Stories for solo travelers welcome

The excavations at Oplontis, located in the modern city of Torre Annunziata, are often overlooked in favor of its much larger, much grander neighbor: Pompeii. Yet like all little-known things, this archeological site is full of incredible surprises, like the magnificent villa said to have belonged to Poppaea Sabina, the second wife of the Emperor Nero. A UNESCO World Heritage Site since 1997, the villa is certainly worth a visit (plus, you’ll avoid the tourists who come from far and wide to invade Pompeii). And after having “discovered” Oplontis, there is a small gastronomic treasure to be discovered: DocSicil.

Just after the stroke of midnight on New Year’s Eve or on the first day of the New Year, many Greek Orthodox families gather around the table to cut and split the vasilopita, a cake named after St. Basil (Aghios Vasilios), the Greek Santa Claus. The head of the family “crucifies” the cake three times with a knife and then cuts it into triangular pieces. Usually, the first piece is offered to Christ, the second to the Virgin Mary, the third to St. Basil and the fourth to the “house” before family members and friends each receive one. Some may offer a slice to St. Nicholas, the patron of sailors, to the poor, as St. Basil cared for them, or to the family shop or company.

It’s almost 2020, and Mexico City continues to be one of the best eating cities in the world. So maybe you won’t find world cuisine the likes of New York or London, but instead you will be bowled over by a deep culinary tradition, genius chefs who were self-taught and a delicious meal waiting on every corner (and we mean every). No “best of” list will ever cover all the deliciousness awaiting you in Latin America’s foodie megalopolis, but here are a few places that we fell in love with in 2019.

When Lisboetas are looking for a night out on the town, Lisbon’s Bica and Bairro Alto neighborhoods aren’t as high on the list as they used to be – the area is crowded with tourist traps and expensive menus that make locals roll their eyes and run away. But António and Bruna Guerreiro saw an opportunity to upend the current state of things and bring a breath of fresh air to this corner of Lisbon. Both are artists, as well as seasoned consumers of culture and good food. Intent on marrying these two passions, the couple set out to create something that connected gastronomy and the arts while also paying homage to their Portuguese regional culinary heritage.

What do shakshuka, kibbeh, nachos, hummus, crepes and a turkey club sandwich have in common? They are all on the menu of The Spot, a charming comfort-food/tapas bar with a global pedigree that opened in October not far from the pedestrianized road that circles the Acropolis. And they are there because they are all personal favorites of the owners, Turkish-born Aysegul Ozden Trifyllis and her Greek husband Yiannis Trifyllis. “We don’t want to fit into a niche,” Aysegul told us when we visited one balmy day in early November. “That’s why we didn’t make our food just Turkish or Greek.”

In the late 19th and early 20th centuries, Italians – particularly southern Italians – immigrated to the United States in droves. Seeking their fortune in a distant land, they boarded ships with cardboard suitcases containing only a few clothes. But there was no shortage of good food in those suitcases: bread, cheese and even soppressata, cured pork salami made with the best pieces of the pig (and thus low in fat content), a perennial favorite in southern Italy. Alas, once they arrived on American soil after the long journey, their soppressate were seized because of a law prohibiting the import of cured meat, among other meat products (a ban that still exists today).

Vegetables often get short shrift at restaurants – greens, legumes and tubers are relegated to the same tired side dishes, or just one component of many in a generic main, subsumed by the dish’s other ingredients. Not so at GatBlau (literally BlueCat in Catalan), located in the Left Eixample. This restaurant is a shrine to vegetables, showing them anew in all their complexity. Here, the personality of a parsnip, a kohlrabi or any other delicious weirdo from the garden is taken to the next level, refashioned into carpaccio, cake or even rillettes.

In the 1980s and 1990s Bairro Alto was the epicenter of Lisbon nightlife: Bars here had the best DJs, and interesting restaurants were opening more often in this neighborhood than in any other in town. Although Bairro Alto lost some of its more compelling spots over the years, it’s still a party district and on a recent upswing, with promising new restaurants cropping up. Among these is Zé Varunca, a notable ambassador for the food of Alentejo, one of Portugal’s best regional cuisines. Having limited resources, Alentejo cooks learned how to go far with a little, deliciously using, for example, stale bread as a staple ingredient along with chouriço or other sausages, pork fat and sometimes a bit of meat.

Imagine the most extraordinary location for a vineyard that you can. Got an image in mind? Well, we think Cantine dell’Averno, a four-hectare vineyard in Pozzuoli, has it beat: Not only are its vines growing inside the caldera of a volcano that is theoretically still active, but they also surround the ruins of a Greek temple. We are on the shores of Lake Avernus, a volcanic lake that formed thousands of years ago and is part of the wider Campanian volcanic arc, which includes the Phlegraean Fields. It’s a place shrouded in an aura of mystery – legends and tales about this somewhat eerie body of water have been passed down since antiquity.

It’s a crisp and cold winter morning in Alentejo. We are in Mora, a one-and-a-half-hour drive from Lisbon, to visit Susana Esteban’s winery, a very simple adega where her award-winning wines are made. Susana welcomes us at the door and leads us inside, where, sitting among the barrels, we taste her wines. They leave a strong impression on us, and not just because of the early hour – the wines have a distinct personality, one that’s formed on the vine. Yet when we peek outside, there are no vineyards in sight, only oak and cork trees. That’s because Susana grows her grapes in Serra de São Mamede, a mountain range in Portalegre, one-hour east of Mora and close to the Spanish border.

It is impossible not to look at the history of Quinta de Covela, a winery in Portugal’s Douro Verde region that has faced misfortune, gotten some lucky breaks and survived tricks of fate, as a masterpiece of literature, one that could easily be adapted to the cinema. In fact, the area around the winery already has ties to both genres: It inspired A Cidade e as Serras, the last work of José Maria de Eça de Queiroz, the 19th-century writer who is one of the towering figures of Portuguese literature. And it was here that famous Portuguese film director Manoel de Oliveira bought a large swath of property to prove himself a worthy candidate for the hand of Maria Isabel Carvalhais, the woman who would become his wife.

Naked, free, wild, raw, true, clean… natural wine has many names, except its most obvious one, just plain ol’ wine. There’s no makeup or camouflage, nor is there any sort of artificial interference – chemical fertilizers or industrial yeasts, to name a few – in the vineyards or during the vinification process. Some consider this wine to be a passing fashion, but it has more than a solid foothold in its homelands – France, Georgia and, to a lesser extent, Italy – and continues to conquer palates in new countries. One of those countries is Spain, where natural wine is proving to be a popular alternative to industrial vino, which must adhere to regulations set by the Denominaciones de Origen (D.O., the organizations that oversee the mainstream wine regions in Spain) and has a limited and fixed personality often based on artificial yeast and processes.

Amyndeo, a mountainous region in northwestern Greece, is a prime spot for producing wine – in fact, it’s one of the most important wine regions in the country. Located between two peaks, Vermio and Voras, this area is known for cold winters with enough rainfall and snow for the vines to withstand the relatively dry summers (usually sans-irrigation). Four surrounding lakes, the largest being Vegoritis, contribute to the mild semi-continental climate. In fact, this entire area used to be a lake thousands of years ago, which has resulted in a sandy top layer of soil and limestone subsoil, an auspicious combination that ensures the ideal drainage of rain water and delivers natural nutrients and elements to the vine roots.

The wine harvest is about timing. The time it takes for a grape to ripen to optimal sweetness, the moment they are cut from the vine, the days or weeks that each mix of crushed grapes and juice sits in fermentation tanks or oak barrels. Timing is everything and to get it right, you not only have to be obsessed with accuracy, but also have a passion for perfection. Alejandra Cordero, the winemaker at Tres Raices, a winery in Dolores Hildago, located in the central Mexican state of Guanajuato, has both. Wearing a black lab coat, her hair in a tight bun and her hands stained ruddy red with wine, Cordero is testing the sugar levels of the latest batch of Tres Raices wine. This year’s harvest went fast. There was little summer rain and the grapes matured quickly. They started cutting in July and were finished by the start of September. Timing was vital.

We used to spend a lot of time in western Georgia’s Samegrelo region when breakaway Abkhazia was our beat. Zugdidi, the regional capital, was our overnight stop coming and going across the river to the disputed land in the north. Our local friends would welcome us with Megrelian hospitality, decorating their tables with hearty and spicy local fare that made us purr. The wine, however, with its sweet barnyard vinegary tang, was a different story. We assumed that this subtropic-like land, with its year-round lushness and mandarin, hazelnut and overgrown tea fields, was hostile to good wine grapes. We didn’t realize back then that the practice of making sugar-wine was not exclusively a Megrelian thing, but a Communist legacy practiced throughout the country.

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