Naked, free, wild, raw, true, clean… natural wine has many names, except its most obvious one, just plain ol’ wine. There’s no makeup or camouflage, nor is there any sort of artificial interference – chemical fertilizers or industrial yeasts, to name a few – in the vineyards or during the vinification process. Some consider this wine to be a passing fashion, but it has more than a solid foothold in its homelands – France, Georgia and, to a lesser extent, Italy – and continues to conquer palates in new countries. One of those countries is Spain, where natural wine is proving to be a popular alternative to industrial vino, which must adhere to regulations set by the Denominaciones de Origen (D.O., the organizations that oversee the mainstream wine regions in Spain) and has a limited and fixed personality often based on artificial yeast and processes.

Zé Paulo Rocha was born in September, 22 years ago. By December of that year, he was already sleeping on top of a chest freezer in his parents’ tasca, right behind Rossio, one of Lisbon’s main squares. Like so many tasca owners in the Portuguese capital, they had come to Lisbon from northern Portugal’s Minho region years before. As a young teenager, Zé Paulo used to help with the service while his mother cooked and his father ran the business behind the counter, the traditional family tasca format. His professional fate was sealed from the beginning.

The classic neighborhood bodega in Barcelona is a place where customers feel at home. At Bodega Pàdua, an old bodega turned bar-restaurant in the El Farró neighborhood, part of the Sarriá-Sant Gervasi district, this quintessential spirit – usually invisible to the eye – is, somewhat surprisingly, physically manifested on the walls. The long space, which extends to a patio in the back, is decorated with mementos from the community: old photos, antique objects such as radios, cameras, and typewriters, a claviharp, written tributes to local musicians and house pets (including the bodega’s beloved parrot Ricky, who is now in a “better life” but used to say hello to the clients), and even pieces of the old iconic SEAT 600 car, which still has lots of fans in Spain.

Khan al-Wazir is a remnant of Aleppo’s Ottoman past: In the late 17th century, the Ottoman governor of Aleppo commissioned the construction of this large caravanserai (in fact, its name means “caravanserai of the minister”), a building that housed both merchants and travelers. In 21st-century Istanbul, the former capital of the Ottoman Empire, a new Khan al-Wazir has cropped up, this one providing a different type of comfort: Aleppian cuisine. “I wanted to give my restaurant this special name, which refers to the ancient link between Aleppo and Istanbul,” said Hasan Douba, when asked why he chose Vezir Han, the Turkish rendering of Khan al-Wazir, as the name for his restaurant in the Fatih neighborhood.

At exactly the right moment, and not a minute sooner, lunch will be ready at La Cocina de Q.B.D.O. Generally, the magic hour of comida corrida – affordable, multi-course midday meals offered on weekdays and often Saturdays – is between 2-4 p.m., the typical lunch hour for Mexican workers. The comida corrida, also known as menú del día, is a fixture across Mexico and especially common in Mexico City. These dining options run the gamut from humble to gourmet, often depending on the neighborhood you find yourself in. But there is never a doubt that it will be satisfying – and quick (comida corrida can be roughly translated as “food on the run”).

In a southwest corner of residential Tokyo, a British bakery shimmers into view – seemingly a mirage in the urban desert. This is not a hallucination of a nostalgic expat, but the second branch of Mulberry Manor, a bakery hailing from Lyme Regis, a charming town on southern England’s Jurassic Coast, which, as the name suggests, is famed for its fossils. It looks like 2019 is turning out to be quite a year for this bakery – this unlikely outpost in Tokyo will celebrate its first birthday while its mother store in Lyme turns ten. But it certainly wasn’t planned this way.

If anything in recent history has bonded Spanish hearts, it was neither politics, language, flags nor even TV. It was the tortilla de patatas, the iconic potato omelet. In every house, bar and restaurant, the tortilla de patates is always treated with intimacy and respect, like some sort of communal great-great-grandmother. And in every Spanish city, you will find a list of the best kitchens offering this specialty. For Barcelona, one neighborhood temple devoted to the omelet is Les Truites, a small family restaurant in Sant Gervasi run by Joan Antoni Miró and his son Marc.

When Liz Hillbruner moved to Mexico City in 2010 from the United States, she found herself obsessed with tlacoyos, the little football-shaped street eats she saw cooking on griddles around her neighborhood. They were a perfect package of corn dough, wrapped around beans or cheese. As she ate her way through the neighborhood, she simultaneously enrolled in a master course on Mexican cuisine. When it came time to formulate a final project, it seemed only natural to study what was already on her mind. She decided on a map – the Tlacoyografía – a tool for the community and street food-loving transplants to find all the tlacoyo stands in the tlacoyo paradise that is the San Rafael neighborhood.

A former village annexed to Barcelona in 1897, the city’s Sant Andreu district was a center of industrial development throughout the 20th century, becoming home to a large population of factory workers. Today, it is a quiet residential area that feels caught between its Catalan village roots and industrial past, with buildings being renovated and repurposed, including factories transformed into creative arts complexes and parks, and a former canódromo (dog-racing track) that is now an “innovation center.” It’s not a part of town that’s considered a dining destination, but Sant Andreu’s El Congrés neighborhood now has its own gastronomic unicorn: TocaTeca, which opened in 2012. A unique establishment of its kind in the area – for now, at least – the restaurant is a gourmet endeavor sustained by a couple of professional chefs, Maria Cots and Guillem Carulla.

Stretched to translucence by a series of acrobatic, table-slapping wrist flips, then stretched just a bit further until it seemingly must tear under its own weight, the palata dough passes from the hands of Myo Lin Thway. In a moment, other hands take over. Perhaps they fill it with minced spiced chicken, for keema palata, or perhaps they fold it instead into an empty square, soon to be the conveyance for masala-red curry. After a brief interlude at the griddle, the flaky flatbread is surrendered to still other, hungrier hands. Myo, in the meantime, has swirled a little oil on his tabletop and patted down another wad of dough, pressing it wider and flatter until it, too, can take to the air.

We bit into the khinkali, its handmade dough indelicate and sticky, as we like it. Steam poured out the newly made hole, and we blew lightly before slurping up the rich stock and gobbling the dumpling down, even the puckered knob. The ground pork and beef was packed with fresh cilantro, the juices absorbed into the jacket. It was a perfect khinkali. A home wrecker. This seducer of a dumpling is molded by the knowing hands of Manana Osapashvili, born in Gudamakhari, a mountain village in Pasanauri, the heartland of khinkali. A professional cook for 29 years, Manana has been making khinkali since she was 10 years old. Today, she is running the kitchen at Sioni 13, located at the Tbilisi Theological Seminary in Old Town. It is a part of the city known for its tourists and hookah bars, and the mediocre "traditionnel" Georgian restaurants that cater to them.

Walk through Lisbon’s Madragoa, a neighborhood of cobblestoned streets and small houses, and you are likely to be hit with the intoxicating smell of freshly roasted coffee. Follow the scent and you are likely to find yourself in an utterly unique spot: Flor da Selva, one of the last wood-fired coffee roasters in Europe. Manuel Alves Monteiro, from Melgaço in northern Portugal, founded Flor da Selva in 1950, and Manuel’s son, Jorge, and grandson, Francisco are keeping the family business alive and kicking via an artisanal method – one they started using many years before anything artisanal was trendy, mind you. “My father was a coffee lover,” says Jorge, thinking back to when Manuel first opened his shop. “At this time, we were drinking a lot of mixtures with barley or chicory that were inexpensive, but he could see the potential for 100% coffee blends.”

The downright whimsy of Filomila is hard to ignore – or resist. Perhaps it is the red exterior with the French-inspired script or the vintage bric-a brac and posters that cover the walls. Or it could very well be the sight of all the pies, sitting patiently by the window just asking to be eaten. One thing is sure, most of the shop’s allure stems from the energy of its owner, Efstathia, who four years ago decided to go rogue after working in various Athens restaurants and open up with just 3,000 euros to her name, against all advice from friends and family.

Saturday, late afternoon, Jackson Heights. In the shadows of the 7, the elevated train that runs along Roosevelt Ave., sunlight is already giving way to street light; music spills from passing cars and lively watering holes; a few men and women hurry along on neglected errands. More than a few step into La Gran Via Bakery, lured by a show-stopping array of cakes and a long line of display cases filled with individually portioned pastries. At the back counter, Betsy Leites is poised, pastry bag in hand, over a bright white tres leches cake rimmed with strawberries and peaches. She squeezes out a cursive "Feliz Cumpleaños."

We are in the Vasto district, a difficult to navigate maze of narrow streets that criss and cross, a market area squashed between Naples’ central station and Centro Direzionale, the business district. The district’s Via Nazionale, a street adjacent to the station, is a shrine to local gastronomic treasures, and we consider it a true paradise for lovers of good food. It’s a jewelry box of flavors, ideas, and unique and original products. The daily street market on Via Ferrara, another local artery, is one of the city’s most colorful and fascinating – mentioned several times in renowned author Elena Ferrante’s “My Brilliant Rriend.” It was here, in 2016, that Dario Troise brought to life a project 15 years, if not centuries, in the making: a panini bar that serves only cuzzetiello (which roughly translates to bread bowl sandwiches).