We counted ourselves among the cogniscenti on our first visit to Mangal Kebab, a decade ago, when we passed up pizza in favor of pide (Pea-day). Sharing the same section of the menu and baked in the same oven, but elongated rather than round, the Turkish flatbread suggested a well-laden canoe, until it was sliced for portage from the kitchen, with a chewy crust that curled around seasoned ground lamb. Over the years we’d also become acquainted with the kebabs, and the mangal – the grill, just behind the counter, that gave the restaurant its name. Mangal Kebab is a come-as-you-are neighborhood restaurant that seems easy to get to know, even though we don’t know the language.

The story of how Queens transformed into a microcosm of the world’s cuisines is just as fascinating and important as those of the cuisines’ creators. The borough is one of the most diverse places on the planet, with over 120 countries represented and 135 languages officially spoken in the public school system. The cause? The Immigration and Nationality Act of 1965. From the Colonial period to the early 20th century, immigrants to the U.S. were mainly northern Europeans. Soon after the Immigration Act of 1924 passed, a national origins quota system dictated migration patterns. The Act allowed unlimited northern European entry, limited southern Europeans with quotas and excluded Asians, Africans, Hawaiians, Puerto Ricans and Alaskans.

New York’s street food vendors usually ply their trade where potential customers congregate. On side streets in midtown Manhattan, they set up four and five abreast for the weekday lunch rush. During warm-weather weekends, they feed footballers and their fans outside ball fields in the Brooklyn neighborhoods of Red Hook and East New York. In Queens, they do business beside a miles-long stretch of Roosevelt Avenue where it passes through Woodside, Jackson Heights, Elmhurst, and Corona; they cluster thickly near station stops of the elevated 7 train. The setting of the D’Angelos Italian Sausage truck presents a dramatic contrast. Monday through Saturday, the truck parks in a long-established spot on Woodhaven Boulevard, on the border between two largely residential neighborhoods, Middle Village and Rego Park, beside the green expanse of St. John Cemetery.

We’d passed Noisette many times in the (not quite) year that it had been open. But whenever we’d walked down those sometimes clamorous blocks of 30th Avenue in Astoria, Queens – not far from a bagel shop, a pizzeria, a comfort-food hotspot and a New Orleans-themed bar-restaurant, whose windows open wide toward the street during happy hour – we’d given little notice to the quiet bakery-café with the French name. That changed during one recent stroll, not long before dark, when a hand-drawn signboard beside the door wished us “Ramadan Kareem” and beckoned us to come inside.

Editor’s note: In the latest installment of our recurring First Stop feature, we asked Queens-based food writer, culinary tour guide and consultant Joe DiStefano to share some of his go-to spots in Queens. Founder and publisher of the Queens-centric food blog CHOPSTICKS & MARROW, he authored the recently released book “111 Places in Queens That You Must Not Miss.” Joe has been exploring the borough’s diverse global cuisines for more than a decade and his work has appeared in The New York Times, Gourmet, Food Republic, and Serious Eats. One of the first things I heard when I was putting together 111 Places in Queens That You Must Not Miss, was “There’s too much food.” It was my editor’s not so subtle way of reminding me that I was hired to write an overall guide to Queens, not a tome devoted to the borough’s amazing culinary complexity.

To crudely paraphrase Freud, sometimes a taco is not just a taco. That would certainly seem to be the view held by Steven Alvarez, an Assistant Professor of English at St. Johns University in Queens, New York. First at the University of Kentucky, where he previously taught, and now at St. John’s, Alvarez has been leading a course called “Taco Literacy,” which uses the humble Mexican dish as a way of exploring and unpacking such heavyweight issues as immigration, bilingualism, assimilation and acculturation. It’s a lot to pile on top of a tortilla, but as Alvarez sees it, food speaks – often times in two or more languages – and it can be “read.” Listening closely to what food has to say, Alvarez explains, inevitably leads to hearing the stories of the people making the food.

From the start, I knew that I wouldn’t find what I was looking for: my great uncle’s baklava shop. A large office building rises where his shop used to be, right around the corner from the dome of St. Demetrios Greek Orthodox Church in Astoria, Queens. But I still couldn’t help looking up the address. My great uncle, Michael Eliades, owned two pastry shops in Astoria, one being the Kismet near St. Demetrios, which employed my grandfather when he first arrived in the United States. When my family sought to leave Istanbul, Turkey, it was my great uncle who got my grandfather a visa as an “Oriental pastry chef.”

Jay Parker, the owner of Ben’s Best in Rego Park, is a third-generation deli man. Born in 1951 and raised in the nearby Queens neighborhood of Fresh Meadows, he first worked at the family business in the early 1960s. Since 1984, when he took the reins, he’s clocked 60 to 70 hours a week. Yet “this is my dad’s store,” Jay tells us. “His name is still on it.” Not far from where we sit in the dining room, a portrait of Ben Parker looks on, as if in agreement. Ben’s Best is a kosher delicatessen, an increasingly rare business model even in New York. A kosher deli adheres to Jewish dietary laws (by serving, say, corned beef on rye but not ham on rye) and operates under rabbinical supervision (otherwise it would be merely “kosher-style”).

It may look like ice cream at first glance, but this street vendor in Queens is selling a different kind of sweet treat: espumilla. The Ecuadorean dessert is an unbaked meringue normally sweetened with guava puree and served in cones topped with a tart berry syrup, , a nice contrast to the extra sweet meringue.

To her friends, Michelle Boyce, the owner of Shelly’s Café, is “Michelle.” That was the name called out by many customers, when arriving or departing, as we sat and talked in her sunny dining area on a recent afternoon. She is, to be sure, also “Shelly,” a diminutive bestowed on her by her mom in Newry, County Down, one of six counties that form Northern Ireland. Years later and an ocean away from that childhood home – Michelle left Newry for New York as a young adult in 2010 – she told us of her continuing “passion to recreate my mom's home cooking.” In that sense, the name “Shelly’s Café” evokes both mother and daughter.

The steam table is an often misunderstood – even maligned – concept. For those unfortunate souls who know only a lackluster corner deli, it's a repository of “food that’s been sitting around all day.” A restaurant inspector might insist on stricter criteria – something to the effect, perhaps, of maintaining already-cooked foods at safe holding temperatures by displaying them in pans above a bath of hot water. For us, particularly in the case of a praiseworthy steam table, it's "a picture menu in three dimensions.” A poetic definition, perhaps, but to us it rings true. Some displays of prepared food, we’ll agree, are not steam tables. They include the multitude of bins filled with ingredients waiting to be wedded in a Sichuan dry pot; the disposable trays, resting on wire racks above (tiny) flames, at a monthly Indonesian bazaar; or the bounty of pork and potatoes at any number of Ecuadorian street carts.

For years we’ve looked into every Indonesian nook and cranny in New York, yet we always discover something new at the monthly Indonesian bazaar at the St. James Episcopal Church. We’re not surprised. Indonesia, the fourth-most-populous country in the world, comprises some 17,000 islands that stretch over a vast archipelago of diverse culinary habitats. We’ve tasted dozens of dishes and witnessed dozens more, but there must be so many soups, and stews, and fritters, and fishcakes that we have yet to set our eyes on – not to mention desserts that can be as bright as any jungle butterfly.

The view from Weekender’s doorway is promising only for those comfortable with snooker: The room is dominated by three intimidatingly broad tables devoted to that challenging cue sport. Compared with New York’s typical coin-op bar-pool tables, a snooker table’s balls are smaller, its pockets tighter and successful shots consequently rarer. They certainly were for us. Crossing to the far side of the counter, we found more action, of a different sort, in a screened-off dining area provisioned by a Bhutanese kitchen. This Woodside establishment is one of the few in all of New York that serves the cuisine of Bhutan, a Himalayan kingdom landlocked between Tibet and India.

Queens is a grazer’s paradise. On any given day the devoted food lover will find that the culinary experiences come early and often, thick and fast, in mind-boggling variety. Limiting the year’s favorites to a mere handful, then, is problematic when they easily outnumber the combined total of fingers and toes. Consider these five – each in a different neighborhood of Queens – as points of departure for further exploration. Nepali Bhanchha Ghar From the sidewalk the seating area seemed tiny. It was within enticing range of the cooktops at this Nepali “kitchen home” (pronounced Bahn-sah gar) but also exposed staff and patrons to periodic sub-Himalayan gusts from the front door.

The charming sign outside Schmidt’s Candy speaks eloquently, especially when we look closer. The words “home” and “made” frame a tall glass candy jar; we notice the slight irregularity of the brushstrokes, and we see that the candy jar is slightly lopsided, as are the colorful candies inside it. Obviously the sign was painted by hand, and lovingly so. We hear a refrain of that theme when we open the door to the candy shop, where, in the words of third-generation owner Margie Schmidt, everything is made with “these ten digits.” Like her father, Frank, and his father, Frank, who founded Schmidt’s in 1925, Ms. Schmidt disdains mechanical candy making: She dips her chocolates by hand.