It was Mardi Gras morning 2012, and my Hubig’s Pie was missing. On Lundi Gras (AKA “Fat Monday,” which has evolved to include traditions of its own), I had hidden it away – apple I believe, but I can’t quite recall – to serve as my breakfast before a full day of parading, revelry and maybe a little debauchery. For those not in the know, a Hubig’s is a deep-fried hand pie, with flavors like apple, lemon, peach and chocolate. They were sold by the Simon Hubig Pie Company, founded in Fort Worth in 1922 by an immigrant from the Basque region of Spain. The company then went on to open bakeries in several cities in the southeast, including New Orleans.

Mention “Les Baumettes” to a Marseillais and many immediately think of the prison that shares the name. Since the 1940s, this peripheral neighborhood has housed the city’s biggest penitentiary, where Marseille’s most notorious gangsters and French Connection collaborators did time. The prison is also infamous for France’s last execution by guillotine – shockingly recent, in 1977. For hikers and rock-climbers, on the other hand, Les Baumettes (whose name means “little grotto” in Occitan) is a gateway to the limestone fjords in the Calanques National Park. For Marseillais in the know, that entrance hides a unique place that is at once an eatery, escape and a voyage back in time.

CB has teamed up with the creators of “Native Dish: United Flavors of NYC,” NYC Media’s new food TV series, to offer a behind-the-scenes look at some of the New Yorkers featured in these short videos. The series, which aims to celebrate New York City immigrants from all over the world, focuses on one individual and one dish at a time as a means through which to explore the myriad cuisines represented in the city and the people who make them. While each episode features a general overview of the participant’s life story, particularly as it relates to food, we are expanding that narrative by providing the full interview transcript, albeit condensed and lightly edited. It’s their story, in their own words. To kick things off, we are spotlighting Esneider Arevalo, our Queens walks leader, and his family recipe for traditional golden arepas.

It was the summer of 2020, and walking into Fahri Konsolos felt like a mirage, like Brigadoon. There were whispers throughout Kadıköy about That Cocktail Bar, maybe the first “good one” in Istanbul. But with the pandemic restrictions on bars with certain licenses, it took a bit of luck to catch it while open. Closed, we would never have glanced twice at the tiny shopfront, it melted so completely into the surrounding bars. If you managed to arrive on a night that Fahri Konsolos was open, however, you were in for a very special treat.

New Orleans is the last communal city in America. Our seasons are Mardi Gras, festivals, football, second lines and crawfish, and we share them together. And it is no accident that our Carnival season and our festival season are bridged by crawfish season: the ultimate act of communal eating. From late January to early June, give or take, folding tables covered in newspaper are laden with bright red crustaceans, corn, potatoes and smoked sausage, staples of the boil. We stand around the table, peeling and pinching the tails to extract the spicy meat, sucking the heads to taste the boil liquor, drinking ice cold beer, listening to music and telling stories.

It’s not every day you see someone’s face peeking out of the belly of a bright blue skipjack bonito (katsuo). You certainly don’t expect them to wear fish-shaped headgear while wrapping dozens of sushi rolls all morning. But this was how Mai Nagamatsu, katsuobushi evangelist and proprietor of breakfast diner Katsuo Shokudo, greeted us on February 3: her head looking like a fish at sea. It was Setsubun, the first day of spring according to the old Japanese lunar calendar, itself based on the traditional Chinese calendar that divides a year into 24 solar terms. (These days, the lunar calendar is more a reminder of cultural practices and traditional markers of seasonal changes than a practical way to keep time.)

In the spring of 2017, the Bywater Bakery opened its doors and became something of an “instant institution.” Part casual restaurant and part impromptu community center, the cafe space hummed with perpetual activity. Deadline-racked freelancers posted up with their laptops, soon to be covered in butter-rich pastry flakes. Neighborhood regulars would crowd tables for a lingering lunch visit over salads or sandwiches. On many busy mornings, New Orleans jazz luminaries (the late-Henry Butler, Tom McDermott, John Boutte, Jon Cleary) might wander in to make use of the dining room’s upright piano, filing the space with impromptu performance and the occasional singalong.

Scan the back bar at the Erin Rose, and you’ll see a jumble of memorabilia that indicates a drinking hole that knows its lane. Layers of “historic” decor plaster the smoke-stained walls from rail to ceiling. A 1970s-vintage Evel Knievel poster hangs above a bobblehead figurine of legendary local clarinetist Pete Fountain. Behind a set of glass shelves holding the barkeep’s basics – thick-sided rocks glasses for double shots or the occasional Sazerac, a staggered lineup of beer bottles that act as a three-dimensional menu – every square inch of vertical surface is covered with in-joke bric-a-brac of various eras. A huge backlit sign from the 50s that reads “PRESCRIPTIONS.” A laser-printed WuTang logo. Hundreds of patches from law enforcement departments from across the globe.

Scan the back bar at the Erin Rose, and you’ll see a jumble of memorabilia that indicates a drinking hole that knows its lane. Layers of “historic” decor plaster the smoke-stained walls from rail to ceiling. A 1970s-vintage Evel Knievel poster hangs above a bobblehead figurine of legendary local clarinetist Pete Fountain. Behind a set of glass shelves holding the barkeep’s basics – thick-sided rocks glasses for double shots or the occasional Sazerac, a staggered lineup of beer bottles that act as a three-dimensional menu – every square inch of vertical surface is covered with in-joke bric-a-brac of various eras. A huge backlit sign from the 50s that reads “PRESCRIPTIONS.” A laser-printed WuTang logo. Hundreds of patches from law enforcement departments from across the globe.

Visiting the Jamaica plant and flower market is one of our favorite activities in Mexico City; we love getting lost in its green alleys and never fail to emerge with at least one new plant and a beautiful bouquet of flowers. And of course, we’re always on the lookout for new places to eat. Our favorite barbacoa joint is in this market, but when we want a different experience we head to the huarache alley, where several stalls offer this tasty Mexican specialty.

Our first meal at this Lebanese restaurant earned it a spot on our Best Bites of 2019. We were smitten with the food, particularly the mousakhan, sumac-coated chicken. Yet, when the smiling owner, Serje Banna, gave us a tiny foil packet of sumac to bring home, we were touched by his passion to share beyond the plate. During our next visit, after we asked about the bottle of arak behind the bar, he wasted no time pouring us a taste of the anise-based spirit. When his wife, Najla Chami, brought out our order of mahshi selek, she pointed out that Lebanese cooks can swap grape vine leaves with swiss chard. For at Mouné, every meal comes with a lesson in Lebanese cuisine.

Olivos Comida y Vinos is like an independent movie playing at a small cinema on a quiet street in Sants, a neighborhood just outside of Barcelona’s center. It leaves you with the impression of having had an unexpected, intimate connection with something personal and precious. They don’t have customers – they have fans. Decorated with plants and flowers in a comfortable setting of simple, natural materials, Olivos is full of thoughtful details (enough space between tables, no table cloths for green eating) and super-friendly service. The exquisite food follows a sustainable “slow food” philosophy, where products should be local and obtained in both a clean and ethical way, and everything is cooked with a highly professional hand. In Barcelona, where mainstream culinary trends, big hospitality groups and huge investments in interiors and PR are frequently the rule that moves the masses, the independent, honest spirit at Olivos is a treasure.

Mtkvari, the local name for the Kura River, divides Tbilisi. Until the launch of Fabrika – a disused Soviet-era garment factory turned into a trendy social-space-cum-hostel in 2016 – few gentrified souls from the city’s fancier shore crossed over to the left bank. Fewer still stepped out further than the central Marjanishvili neighborhood, making it past Dezerter Bazaar – the throbbing gastronomic heart from where most of the city’s fresh produce and meats originate. This is also where Leonid Chkhikvishvili buys fresh cuts of meat each morning for his restaurant Duqani Kasumlo, located even further north on the left bank in Didube. Here is a neighborhood where few travelers tread, except perhaps to quickly pass through to catch cheap intercity mashrutkas (mini-buses). But despite its overlooked location, Duqani Kasumlo has acquired semi-cult status for its kebabs in an area better known for its cluster of home improvement stores and the labyrinthine Eliava market, home to hawkers of used car parts and construction materials.

When walking around the Akatlar neighborhood, it’s easy to forget that we’re just a stone’s throw from the glassy skyscrapers that tower over Istanbul’s financial district, Levent. The quiet residential area features a curious number of stand-alone villas. Even the apartment blocks seem to have fewer floors and more space in between buildings. The familiar sounds of gridlocked traffic are conspicuously absent. Like in many Istanbul neighborhoods, the ground floors of most apartment buildings are below street level. Walking along Haydar Aliyev Caddesi, it’s easy to walk right past Santé Wine & More. This would be a shame, since that would mean missing out on a carefully curated selection of Turkish artisan wines.

We climb up, arriving at the edge of the ancient Roman thermal baths of Baiae, which date back to the 1st century BCE. It has been pouring rain, but we see no standing water here. "We take obsessive care of the soil, and the water is cleverly drained just as our predecessors used to do it,” Luigi Di Meo, 61, tells us. Luigi is the owner of La Sibilla winery and vineyards, the grounds of which spreads out around us on this dreary day.