This funky restaurant’s name was inspired by its address, on one of the main streets in the Athens district known as Neos Kosmos, or New World. It could just as well be called Terra Incognita, so distant is it from the usual areas frequented by locals and foreigners alike for entertainment and good food. And yet, geographically, it’s just a short walk from a new institution that has already claimed its rightful place among the “must sees” of the Big Olive: the National Museum of Contemporary Art.

In Greece, where the land is mostly rocky and steep and the climate hot and arid, the olive tree thrives, and for millennia, olive oil has been as essential to Greek cooking as the gnarled, silver-leaved trees have been to its landscape. Greece is the third largest producer of olive oil in the world after Spain and Italy and the greatest in consumption per capita. Used liberally as a cooking fat for all manner of ingredients and preparations, as well as in its raw state to dress or flavor dishes, olive oil also plays an influential role in Greek baking, such as in koulourakia, twisted or coiled cookies, and paximadia, the twice-baked rusks that come savory or sweet.

There’s something special about Crete, Greece’s biggest island. The country’s most fertile region, it has a long history of food and wine production that stretches back to the Bronze Age, making Crete one of the most interesting culinary destinations in Europe. Bordered by the Aegean Sea to the north and the Libyan Sea to the south, the island is home to over 70 different edible herbs and wild greens, and local farmers produce a wide range of products, from Mediterranean staples like olives, tomatoes and eggplants to more tropical produce, such as mangoes and papayas.

When we first discovered this delightful ouzeri in Neo Psychiko last May, we were thrilled to have found a place that specialized in Politiki Kouzina – not the cooking up of politics but the cuisine of Constantinople, often called simply I Poli, or The City, by Greeks even today. Ironically, mutual friends had chosen it to fete a Turkish guest, a visitor from Istanbul, which seemed a culinary version of taking coals to Newcastle. But she pronounced the fare delicious, and smacked her lips over such shared dishes as Imam Baildi, dolmades and bourekakia made with phyllo.

Slowly enjoying a coffee under the warm sun with good company or a good book is practically a national pastime in Greece. In fact, Greeks love their coffee so much that owning a coffee shop is considered one of the safest businesses in the country: even when times are tough, who doesn’t want a cup of coffee? Despite (or perhaps because of) Greece’s ongoing economic crisis, the number of quality coffee shops in Athens has mushroomed in recent years, and a rising cadre of professional baristas – a trendy title to hold nowadays – is taking pleasure in sharing their knowledge of coffee making and drinking.

Have you ever met a restaurant owner who has been a house painter, real estate agent, rug dealer, bread deliverer, camel trainer and interpreter as well as running a tourism business? Meet Ahmad Alssaleh from Palmyra, Syria. Although he is only 31 and the youngest of ten children, he is not only unstoppable, he is about to celebrate the first anniversary of one of the most imaginative and best restaurants we have ever been to anywhere – not just Athens. But we’ll get to the food later. His story will whet your appetite, as it did ours. It all started back in 2009 when Alssaleh met Magda, a Greek girl who’d gone to Syria as a tourist.

Greeks love going out till late, even on weekdays, so it’s no surprise that Athens is legendary for its nightlife. There are bars to suit every taste: bars with a great view, bars by the sea, mainstream bars, bars with great cocktails or music, etc. But for us, the really special bars are the ones that fly under the radar, bars that feel like a real discovery. We’ve done our homework and found some of the best of these “hidden” bars. Just between us, of course.

As you approach Maroussi by train, it is difficult to imagine that 100 years ago it was full of mansions with lush gardens – some still standing today – olive orchards and vineyards. Situated 13 km north of Athens, Maroussi (AKA Amarousion) was the home of Spyros Louis, the first athlete to win the modern Olympic marathon event in 1896. It is also where the modern-day Olympic Stadium and sports complex are situated. The train was connected to Maroussi in 1885, when it was also known as “the beast,” and it took three hours for the beast to make the trip from Omonoia.

All the seafood that Mother Sea gives us is well presented and decorated at the Athenian market. Daily fresh fish, delivered from the Greek islands of the Aegean.

In terms of greenness, Athens doesn’t even come close to other European capitals with their verdant parks and blossoming gardens. The truth is, modern urban development has not been particularly gentle with this city. Numerous concrete buildings along with poor road design hem in inhabitants and visitors with featureless views. Thankfully, there are some oases in the cement desert that offer the hungry local or tourist a lush respite in which to enjoy a meal or a drink. Just behind the parliament lies the Ethnikos Kipos, or National Gardens, the indisputable green heart of the city.

While kafeneio literally means “coffee shop” in Greek, the word is often used for establishments which offer much more than a jolt of caffeine, whereas straight-up coffee shops are nowadays referred to as “cafes.” Back in the old days and in smaller towns and villages, the kafeneio was the men’s local meeting and eating place, where they would exchange ideas about politics and life, play backgammon and cards or just hang out. That bygone concept is what Giorgos, the owner of Stoa tou Agathona, had in mind when he opened up shop in the heart of the commercial triangle in Athens, just a stone’s throw away from bustling St. Irene Square and Eolou Street.

Koukaki, in central Athens, is one of those neighborhoods that in the past few years has seen a great deal of development, despite Greece’s economic recession. Conveniently located near the Acropolis Museum, the new Contemporary Art Museum and Panteion University, this once-quiet residential district has become the talk of the town among food lovers and night owls. Modern and traditional eateries, cafeterias, bars and bakeries keep popping up, and as competition gets tougher, the quality gets better and prices get all the more attractive. (A rising tide, as they say.) Fabrika tou Efrosinou opened its doors almost two years ago.

Kolonaki, or “little column” in Greek, might just be Athens’ most iconic neighborhood, forever synonymous as it is in the minds of Athenians with the wealth and idiosyncrasies of its affluent residents. Occupying the area from Syntagma square up to Lycabettus hill, it’s full of swanky boutiques, cafes and restaurants. However, one of its most famous hidden gems is actually the unfussy Philippou, a small family-run eatery that sits on a tree-dotted street away from the hustle and bustle of the main square. Founded in 1923 by Kostas Philippou, it began as a humble taverna with earthen floors and big barrels filled with home-made wine.

(Editor's Note: In honor of the immigrants and refugees who have made their new home a better place for us all, this week we are running some of our favorite archived stories about those who have left a culinary mark on their adopted land.) "Despite the fact the Armenian quarter of Athens had been created out of the rubbish heap there was more charm and character to this little village than one usually finds in a modern city… In the midst of the most terrible poverty and suffering there nevertheless emanated a glow which was holy; the surprise of finding a cow or a sheep in the same room with a mother and a child gave way instantly to a feeling of reverence." This is Henry Miller’s description of Neos Kosmos in his 1941 travelogue, The Colossus of Maroussi. Known then as Dourgouti, Neos Kosmos (Greek for “New World”) was one of the shantytowns that had sprung up near the center of Athens housing the thousands of Anatolian Christians who had fled from Asia Minor after the Greco-Turkish War (1919-1922).

The neighborhood of Metaxourgio in central Athens gets its name from the historic Athanasios Douroutis silk factory (metaxi means “silk”), which closed down in 1875. The former factory, which now houses the Municipal Art Gallery, was designed in 1833 by the Danish architect Hans Christian Hansen and is among the city's most important surviving neoclassical structures. The building was originally intended to be a shopping center, but because the area became an industrial zone, it inevitably attracted mostly working-class residents who were employed in the nearby factories, smaller industries or workshops.