When friends Paulo Sebastião, Paulo Pina and Paulo Neves decided in 2018 to open Isco Pão e Vinho, a small bakery-café, they knew they wanted to be in Alvalade, a Lisbon neighborhood at the edge of the city’s busy center. “We didn’t want to be dependent on tourists, we wanted a neighborhood clientele, and I have to say that 80 percent of the clients here are recurring,” says Pina, who has long worked as a business consultant, a job he still does in addition to running Isco. But the choice of Alvalade presented the pair with a challenge: It can be difficult to stand out in the neighborhood, which has an impressive density of bakeries, restaurants and cafés per square mile.

You are motionless, stuck in a traffic jam after a long day at work while your stomach growls. You know the rest of the family will be hungry when you get home and that the fridge is empty and sad. Shopping and cooking is out of the question, so you turn onto a Vera side street, zig-zag through one-way lanes to Tatishvili Street, double park, and run into a tiny gastronomic oasis that has been saving lives like yours for nearly a decade. Its name is Tartan. Located in a step-down ground-floor apartment, takeout cafeterias don’t get homier than this. The front room is taken up with a long counter of refrigerated display cases half filled with enough ready-made dishes to lay down a feast when you get home.

In the mid-1980s, a teenage Félicité Gaye left the Côte d’Ivoire to join her older brother in Marseille. Though their homeland had been independent since 1960, the siblings had grown up in the era of Félix Houphouët-Boigny, the pro-France president who kept close ties to its colonial ruler. “France is beautiful and there is money to be made here,” Félicité’s brother urged. Félicité’s plan was to get a good French education, and then put it to use back home. When visa problems prevented her from finishing university, the 21-year-old decided to stay, knowing her opportunities in the Côte d’Ivoire would be limited without a degree. She found work with a well-to-do Marseille family, cooking and tutoring their daughter.

Turkey’s rich regional food culture reflects its diverse landscapes: seafood, olive oil and wild greens along the Aegean Sea; wheat- and meat-heavy dishes in the country’s heartland; corn, collards and anchovies on the rugged Black Sea coast. But with climate change altering the environments that produced those ingredients, what will happen to the dishes they inspired? Will the way people in Turkey eat have to change too? And if so, how? Those are the kinds of questions posed by CLIMAVORE: Seasons Made to Drift, a thought-provoking exhibition on display at Istanbul’s SALT Beyoğlu cultural center on İstiklal Caddesi until August 22.

We arrived at Taberna Santo António after lunch, looking for a bit of warmth in the middle of winter. It wasn’t a shot in the dark – we already knew that we would be enveloped by a comforting hospitality at this classic Porto spot. The sun was shining, so we sat on the terrace with Pedro Brás, whose parents own Taberna Santo António. “We’ve been here for 30 years in March,” he said. And while nowadays the surrounding landscape is inviting – just around the corner is the Parque das Virtudes, where crowds congregate in the late afternoon to listen to music, chat and drink beer as the sun sets over the Douro River – that was not always the case.

In 2017, when Francesco Cancelliere and his brother-in-law Oreste Improta opened their small trattoria in Piazza Cardinale Sisto Riario Sforza, a splendid little-known square behind Cattedrale di San Gennaro, they drew inspiration from a nearby masterpiece: Caravaggio’s The Seven Works of Mercy, which was made for, and is still housed in, the church of Pio Monte della Misericordia, located close to the cathedral. First was the name of their new trattoria: Caravaggio. But they really leaned into the theme. “All the tablecloths and napkins were inspired by a Caravaggio painting. But it happened that napkins disappeared every day, because tourists took them as souvenirs.”

The Hacienda del Parián in Ocoyoacac, a rural village on the outskirts of Mexico City, got its start twenty-six years ago, when the local Ocampo family joined forces with other charro (“cowboy”) families to recreate a traditional estate. The idea was to preserve two very strong Mexican traditions that used to live side by side in haciendas: la charrería, the Mexican equestrian tradition, and rural Mexican cuisine. The estate they built is big enough to celebrate a wedding or a charreada, Mexican-style rodeo, or even both at the same time! It’s also home to a restaurant, which is managed by Christian Ocampo, who started working in the catering side of the family business before moving over to run the restaurant side of things.

The pandemic hit Athens, in early 2020, at a time of transition for Antonis Liolis. With many years’ experience in the food and beverage industry – after working in popular Athenian bars he went on to own a bar of his own and later two Thai restaurants, one in the Petralona neighborhood and the other on the island of Serifos – he was plotting his next move, and the first lockdown gave him time to think and dream and plan. Feeling nostalgic for his mom’s cooking, Antonis ultimately decided to focus on Greek cuisine. So he went on the hunt for a cook and the right location for his new restaurant, to be named Tzoutzouka (τζουτζούκα, a slang term for a woman who is cute, sweet and loveable).

The up-and-coming, terroir-obsessed wine distributor Os Goliardos is reached through a tiny alley that opens into a courtyard behind an apartment block in Campolide, a residential Lisbon neighborhood just north of the Amoreiras shopping mall. The company keeps a low profile, hiding Lisbon’s greatest wine storeroom in a narrow garage that counts several auto body shops as its neighbors. Since they keep odd hours, we were told to find a mechanic named Senhor Rui who would let us in with his key to pick up our order. We looked for him in a dark garage, where a man sat, listening to fado on the radio, beside a distressed Fiat. Wrong mechanic. Suddenly a large, smiling man in work clothes appeared in the yard jangling a set of keys.

Many people think of miso as the soup that gets tacked onto every Japanese meal. We can still remember our first experience of Japanese food in the West, when the waiter brought the soup at the end of the meal, and someone thought he’d forgotten to serve it at the beginning. Any self-respecting Japanese meal, just about anywhere in the world, will end with miso soup. The miso used in the soup is a paste that will determine the flavor of the soup. There are basically three kinds of miso: red (akamiso), white (shiromiso) and mixed (awase), which has a brownish hue and is the most common variety used in miso soup.

During the dry season in Mexico’s Mixtec highlands, when it’s windy, bugs called chinches (or jumiles in other regions) are ready to be collected from the epiphytic bromeliads – dramatic plants that grow on trees or other plants – where they live. “Children climb the trees, grab the epiphyte, bring it down to the ground and shake it until all the bugs fall from it. They eat them alive; and appreciate them for their spicy taste, reminiscent of chilli pepper,” write the scholars Esther Katz and Elena Lazos in an article that’s part of the 2017 book Eating Traditional Food. Scorpions, ants, crickets, grasshoppers, worms from the maguey plants – Mexico is the Latin American country where the most bugs are eaten according to Katz and Lazos.

Although the Gothic neighborhood in Barcelona’s Ciutat Vella (“Old City”) district is supported by deep foundations – it’s the site of the former Roman village of Barcino – much of the quarter’s more recent history has been swept away by the rise of tourism. The few remaining old shops and businesses are often in a precarious position, exposed to the changing times, and yet they continue to stand strong. One such spot is Bodega La Palma, which dates back to at least 1909. Back then it was a shop that sold a little bit of everything as well as bulk wine; now it’s a tapas bar, one that serves as a multigenerational meeting point for locals and visitors (when they’re around).

The relative abundance of heritage architecture and mixed zoning in the former French Concession neighborhood (technically the Xuhui district) has left a legacy of nooks and crannies where a number of mom-and-pop noodle shops are able to withstand the test of time and pressures of a fast-changing economy. Luckily, enough noodle lovers are still craving the classics and will queue up to support their favorite local haunts. Our top five picks can get crowded, but if you avoid the main lunch rush from noon to 1 p.m., you shouldn’t have to fight (too hard) for a seat.

Izmir’s quintessential sandwich, the kumru (the Turkish word for turtle dove), derives its name from the birdlike shape of the elegant, curved roll in which it is served. Throughout the Aegean coastal city, there are two varieties of this ubiquitous sandwich: One is served fresh from a cart with a slice of local tulum peynir (sharp white sheep’s cheese), tomatoes and optional green pepper. The other version is a greasy, salty and downright decadent configuration of grilled sucuk, salami, thinly sliced hot dog strips, two types of cheese, pickles, tomatoes and occasionally ketchup and mayo, dwarfing its humble predecessor. While the simpler kumru dates back to the mid-19th century, it was in the 1940s that sandwich shops started grilling them up with sausage and melted cheese.

It was our first Tbilisi summer stroll down the city’s main drag, Rustaveli Avenue; two sweaty, newly arrived pie-eyed tourists tripping on the 2001 reality. There were billboards advertising the recent kidnapping of a Lebanese businessman, policemen in crumpled gray uniforms extorting money from random motorists with a wag of their batons, and at the top of the street, a former luxury hotel looking like a vertical shanty was full of displaced Georgians from Abkhazia. Parched and cotton-mouthed, we entered a café of sorts for cool respite. The room had high ceilings, was stark and all marble-tiled, including the long, wide bar. A splendid social-realism mosaic of women, grapes and wine was laid into the back wall. The counter was decorated with a few tin ashtrays and a spinning rack holding several tall cone-shaped beakers filled with technicolored syrups.