Seating around only 20 people, Taberna dos Mercadores is a microcosmic reflection of contemporary Porto: a mixture of high-concept design and traditional food. From a design perspective, the focal point of the small yet comfortable dining room is the ceiling, where white metal supports create the outline of a false dome. Although sculptural in nature, the distinctive design is not merely ornamental but also practical: it doubles as a wine rack, cradling neatly stacked rows of bottles. Wine buffs will be satiated at the diverse but humble selection on offer here, which mainly originate from the Douro valley, the sumptuous growing region that extends from Porto along the Douro River all the way to the eastern border with Spain.

[wptab name='Story']Up on the walls of O Frade’s polished interior is an old radio that catches the eyes of most clients. The music wafting from it is part of an illusion: “We hid the wireless speakers we use inside it because the radio doesn’t work anymore,”' says chef Carlos Afonso, who runs this small new restaurant alongside his cousin, Sérgio Frade. The radio came from their grandmother’s house and is there to remind them of the very long afternoons the two cousins spent around the dining room table, eating with their families. “That’s where we first learned to appreciate food,” Carlos recalls. Food has always been a serious subject for both. O Frade’s namesake is an old taberna that was run by Sérgio’s family members in their hometown of Beja during the ’60s. Back then, tabernas were a big part of the way of life in the Alentejo region, serving as meeting points where men gathered after work, to eat (a little), drink (a lot) and (when the mood was right) to sing the famous Cante Alentejano, polyphonic form of singing that UNESCO designated as an Intangible Cultural Heritage in 2014.

Walk through Lisbon’s Madragoa, a neighborhood of cobblestoned streets and small houses, and you are likely to be hit with the intoxicating smell of freshly roasted coffee. Follow the scent and you are likely to find yourself in an utterly unique spot: Flor da Selva, one of the last wood-fired coffee roasters in Europe. Manuel Alves Monteiro, from Melgaço in northern Portugal, founded Flor da Selva in 1950, and Manuel’s son, Jorge, and grandson, Francisco are keeping the family business alive and kicking via an artisanal method – one they started using many years before anything artisanal was trendy, mind you. “My father was a coffee lover,” says Jorge, thinking back to when Manuel first opened his shop. “At this time, we were drinking a lot of mixtures with barley or chicory that were inexpensive, but he could see the potential for 100% coffee blends.”

Saturday, late afternoon, Jackson Heights. In the shadows of the 7, the elevated train that runs along Roosevelt Ave., sunlight is already giving way to street light; music spills from passing cars and lively watering holes; a few men and women hurry along on neglected errands. More than a few step into La Gran Via Bakery, lured by a show-stopping array of cakes and a long line of display cases filled with individually portioned pastries. At the back counter, Betsy Leites is poised, pastry bag in hand, over a bright white tres leches cake rimmed with strawberries and peaches. She squeezes out a cursive "Feliz Cumpleaños."

Next to some wooden shelves overloaded with spirits, a photograph of Natália Correia hangs on the wall. The photo’s placement makes it appear as if Correia, cigarette in hand, is surveying the small room, which is crowded with semi-broken tables. The late poet and upstart co-founded this tiny bar/café a few decades ago, and her presence is still felt here and in the neighborhood more generally: A nearby street, with a spectacular view of the city, is also named after her. Botequím is one of Graça’s oldest bars, located on the ground floor of Vila Sousa, one of the worker apartment complexes built at the end of the 19th century.

Retsina has a bad rap. Many locals and foreigners associate this Greek classic with cheap “house wine” served at tavernas – you know, the stuff that is bright yellow in color, has an intensely resinous flavor and practically guarantees a headache the next morning. But we think retsina is just misunderstood. Increased demand in the 1960s for this resin-infused wine led to a plunge in quality, sullying its good name. Yet a new generation of Greek winemakers and sommeliers has worked tirelessly over the last decade and a half to restore retsina’s standing in the international world of wine, experimenting with different grape varietals and methods of fermentation in the process.

Some people might tell you that the patron saint of Naples is San Gennaro, a 3rd-century bishop who died as a martyr. But that’s not actually true. The patron saint of Naples is, in fact, Diego Maradona, the Argentinian-born soccer player who, in 1987, propelled Napoli to win the Serie A Championship (Italy’s top football league) – it was the first team ever from the impoverished Italian south to do so. To this day, Maradona’s portrait is everywhere in the city. Just like any good patron saint, his picture watches over shopkeepers, restaurant owners and families in their living room. So when someone on the street called Francesco Sepe the “Maradona of wine,” you can imagine how proud he felt.

Not many companies baking in Portugal can claim that they’ve been in business since 1756. But Queijadas da Sapa, the first bakery to make queijadas de Sintra, cheese and cinnamon tarts in a thin crust, can proudly display “Since 1756” on their labels and the doorway to their shop. These small and spicy bites are not only, as the name suggests, the pride and joy of Sintra, the fairy-tale-like town of castles located 40 minutes away from Lisbon, but they are also some of the best creations in the large catalogue of Portuguese pastries. In fact, they were already quite popular many decades before 1837, the year that the café in Belém began selling Pastéis de Belém, the famous custard tarts.