At first bite, the flavors don’t seem that different. But then comes a rush of spice or an unfamiliar herbal note, and it’s clear that this isn’t standard Greek fare – in fact, it’s not Greek at all. It may serve a community of Greeks, but – as its name implies – the Association of Greeks from Egypt (SAE) specializes in Egyptian food. What began as a small canteen providing the familiar tastes of home for the association’s members has grown over the years into a popular local hangout, dishing up traditional Egyptian dishes to Athenians of all persuasions. Despite the long and storied history of Hellenistic culture, which stretches into antiquity, the modern state of Greece is relatively young, and like many nation states, its story is bound up in migration.

There’s a saying in Naples: “Anything fried is good, even the soles of shoes.” You may laugh, but we wholeheartedly agree ¬¬– frying may have a bad rap in some parts of the world, but it can add a richness and flavor to any type of food (and, perhaps, even footwear). Think of a dull, bland zucchini or eggplant; when fried right, it becomes a pleasure. We normally get our fried fix by ordering a cuoppo, a paper cone filled with crispy morsels. This symbol of Neapolitan fried street food is our typical mid-morning snack – while going about our morning errands, we munch on the small bites of fried deliciousness that are swaddled in the plain brown paper.

Arriving at Hinata one recent winter afternoon, we luckily found most of the restaurant’s 14 counter seats empty. Hinata serves just one thing: tonkatsu, breaded and fried pork cutlets traditionally served with cabbage and rice. The space is simple but snazzy, all brick-shaped white tiles and pale wood. The menu hangs from wooden slats on the wall, and on this day sported a handwritten addendum saying that our usual order, the standard roast cutlet priced at ¥1,300, was out for the day. The lunch rush must have been a busy one. We decided to splurge on the shop specialty, tonkatsu made with a fatty top rib cut for ¥2,500.

When it first began five years ago, Põe na Quentinha was an informal get-together for people who were equally passionate about food, beer and samba; they spent the day eating, drinking and dancing in preparation for Carnival. Fast-forward to 2017, when what had now developed into a proper street parade drew in over 5,000 people over three different days during the Carnival Season. This year, the food-focused event, the only one of its kind in Rio, is even larger, hosting a full month-long schedule of parades that started in mid-January.

Kurtuluş Son Durak is a busy intersection and transit hub that’s a hive of activity 24 hours a day. Marking a transition between the tidy, middle-class Kurtuluş neighborhood and the rough-and-tumble quarters of Dolapdere and Hacıahmet, the area is home to a host of eateries and cafes that never seem to close. Right in the center of it all, we stumbled across a diminutive white van rigged with a makeshift grill. Inside the tiny, elaborately decorated vehicle crouched Yıldırım Usta, a 75-year-old veteran of the kebab trade who has been serving up truly delicious dürüm – kebab wrapped up in flatbread – on Kurtuluş Son Durak for 28 years. He has lived in the area for just under half a century. “You see all these other kebab shops? I was here before all of them,” he told us.

“We may find in the long run that tinned food is a deadlier weapon than the machine-gun,” wrote George Orwell. He knew quite a lot about poor diets, as he came to Catalonia in 1936 to fight against fascism during the Spanish Civil War. He joined the leftist political party and then a militia that fought on the Aragón front for six months, so it’s quite likely that he had tinned food at some point – but only on rare luckier days. In his war diary, Homage to Catalonia (1938), he wrote about craving food at the front as well as many other remarkable experiences that he endured in that period.

On a Monday at 1 p.m., private equity investor Nargilla Rodrigues and her two colleagues bring a fourth co-worker to the Rotisseria Sírio Libanesa in Rio’s Largo do Machado neighborhood to initiate him to their weekly lunch ritual. An army of diners in business attire have packed the small restaurant and clump around the to-go counter. Rodrigues grabs a standing table and fires off an order of stuffed cabbage leaves, kafta and lentil rice like they are shares in a fire sale. With the same auctioneer’s speed, but a deeper boom, Antonio Oliveira, an employee at the restaurant for 19 years, sends the order back to the kitchen. Soon the bankers’ small table is overflowing.

Brazil’s economic crisis has hit Rio hard this past year, and the culinary scene was by no means immune from the downturn. Some famous restaurants and bars closed their doors for good. But the city hasn’t given up. In fact, if some doors have closed, a lot more have opened. Because now creativity is being used as a weapon against the crisis, and not only at newly opened spots. Established bars and restaurants have been reinvigorated with new ideas and processes. In this atmosphere, many exciting culinary novelties have made their way to the streets, ready for us to indulge in, all without having to spend too much money. So my best bites of 2017 reflect this abundance of good and cheap novel eats that have become so popular in these leaner times.

This was an intense year for Barcelona, with a complex political situation stemming from Catalonia’s bid for independence from Spain. It was a storm that the culinary scene could not help but get caught up in. Bars and restaurants have always been a temple of leisure and pleasure, but we sometimes forget that they also serve as a space for people to connect and debate. And in the spirit of debate, food and drink constitute another form of expression, an indication of a restaurant’s cultural leanings. In Barcelona this year, we could taste the continued interest in developing and strengthening Catalan cuisine, often considered an extension of Catalan identity. But we also observed the food scene’s openness to other regional cultures and global influences.

Caga Tió, Tió de Nadal No cagues arengadas Que són saladas Caga torróns Que són més bons It’s not a carol, but it is likely the most popular song in Catalonia around Christmastime. Please pardon the profanity necessary in rendering a faithful translation: “Shit, Log, Christmas Log/Don’t shit herrings/Which are salty/Shit nougats/Which are better.” You might also hear Caga Tió/Avellanas i mató/Si no cagas be,/Et dare un cop de bastó. “Shit, Log/Hazelnuts and mató [curd cheese]/If you don’t shit well/I’ll hit you with a stick.”

This year saw record-breaking numbers of tourists descend on Tokyo, and a handful more Michelin stars to further the capital’s lead over every other city in the world. Feeling vicariously fatigued from all this attention, for the most part I tried my best to avoid both the throngs of tourists and Michelin-grade ostentation this year, though both proved impossible to elude completely. For that reason, my most memorable meals in 2017 were a combination of old favorites and unexpected discoveries. Ushitora: I’ve lost count of how many times I’ve spent an entire evening unwinding at a corner table in Ushitora.

The debate rages on: which are Greece’s best traditional Christmas cookies, kourambiedes or melomakarona? Amongst our friends and family, moist, honey-soaked melomakarona win out over the crumbly, butter-rich almond kourambiedes. The word “melomakarona” is a combination of meli, which means “honey,” and makaronia, which comes from the ancient Greek word makaria (μακαρία), meaning “blessed” (and having nothing to do with the Italian pasta with the Greek name “macaroni”). Long ago, the makaria was a piece of oval-shaped bread made for a funerary dinner to bless the dead. Later on, the makaria was soaked in honey and became known as melomakarono (the singular form of the word; these cookies are also called finikia by some).

In Japan, there’s a different version of Newton’s third law of motion that applies to etiquette: for every act of kindness, there must be a similar and equal act, usually in the form of a gift. Japanese people are perpetually cognizant of the opportunities and appropriate moments for giving gifts and the many meanings and rituals attached to them. Rather than considering it a burden, many of them love to give gifts and believe it a tradition worth observing. The gold standard for gift giving in Japan are the mid-year ochugen and the end-of-year oseibo, or seasonal presents.

Hong Kong native and Cha’s owner Charlie Lau became a restaurateur because of a hankering. A movie producer by day, Lau came to Shanghai with Ang Lee to film “Lust/Caution,” and was disappointed that Shanghai lacked a proper Hong Kongese cha canting, a casual all-day eatery that serves traditional Cantonese food alongside milk teas and coffee. So he decided to open his own. On the set of “Lust,” a 1930s period piece, Lau was responsible for ensuring the historical accuracy of the costumes, casting and set design, so it’s not surprising that he designed Cha’s with the past in mind. Walking across the restaurant’s threshold transports you to 1950s Hong Kong.

Día de los Muertos (Day of the Dead), or at least some variation of it, has been an annual celebration in Mexico for over 3,000 years. During the Aztec period, it took the form of a festival in August dedicated to Mictecacihuatl, otherwise known as the Lady of the Dead. Today it is one of Mexico’s most colorful holidays, encompassing popular traditions both old and new. To the Aztecs, death was nothing to be feared; it was but a passage and a continuation to the next level of consciousness. Life was viewed as a state of dreaming and death was when someone was truly awakened from their slumber. The Aztecs’ monthlong festival was meant to honor those who had passed on and to entice their souls to visit once more.