the perfect place to rest and enjoy a glass of wine and a bite. Il Grottino was born in 1980 thanks to Antonio De Luca 64, and his wife Maria, 61. When he was 10 years old, Antonio, the son of a carpenter, started working as a shop boy in a local delicatessen.

All things considered, bread is a relatively new arrival in Japan, having found its way there in 1543, when the first Portuguese ship arrived carrying missionaries and merchants who had come to spread the word of God and seek new markets. These Europeans brought with them commodities both tangible and intangible. When the Sakoku Edict, which essentially closed Japan to all international contact, came into effect in 1635, some of these commodities remained in one form or another. The vast majority of Japanese would never encounter bread during the subsequent Tokugawa Era (1603-1868), though the concept of doughy baked goods – pan in Japanese, from the Portuguese pão – remained.

There might be a menu at Bota Feijão, but we’ve never seen it. The only decision to make at this restaurant located just outside central Lisbon is whether or not you want a salad (the answer is yes) and what kind of wine to drink (the answer is sparkling). “We serve suckling pig,” says Pedro Pereira – the second generation in charge of Bota Feijão – by way of explanation. And it really is as simple as this. Pedro and his family spit-roast suckling pigs in-house, serving them with a couple simple but delicious sides. If they do have a menu, it’s not a very long one.

“Lobio saved Georgia in the nineties,” quips Aleko Sardanashvili as he plonks a round clay pot of the simmering red bean stew in the middle of a loaded table of food. It groans under the weight of an assortment of Georgian feasting staples - khachapuri, lobiani, tomato and cucumber salad, sauteed potatoes garnished with greens, jonjoli salad, pickled chilies, fried chicken, tkemali plum sauce and more. We’re at Aleko’s marani (or wine cellar) in Racha – one of Georgia’s most sparsely populated regions, located in its northwestern frontier. It used to be a six-hour long circuitous route by car to get here from Tbilisi until a spanking new road launched last year cut travel time to Racha by 1.5 hours. Since then, visitor numbers have sharply increased to Georgia’s smallest wine region, a place that offers the ability to dip into family wineries in vineyards slung along the slopes of its lower valleys and drive up to high ridges for magnificent views of the snowcapped peaks of the Greater Caucasus massif, all in one afternoon – although the reverse order is more advisable, for obvious reasons.

When you think about where to send a visitor who is only in Athens for a week – or worse, only a night – it’s difficult to pick the perfect place. It should have wide-ranging hours, not only to keep the options open, but to ensure that those who dine early will be able to make it. It should be centrally located, but not too central, bringing the visitor to an area of the city they might not go to otherwise, but one that doesn’t require a car or an inconvenient bus transfer. The space should be pleasant, with inside and outside tables, and preferably stuffed with locals.

If there is one thing that we learned throughout our time in Diyarbakir, it is that everyone here has their favorite liver place. We traveled to this southeastern Turkish city in the hopes of discovering the “best liver,” the best example of the ancient city’s delicacy, but upon arrival realized just how insurmountable a task that was. Discovering the best liver in Diyarbakir is like trying to discover the best slice of pizza in New York. Instead, we contented ourselves with a sampling. We started our “liver tour” – as we came to call it – near the entrance to Sur, the ancient center of Diyarbakir (named Amed in Kurdish). Sur is a storied place – it has been settled since 7500 BC, according to archaeological records, and has housed empires from the Hittites, to the Persians, to Alexander the great.

When Tanka Sapkota, originally from Nepal, arrived in Portugal 25 years ago, Lisbon was a very different city. There were no Nepalese restaurants and the only momo people knew of at that time was the King of Carnival (Rei Momo). Tanka says there were only four people from Nepal in the country, including him. “And now there are around 20,000,” he says, smiling. He first came to Lisbon for two weeks before deciding to move in 1996. Three years later, he opened his first restaurant. However, he didn’t start with a Nepalese restaurant, but with an Italian one.

Allée Leon Gambetta is a street branching off from Stalingrad Square in Marseille’s Réformés neighborhood, located around the corner from Gare Saint-Charles which, like most train station areas, is a bit rough around the edges. Past the unemployed men working on packs of Heineken in front of the grocery store, regulars lingering at the sandwich joints and cafés, Golda shines like a beacon, her beach-yellow parasols almost airborne over the pavement of this tree-lined street of elegant, worn buildings. Flaunty Golda, newly opened in June 2022, is in fact a relaxed, pretty corner bistro with an ample terrace bordered by leafy plants.

Mushroom hunting has an irresistible, magical pull. Composer John Cage, an avid mushroom collector, found them an integral part of his creative process, once writing: “Much can be learned about music by devoting oneself to the mushroom.” Every fall, thousands of Catalans likewise find themselves under the mushroom’s spell, following the elusive fungus’s silent melody into the woods, a rustic wicker basket in one hand and – more and more these days – a GPS-enabled smartphone in the other. This practice is an old tradition in Catalonia that begins in the forest and ends at the dinner table. Nowadays, the tradition has become a hugely popular pastime for aficionados, called boletaires in Catalan.

High above the hills of Nice, past the crowded villages frequented by tourists, is the small commune of Saint-Jeannet. Nestled among the grand limestone baous (Provençal word meaning steep rock), Saint-Jeannet sits perched like a jewel with stunning views to the sea. Built sometime in the 11th century during the High Middle Ages, the village is privy to a beguiling history. There are prehistoric and oppidum sites amid the baous, hidden caves where villagers took refuge in times of trouble, and local lore of witchcraft. Fans of Alfred Hitchcock may recognize John Robie’s villa in scenes from the 1955 classic To Catch a Thief, starring Cary Grant and Grace Kelly.

Marcelle Bienvenue, the renowned Cajun food writer, wrote a cookbook called Who’s Your Mama, Are You Catholic, and Can You Make a Roux? These questions embody so much of life in Southern Louisiana, where kin, Catholicism, and cooking dominate the discourse. And while kin and religion are largely birthrights, making a roux is a learned skill, and one that often causes great trepidation. We cook our roux a little differently down here, and the worst thing you can do is burn it.

“Caliente!” Juan calls out, and we all duck to avoid the steaming hot pan as it floats across the kitchen. He holds one side with a folded up towel, the other with a pair of pliers. Kitchen might be a bit of a misnomer. The small stall sits on the sidewalk, with a temporary tin roof overhead and brand new white tarps tied tightly to the back to protect against Mexico City’s afternoon thunderstorms. Each day for the three weeks leading up to Día de los Muertos, the Day of the Dead holiday, Tito Garcia, the stand’s owner, and the rest of the crew, will make hundreds of pan de muerto sweet rolls, as part of the Jamaica Market’s holiday romería.