Our eyes take a moment to adjust to the dim light upon walking into Ladrio. The room is like a vault, its brick walls and floor emitting a scent familiar to anyone who’s ever been in a cave or stone cellar. This mustiness is comforting, however, and the cool air a welcome reprieve from the furnace of the Tokyo summer outside. Soon we can make out several low tables extending back into the narrow space. People sit alone or in pairs sipping coffee or puffing cigarettes. Some converse in hushed tones as Edith Piaf is piped quietly from an unseen stereo. A few heads swivel in our direction but gazes never linger here.

For those of us who like a long, boozy lunch unimpeded by thoughts of going back to work – at least once in a while – there is no better place for it than a Mexico City cantina. Although they are mostly no-frills establishments lit by fluorescent bulbs, cantinas have as much personality as London pubs, Paris cafés or New York bars.In a far from egalitarian city, they are the most democratic institutions. Anyone who can afford the price of a drink (which limits the population drastically) is welcome. Cantinas draw their biggest crowds in the traditional Mexican lunch hour, anywhere between 2 and 5 p.m., and a meal in one is usually a drawn-out affair.

Urfa's old city is an invigorating array of tones and sounds. Dominated by an intriguing maze of narrow streets, the buildings all share the same sun-baked sandy hue, suggesting that they rose up from the earth on their own centuries ago. Landscape and cityscape blend into one here, and cars are outnumbered by ornately painted motorbikes equipped with sidecars, vehicles perfectly equipped to navigate roads too narrow for vans and sedans. Older men don poşu scarves of varying color combinations, and Arabic is spoken more frequently than Turkish. Believed by locals to be the birthplace of Abraham, Urfa is known as the “City of Prophets.” The municipality proudly advertises this fact.

As one approaches the port of Ermoupolis (named after Hermes, the god of commerce), the main town of the island of Syros and capital of the Cyclades, one cannot help but marvel at its beauty and grandeur. Imposing public buildings and private mansions, marble-paved streets, a large Italian-style piazza and numerous churches make the city one of the best preserved examples of 19th-century architecture in Greece. This should not come as a surprise: in the aftermath of the 1821 Greek War of Independence from the Ottoman Empire, Syros developed into an important commercial, cultural and industrial center, as refugees from Asia Minor, Chios, Crete and other areas found a safe haven from the war on the small island.

You sit down for a meal with family or friends, and no one can decide what to order. Well, some can, some can’t, and it goes on for ages. The waiter stiffens when you ask one more time for her to come back. But go to the basement restaurant of Shavi Lomi in Old Tbilisi, and you have the answer for dithering relatives and pals: the gobi, or “Friends’ Bowl,” filled with a colorful selection of classic Georgian dishes. The word shares the same root as the Georgian word for “friend” – megobari – and so, of course, a gobi bowl is for sharing. It’s a big wooden bowl, filled with a mix of different dishes and as many spoons as you need.

Queens these days is New York’s street cart central. According to the Street Vendor Project, which advocates for vendor rights in the five boroughs, the largest concentration of street vendors with licenses lives in that borough. This concentration of streetside sellers is easy enough to see on six-mile-long Roosevelt Avenue, which runs through six of Queens’ most ethnically diverse neighborhoods with a dizzying assortment of vendors catering to almost every taste and nationality, depending on the time of day. It’s not always easy work. At a recent monthly meeting of street vendors in Corona, Queens, the air was thick with grievances about the conditions they have to work under.

Athletes, spectators and everyone else gathered in Rio for the Summer Olympics will have no shortage of good eating options – and not just in the usual touristed areas. We’ve rounded up some of our favorite spots around town. CADEG The 100,000-square-meter market is divided into three warehouse-style floors, with a pavilion just for flower sales at the rear of the second floor. (The building sits on an incline, so you can enter from the street either on the ground floor or from behind the second.) The market is open 24 hours. Early mornings on Thursday and Saturday are the top time for flower shopping. Saturday afternoon is Cantinho das Consertinas’s Festa Portuguesa, with up to 1,000 attendees queuing for a host of salt cod dishes on the second floor.

Quintal Gourmet is the story of a doting son, one who's also delighted to be able to spend more time in his home, the City of God. Yes, the one from the movie. Carlos Vinícius, 29, a man as towering as he is smiley, looks at his mother, wiry and fast-talking Joyce, with a doe-eyed affection that seems to be deeply mutual. "I always followed my mom," he says. Before Quintal Gourmet, the two worked as domestic help, with Carlos Vinicíus a caretaker for an elderly woman. When his 72-year-old patroa passed away, he longed to spend more time with his own community rather than leave the favela each day for work.

Take the plunge into the high-volume hubbub of Tbilisi’s famous Deserter’s Bazaar and you’ll come under a three-senses assault. The piquant aroma from the spice stalls, a butchers’ shouting war and stalls swinging with burgundy-brown, candle-shaped churchkhela sweets. But on one side of the market building, there’s a small slice of calm – in the long corridor where the cheese sellers work. Selling homemade cheeses from across the country, delivered fresh every day, is a more relaxed and deliberate business. You’ve heard of the Slow Food movement. Perhaps it’s time we were more specific and talked about “slow cheese.” Here, the cheese sellers prefer to wait for the customers to come to them.

Abílio Coelho is a generous man, offering a smile to every customer while serving each of them the most traditional drink in Lisbon: ginjinha. He has spent 44 of his 63 years behind a counter serving the libation. Ginja Sem Rival, the bar he serves it in, like the best places, is a hole-in-the-wall, and the drink is made in-house. Ginja is the actual name of the liqueur, which is made from a sour cherry of the same name. The fruit might not be so sweet but is fortunately well suited to being turned into this smooth drink, which is enjoyed both as an aperitif and digestif.

When Edu, owner of the Barcelona wine bar Celler Cal Marino, was growing up in the 1980s in the neighborhood of Sant Antoni, he would confuse Rafel Jordana with the iconic German soccer player and coach Bern Schuster (“Schuster is in the bar, daddy!”). Jordana, owner of the bodega that bears his name, is not so famous internationally, but he is undoubtedly one of the icons of Sant Antoni and of the old-school bodega-bar culture in Barcelona. La Bodega d’en Rafel has served as a location for a number of films and television series (such as “Cites,” the Catalan version of “Dates”), a subject of many articles and profiles and an important touchstone for a larger community that connects Barcelona locals with their identity.

If it weren’t for the dozens of brightly lit signs and paper lanterns promising libations of every sort, you might mistake the two narrow alleys alongside the train tracks on the northeast side of Shibuya station for a derelict apartment block. In reality Nonbei Yokocho (AKA Drunkard’s Alley) is one of Tokyo’s few remaining yokocho (side street) bar districts. Like the much larger and better-known Golden Gai in Shinjuku, Nonbei Yokocho is a collection of aging and tightly packed microbars. Each watering hole is scarcely more than a few square meters, and if longtime regulars aren’t taking up the scant floor space, newcomers may try any number of doors before they find an empty seat.

In Istanbul's iconic Haydarpaşa train terminal, the door of a crowded restaurant and bar opens to beams of sparkling light streaming across the Marmara Sea coast. Trains haven't departed Haydarpaşa for nearly three years while the station undergoes extensive renovations, but its restaurant, Mythos, is still open and popular as ever, a refuge for a faithful crowd of regulars, who come to drink at a train station even though they aren’t going anywhere. Built in the first decade of the 20th century by the Germans and gifted to Sultan Abdülhamid II, the station is a handsome and prominent icon of the city, an imposing presence on the city's Anatolian shoreline.

It is 9 p.m. and we are packing our bags for a red-eye flight to Poland when I realize we have no chacha, Georgia’s otherworldly elixir of distilled fermented grape pulp. We never, ever travel without chacha, and there is no way we’re going to buy over-the-counter, factory-produced product – and not because it’s over-priced. Chacha is a potion brewed by the hands of masters over wood fires in hammer-battered stills sealed in a paste of dirt and ash. Without the human touch – the artistry – chacha is just a soulless, liver-grinding liquor. I make the call. Andria deals in wine, chacha and religion from a devilish little cellar in Tbilisi’s old neighborhood of Sololaki.

June is probably Lisbon’s most euphoric month, due to the city’s biggest street party that celebrates the patron Saint Anthony. Though the festival officially takes place on June 12-13, the party runs all month long, especially in Alfama, Mouraria and Graça. The smoke of sardines grilling, colorful decorations, makeshift neon fairgrounds and pimba music blaring from outdoor speakers enliven the narrow roads of these traditional neighborhoods. The bedlam isn’t for everyone, however, and for those who want to find a quieter spot that still celebrates fresh, seasonal fish, Largo de Alcântara is a good alternative. Located in the western part of the city, between Santos and Belém, this zone is a concentration of cervejarias and marisqueiras.