On Sunday around lunchtime, the streets of Sanita can get almost eerily quiet. Where normally children play, scooters zoom past, shopkeepers haggle loudly with old ladies, and neighbors stick their heads out of their windows and discuss the latest gossip, suddenly nobody is to be seen or even heard. Sanita is still a very traditional working-class neighborhood in the heart of Naples, and tradition has it that on Sunday afternoon everybody feasts: The whole family gathers around mama’s table for an hours-long lunch. If you happen to wander Sanita’s deserted streets at that time of the week, you’ll constantly catch whiffs of familiar smells: frying garlic, roasting onions, and meat simmered in sauce for many hours. And, more and more often, the tempting, spice-scented smell of curry.

The first thing we noticed when we ducked into Koali on a late summer afternoon was the sudden change in ambiance, a veritable culture shock from the sloping, hookah bar-lined street we had just walked down. Keroncong and pop sunda classics, the kind of music you might expect to hear in a beach hut in Bali, drifted softly from the speakers. Each table bore the name of a major Indonesian city, and the walls, otherwise sparsely decorated, were covered with scrawled sayings in Bahasa Indonesian. The sound of liquid hitting a flaming hot wok and the enticing smell of coconut and lemongrass confirmed our suspicions – we had stepped into another world.

In the 1980s and 1990s Bairro Alto was the epicenter of Lisbon nightlife: Bars here had the best DJs, and interesting restaurants were opening more often in this neighborhood than in any other in town. Although Bairro Alto lost some of its more compelling spots over the years, it’s still a party district and on a recent upswing, with promising new restaurants cropping up. Among these is Zé Varunca, a notable ambassador for the food of Alentejo, one of Portugal’s best regional cuisines. Having limited resources, Alentejo cooks learned how to go far with a little, deliciously using, for example, stale bread as a staple ingredient along with chouriço or other sausages, pork fat and sometimes a bit of meat.

Ramen joints are often easily recognizable, either by large windows illuminating slurping customers, a vending machine dispensing meal tickets at the doorway, or the brightly lit signs; usually it’s some combination of the three. When it comes to Ura Sablon, however, one might easily pass it by. The narrow entrance is tucked away between a storage locker and an air conditioning unit; a small notice, illegible unless up close, is attached to a traffic cone; and the paper lantern reading “tsukemen” – a kind of dipping noodles – could easily have ended up there by chance.

Imagine the most extraordinary location for a vineyard that you can. Got an image in mind? Well, we think Cantine dell’Averno, a four-hectare vineyard in Pozzuoli, has it beat: Not only are its vines growing inside the caldera of a volcano that is theoretically still active, but they also surround the ruins of a Greek temple. We are on the shores of Lake Avernus, a volcanic lake that formed thousands of years ago and is part of the wider Campanian volcanic arc, which includes the Phlegraean Fields. It’s a place shrouded in an aura of mystery – legends and tales about this somewhat eerie body of water have been passed down since antiquity.

It’s a crisp and cold winter morning in Alentejo. We are in Mora, a one-and-a-half-hour drive from Lisbon, to visit Susana Esteban’s winery, a very simple adega where her award-winning wines are made. Susana welcomes us at the door and leads us inside, where, sitting among the barrels, we taste her wines. They leave a strong impression on us, and not just because of the early hour – the wines have a distinct personality, one that’s formed on the vine. Yet when we peek outside, there are no vineyards in sight, only oak and cork trees. That’s because Susana grows her grapes in Serra de São Mamede, a mountain range in Portalegre, one-hour east of Mora and close to the Spanish border.

It is impossible not to look at the history of Quinta de Covela, a winery in Portugal’s Douro Verde region that has faced misfortune, gotten some lucky breaks and survived tricks of fate, as a masterpiece of literature, one that could easily be adapted to the cinema. In fact, the area around the winery already has ties to both genres: It inspired A Cidade e as Serras, the last work of José Maria de Eça de Queiroz, the 19th-century writer who is one of the towering figures of Portuguese literature. And it was here that famous Portuguese film director Manoel de Oliveira bought a large swath of property to prove himself a worthy candidate for the hand of Maria Isabel Carvalhais, the woman who would become his wife.

Naked, free, wild, raw, true, clean… natural wine has many names, except its most obvious one, just plain ol’ wine. There’s no makeup or camouflage, nor is there any sort of artificial interference – chemical fertilizers or industrial yeasts, to name a few – in the vineyards or during the vinification process. Some consider this wine to be a passing fashion, but it has more than a solid foothold in its homelands – France, Georgia and, to a lesser extent, Italy – and continues to conquer palates in new countries. One of those countries is Spain, where natural wine is proving to be a popular alternative to industrial vino, which must adhere to regulations set by the Denominaciones de Origen (D.O., the organizations that oversee the mainstream wine regions in Spain) and has a limited and fixed personality often based on artificial yeast and processes.

Amyndeo, a mountainous region in northwestern Greece, is a prime spot for producing wine – in fact, it’s one of the most important wine regions in the country. Located between two peaks, Vermio and Voras, this area is known for cold winters with enough rainfall and snow for the vines to withstand the relatively dry summers (usually sans-irrigation). Four surrounding lakes, the largest being Vegoritis, contribute to the mild semi-continental climate. In fact, this entire area used to be a lake thousands of years ago, which has resulted in a sandy top layer of soil and limestone subsoil, an auspicious combination that ensures the ideal drainage of rain water and delivers natural nutrients and elements to the vine roots.

The wine harvest is about timing. The time it takes for a grape to ripen to optimal sweetness, the moment they are cut from the vine, the days or weeks that each mix of crushed grapes and juice sits in fermentation tanks or oak barrels. Timing is everything and to get it right, you not only have to be obsessed with accuracy, but also have a passion for perfection. Alejandra Cordero, the winemaker at Tres Raices, a winery in Dolores Hildago, located in the central Mexican state of Guanajuato, has both. Wearing a black lab coat, her hair in a tight bun and her hands stained ruddy red with wine, Cordero is testing the sugar levels of the latest batch of Tres Raices wine. This year’s harvest went fast. There was little summer rain and the grapes matured quickly. They started cutting in July and were finished by the start of September. Timing was vital.

We used to spend a lot of time in western Georgia’s Samegrelo region when breakaway Abkhazia was our beat. Zugdidi, the regional capital, was our overnight stop coming and going across the river to the disputed land in the north. Our local friends would welcome us with Megrelian hospitality, decorating their tables with hearty and spicy local fare that made us purr. The wine, however, with its sweet barnyard vinegary tang, was a different story. We assumed that this subtropic-like land, with its year-round lushness and mandarin, hazelnut and overgrown tea fields, was hostile to good wine grapes. We didn’t realize back then that the practice of making sugar-wine was not exclusively a Megrelian thing, but a Communist legacy practiced throughout the country.

At a typical pâtisserie orientale, the front window is often stacked with towers of sweets – honey-soaked visual merchandising to entice passersby to pop inside. Some pastry shops line their walls with colorful geometric tiles and Moorish arches, the icing on the Maghreb cake. Pâtisserie Orientale Journo goes for a decidedly more subtle approach. Though located a block from Marseille’s main drag, the Canèbiere, this unassuming shop is somewhat lost in the shuffle of the pedestrian Rue de Pavillon. The few tables scattered out front suggest that there’s food to be found inside but the open storefront is bare – save for a giant five-gallon water jug propped on a stool, with a hand-scrawled sign “citronnade – 2 euros” beside it. That’s all the advertising needed for a pastry shop that has survived by word of mouth for 60 years.

After 12 years of living in Shanghai, we thought we had eaten our way through every nook and cranny in this city, but China has a delightful way of always surprising you. A friend tipped us about a great little Taiwanese joint less than a kilometer from our office, and since Taiwanese food is woefully underrepresented in Shanghai, we immediately planned a lunch outing to test its beef noodle soup and braised pork rice. When we pulled up outside a three-story Spanish villa complete with Juliet balconies and a rosy pink paint job, we were surprised to find a familiar sight. The distinctive building sits directly across the street from a yoga studio we had gone to for four years. We’d never even considered that it could be a restaurant – there’s no sign or indication that delicious dishes lay just beyond the front door.

The classic neighborhood bodega in Barcelona is a place where customers feel at home. At Bodega Pàdua, an old bodega turned bar-restaurant in the El Farró neighborhood, part of the Sarriá-Sant Gervasi district, this quintessential spirit – usually invisible to the eye – is, somewhat surprisingly, physically manifested on the walls. The long space, which extends to a patio in the back, is decorated with mementos from the community: old photos, antique objects such as radios, cameras, and typewriters, a claviharp, written tributes to local musicians and house pets (including the bodega’s beloved parrot Ricky, who is now in a “better life” but used to say hello to the clients), and even pieces of the old iconic SEAT 600 car, which still has lots of fans in Spain.

When Cleveland-native Andy Husney set out for China at age 20 to teach English, he never would have believed that he would live there for the next decade, or, for that matter, open a Mexican restaurant. Husney initially came in 2012 for a one-year gig teaching English in Shenyang, located in China’s northeast Liaoning Province. But after that wrapped up, inspired by some friends and a desire to experience the culinary history of China, he made his way to Chengdu – recognized by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as a Creative City of Gastronomy, the capital of Sichuan province is also one of the capitals of Chinese cuisine.