The dog is in the car whining with a lusty craze at every cat and dog she sees. It’s shedding season and tufts of her hair puff off at every lurch and bounce in the back seat, the window smeared with her nose art. We park at the top of the street and walk down to school to pick up her six-year-old master, who grumbles that she’s hungry, starving even, and asks if we can go to “that bar.” The fridge is empty at home and “that bar” – the Black Dog – stands between us and the car. It is an excellent suggestion. The Tbilisi bar scene is a recent phenomenon in the scope of what is by tradition an intense dining culture.

Ènek poured a rosy-colored splash of wine into our glasses, avidly explaining how this particular Aladasturi grape vine was meticulously cultivated in its native west Georgia. In a tasting ritual uncommon in Georgia, we swirled it, sniffed it and savored the flavor as it caressed our tongues. Here in the “cradle of wine,” the land where viticulture is believed to have originated 8,000 years ago, wine is customarily poured into a water glass and “tasted” in one long drag, until drained. But in this cozy cellar in the heart of Tbilisi’s historic Sololaki neighborhood, seven winemakers have come together to offer an alternative convention to winemaking and consumption. They call it Vino Underground, but we call it wine heaven.

We can't think of a better way to kick off the new year than with a jolting shot of chacha chased with a sharp wedge of sheep's cheese at Tbilisi's Dezerter's Bazaar. This market is the focal point of our culinary walk in the city and is jam-packed with treasures.

We spent our first few years in Georgia in a whirlwind of overindulgence, hostages to the unforgiving hospitality of friends and acquaintances. Try as they might to convince us that their wine and chacha were so “clean” we would not get hangovers, there were plenty of mornings when the insides of our skulls felt like 60-grain sandpaper and our tongues like welcome mats for packs of wet street mongrels. We would hobble out of bed and stumble to the fridge and, if lucky, find two of Georgia’s most recognized hangover remedies: Borjomi mineral water and matzoni, Georgian yogurt.

The godzilla-sized tree of lights is up on Freedom Square and a gazillion more streamers of lights twinkle for eight kilometers down Tbilisi’s main drag, a clear, impressive indication the holiday season is upon us once again. The best thing about celebrating Christmas here is that tradition does not require us to buy a bunch of stuff for people that they don’t need. In Georgia, the real meaning of Christmas is indulgence in the gastronomic sense. Birthdays notwithstanding, the first feast of the season is on December 17, Saint Barbara’s Day. Being an Orthodox Christian country, the December 25 is only celebrated by expats and those Georgians looking for an excuse to feast.

Few things in life are more rewarding than eating in Georgia. However, a single night at a Georgian restaurant can also be a terribly mortifying experience. Georgians like to order big but the palate can only take so much. All the worse for guests, as they are routinely tortured into learning just how magnificent Georgian cuisine is in one sitting. This is the kind of gluttony meant to send you to hell, and it totally short-circuits your senses. You cannot contemplate the simple flavors in a piece of tender veal stewed in a tomato and pepper sauce when the table is covered with plates upon plates of pkhali, khachapuri, mtsvadi and so on while being obliged to raise one more glass of wine to wash down yet another toast.

When we arrived in Tbilisi in 2001, there was one café/restaurant that was a beacon to those seeking an alternative to the traditional Georgian dining experience of stark rooms and banquet tables or greasy spoons with clunky tables and little stools. It was a funky little crooked house of pure originality that served the regular dishes, but with a personal homey touch that suited the place perfectly. Although it felt like a world apart, the art installation cafe was Georgian to the bone, being the creation of Rezo Gabriadze, the renowned artist, writer, sculptor and film and stage director.

Among the deep array of goods found at Tbilisi's Dezerter's Bazaar, the focal point of our culinary walk in the city, is a formidable selection of colorful and tasty pickles.

A fabulous spread like this awaits you on our chacha-fueled feast in the Kakheti region of Georgia. On Saturday November 5, there are still spots available on this wonderful excursion, which includes an in-depth workshop on the chacha (Georgian moonshine) distillation, followed up by a bountiful feast. Make sure to secure your spot!

These fresh, beautiful pomegranates are among the innumerable great finds in Tbilisi's Dezerter's Bazaar, an extensive market that is the backbone of our culinary walk in the city.

We have each got a couple of buckets and a pair of gardening clips and we are standing in a dewy vineyard in the middle of the majestic Alazani Valley. The autumn air is brisk, fresh with the fruity smell of grapes and the sun is warm, clouds permitting. Looming northward like some godly guardian of this huge, precious grape basket is the awe-inspiring Greater Caucasus range. It is rtveli, the harvest, and here in Kakheti, families across Georgia’s chief winemaking region are busy making wine much like their ancestors have done for centuries. They pick, crush and ferment wine in kvevri, enormous ceramic urns buried into the ground, or in oak barrels. They add nothing to enhance the fermentation process, the crushed grapes are stirred several times daily until they feel the maceration process is completed. The chacha, fermented skins, seeds and stems, is separated and set aside for distillation later, while the wine is left to age until the New Year feast season.

We’ve seen the doleful little building a hundred times, every time we cross Tbilisi’s Dry Bridge. With the seductive words chacha, grappa and vino hand-painted on the wall enticing us like a red-light district lures lonely sailors, we would move on, thinking, “one of these days.” Then one sweltering summer night our band got a gig at the biker bar next door to the sad little building. We had a half-hour to kill until show time, and we thought, surely, one shot won’t hurt. But instead of walking into a moonshine dispensary we found a little tourist shop packed with wine, ceramic vessels and assorted knick-knacks. The real discovery, however, were three refrigerators stocked with balls of craft cheeses.

This is a piece that celebrates the odd, the misshapen and the sometimes grotesque – in other words, what to look for to find a really tasty tomato. Just to be clear, we are talking about tomatoes from Sakartvelo here. Sakartvelo? You might know it better as Georgia, but Sakartvelo – literally, the dwelling place of the Kartvelian, or Georgian, people – is what natives call their country. And some Georgians say Sakartvelo should be the official name for everyone else too, to avoid confusion with a certain U.S. state that wasn’t even a colonialist’s dream when Georgia the country was already 1,200 years old, but which now irritatingly hogs all the Google limelight.

Delicious churchkhelas, a string of nuts dipped in a thick roux of grape juice, are among the countless treats on offer at Tbilisi's Deserter's Bazaar, the focal point of our culinary walk in the Georgian capital.

We recently spoke with travel writer Caroline Eden and food writer Eleanor Ford about their new cookbook, Samarkand: Recipes & Stories from Central Asia & the Caucasus (Kyle Books; July 2016). Eden has written for the Guardian, the Telegraph and the Financial Times, among other publications, while Ford has been an editor for the Good Food Channel, BBC Food and the magazine Good Food and currently writes about restaurants for Time Out. How did this book come about? Caroline Eden: It was an idea I was percolating for a long time, since about 2009. Travelling in Central Asia, mainly as a journalist but sometimes for fun, I got fed up with guidebooks dismissing the food in the region as “survival fare.”