Amanda Tong’s hands are grey with liquid porcelain as she slowly shapes a small pitcher on her potter’s wheel. Marbled clay rises and flattens under her strong hands, larger than you’d expect from her slight stature. Behind her, Jun Matsumura scrapes tendrils of clay off a partially-dried vessel, sharpening its elegant curves. Cantonese pop music plays from speakers on the shelves. Both of them are quiet, focused entirely on their work. On a sunny spring afternoon, ceramicists Amanda and Jun agreed to let us watch them work at their studio in rural Saitama, about an hour outside of central Tokyo. We’re here to chat about their ceramics practice; specifically, what goes into making utensils and vessels for the Japanese tearoom.*

Wearing a light beige cape down to their feet with an R embroidered in golden threads on the left side of the chest (an outfit which would make even Harry Potter jealous!), a group of young adults hug each other, pose for photos, and take selfies with their smartphones. They are getting ready to step into the theater of the Ateneu do Porto, a room with rococo decor, dark red velvet curtains, and wood carved in adjoining designs painted in gold, which has hosted some of the most important national and world artists here in the second largest Portuguese city. By the clothes and the pomp of the event, one could predict that something important is happening.

In life, it’s never too late to try changing course. It’s not always possible, it’s not always easy, but when you succeed, what satisfaction. Seventy-year-old Raffaele Cardillo, with his smiling face and white beard, can attest to that. After 20 years spent working as a lawyer, shuttling between courts and meetings with defendants, and puzzling over lawsuits and problems to unravel, he decided to give up his law career and transform his passion – cooking – into a real job. Spending his evenings at the stove was a favorite pastime, the way he relaxed after a long day in court.

Daiji Takada, owner of Chabuzen, peeks out over the counter from the kitchen, which has about a meter-long strip of standing space for one at most. The interior of this narrow restaurant on the very fringes of the hip neighborhood of Shimokitazawa in western Tokyo isn’t much more spacious. Two low tables on tatami provide enough room for around six to squeeze in, and there are two stools at the counter – although occupying those spaces would almost certainly prevent anyone from getting out the door. With the surety of someone well-used to playing human Tetris, Takada deftly steps out and expertly delivers a plate of gyoza onto the table. He has just made these lovingly by hand and cooked them in a small, plug-in fryer.

Stepping into Otomisan in Boyle Heights feels like a step back in time. It’s a cozy diner with just three red booths to the right of the entrance, and a counter with five stools to the left. Along the walls are a mixture of old Japanese paintings, photographs of family and friends, and more recent news clippings about the restaurant. There is usually at least one table of Japanese customers chatting with the current owner. Boyle Heights sits just east of downtown Los Angeles and is known for having a large Chicano community and some of the best Mexican food in the city, but it once was also home to a large Japanese community, due to the neighborhood’s proximity to Little Tokyo, just across the L.A. river.

Regain is housed behind the marigold shutter doors of one of Marseille’s trois fenêtres (meaning “three windows,” the city’s typical brownstone). From the street, one can spy the full tables of the shady urban garden far on the other side. It is hard to believe that this Rue Saint-Pierre restaurant opened just six months ago, given its current hot-spot status among Marseille gourmands. From the unusual descriptions of chef Sarah Chougnet-Studel’s creations, it’s hard to imagine what the taste and experience of any dish will be. But Regain’s many repeat diners trust in Sarah’s intriguing French-Asian amalgams: order anything on the menu and it will prove to be both intriguing and delicious.

On Travessa do Monte, one of the friendliest streets in Lisbon’s Graça neighborhood, natural wine flows as freely as conversation. We’ve come here, right by the arch and with a narrow view of the city and the river, to have a glass with Giulia Capaccioli and Massimiliano Bartoli, two Italians from Tuscany who met in Venice and now live in Lisbon. The pair’s bar, Vino Vero, which they opened in April 2019, is the spring that feeds this natural wine oasis. To fully understand the origins of this wine bar, we need to go back to Italy. There, in Tuscany, Massimiliano’s brother, Matteo, has a winery producing natural wine – that is, wine to which nothing is added or taken away.

A "blank canvas." This was Fred Hua's first impression of the bright and airy space that would become Nhà Mình, his Vietnamese restaurant and coffee shop in Ridgewood, Queens. Like Fred's bygone restaurant of the same name, which had closed several years earlier, Nhà Mình offers a gallery for exhibits by local artists, room for his own inventiveness in the kitchen and a meeting place where, in Fred's words, he can "build community." The community in which Fred was born, in San Jose, California, is home to the largest overseas Vietnamese population in the world. Many of the conversations he heard there as a child, in the late 1970s and early 1980s, were in Vietnamese – although as Fred tells us, he would always respond in English.

Settling into our first cross-country journey in Turkey many years ago, we were pleasantly surprised by the comforts of Turkish bus travel. The young garson wore a proper uniform and dribbled cologne onto our hands every hour or so. Tea was served regularly, accompanied by one of our early Turkish culinary discoveries, Eti brand pop kek – those unctuous and delicious cakes frosted or stuffed with everything from raisins to chocolate – the Anatolian Twinkie. Call us heathens, but we love them. We’ve tried many traditional Turkish cakes, but none we encountered measured up to the beloved pop kek. That is, until one recent visit to Fatih Sarmacısı, an Ottoman-era shop making our new favorite cake, sarma (the word means “wrapped” or “rolled up” in Turkish).