Some people believe that a cup of coffee is the same everywhere. We like to think that they haven’t been to one of the Mexico cafés in Naples, where even a coffee novice can understand he has come face-to-face with a very special brew, one that took years to perfect. When you enter a Caffè Mexico – there are three in Naples – an extraordinary smell envelops you. It is the smell of history, one that often seeps into furniture and timeworn objects. The main source of this smell is coffee (the Passalacqua brand, named after the café’s founder), both from the grinder, operated by a dedicated member of staff, and also the retail counter, where coffee beans are constantly being scooped and weighed and packaged, releasing their aroma throughout the room.

Despite its name, Tabernáculo by Hernâni Miguel is not a church. It is a sanctuary and haven of sorts, though, a place where the local community gathers weekly for African and Portuguese food, wine and live music. Ministering to this congregation is Hernâni Miguel himself, one of the vibrant Bica neighborhood’s best-known characters. “Estás boa?” Miguel asks passersby on Rua de São Paulo as they pass his place. And “viva!” is the jovial response Miguel exchanges with old and new patrons who enter through the purple, crushed velvet curtains of Tabernáculo. The architecture of the restaurant reveals Roman-style archways and a 15th-century cave that doubled as a wine cellar in times past and which inspired the place’s name (Tabernáculo means tabernacle in Portuguese).

Mercedes Gibson arrived in New Orleans in 1969 with, as she puts it, “ten dollars, ten children and a tank of gas.” The Franklin, Louisiana native’s eyes light up as she recounts the story while we sit at Mercedes Place, the working-class barroom she has owned and operated in the Lower 9th Ward’s Holy Cross neighborhood for thirty-two years. The neighborhood, named for the all-boys Catholic high school a few blocks away that has been left to molder since Hurricane Katrina, is starting to see signs of bloom. A flower shop has opened a few blocks away, a glimmer of hope in a section of the city too often underserved.

Editor’s note: It’s Beat the Heat Week at Culinary Backstreets, and in this week’s stories, we’re sharing some of our favorite spots to visit when the summer temperatures soar. Summer in Tbilisi means sweet and sour cherries, plums, apricots, peaches, fresh figs, watermelons and, most importantly, tomatoes that taste the way God intended them to. It’s a season bursting with flavors – but there’s a hitch. Tbilisi summers are oppressively hot and humid, the thick, gritty city air leaves a mucky film on the roof of your mouth, stifling your appetite and keeping you out of your favorite local eateries. Everyone evacuates the capital in the summer, and if we can’t manage to get out of town for weeks on end, we can at least drive 15 minutes to spend an afternoon at Armazis Kheoba for some lungfuls of fresh air and beef liver mtsvadi.

Editor’s note: It’s Beat the Heat Week at Culinary Backstreets, and in this week’s stories, we’re sharing some of our favorite spots to visit when the summer temperatures soar. Summer in Tbilisi means sweet and sour cherries, plums, apricots, peaches, fresh figs, watermelons and, most importantly, tomatoes that taste the way God intended them to. It’s a season bursting with flavors – but there’s a hitch. Tbilisi summers are oppressively hot and humid, the thick, gritty city air leaves a mucky film on the roof of your mouth, stifling your appetite and keeping you out of your favorite local eateries. Everyone evacuates the capital in the summer, and if we can’t manage to get out of town for weeks on end, we can at least drive 15 minutes to spend an afternoon at Armazis Kheoba for some lungfuls of fresh air and beef liver mtsvadi.

The brown wooden door at Fatsio looks like the entry to an old house, but two small signs give a clue as to what’s inside. The first reads, “Restaurant Fatsio – Manager Georgios Fatsios, Established 1948 Constantinople by Constantinos Fatsios” and below the hours are listed simply: “Daily from 11am until 6pm”. Inside are velvet curtains, old family photos, tables set properly with well-ironed white linens and vintage dinnerware with their logo, Fatsio, printed on each plate. Everything is well-preserved and the place holds an old-school finesse and elegance that is rare to find these days in an affordable lunch spot like this. What can also be found inside is a living link to another time and place, that of Istanbul when the city still had a sizable Greek community.

Amanda Tong’s hands are grey with liquid porcelain as she slowly shapes a small pitcher on her potter’s wheel. Marbled clay rises and flattens under her strong hands, larger than you’d expect from her slight stature. Behind her, Jun Matsumura scrapes tendrils of clay off a partially-dried vessel, sharpening its elegant curves. Cantonese pop music plays from speakers on the shelves. Both of them are quiet, focused entirely on their work. On a sunny spring afternoon, ceramicists Amanda and Jun agreed to let us watch them work at their studio in rural Saitama, about an hour outside of central Tokyo. We’re here to chat about their ceramics practice; specifically, what goes into making utensils and vessels for the Japanese tearoom.*

On a neighborhood back street, hemmed in by cars on both sides, sits a house-turned-secret dance club, a girl selling Maruchan soup-in-a-cup under a pop-up tent, and La Chubechada – a tiny storefront with a cutout window just big enough for Maria Guadalupe to poke her head out and take your order. When your drink comes up and she hollers out your name, you better be quick on your feet to go pick it up. For tourists venturing out of the center of Mexico City, La Chubechada feels far from the trendy spotlight and more than a little intimidating, but upon arrival the place hums with a neighborhood vibe – kids hanging out and getting tipsy on the sidewalk with their friends, locals stopping by to say hello.

Wearing a light beige cape down to their feet with an R embroidered in golden threads on the left side of the chest (an outfit which would make even Harry Potter jealous!), a group of young adults hug each other, pose for photos, and take selfies with their smartphones. They are getting ready to step into the theater of the Ateneu do Porto, a room with rococo decor, dark red velvet curtains, and wood carved in adjoining designs painted in gold, which has hosted some of the most important national and world artists here in the second largest Portuguese city. By the clothes and the pomp of the event, one could predict that something important is happening.

Gabriel Oktay Cili is a man of many talents. When we visited him on a winter day in January, he had a crowd of visitors packed into his tiny, tunnel-like shop on the main tourist drag in old Mardin, near the Syrian border with Turkey. Each had a cup of cardamom-laced Assyrian coffee or tea in hand and each was waiting for Gabriel to attend to them. For a half hour, he sold silver jewelry to one couple visiting the city and pierced the lip of a woman who worked in a restaurant down the street. He fixed the gold necklace of another with an ancient blowtorch and fitted a young man for a custom silver bracelet.

In life, it’s never too late to try changing course. It’s not always possible, it’s not always easy, but when you succeed, what satisfaction. Seventy-year-old Raffaele Cardillo, with his smiling face and white beard, can attest to that. After 20 years spent working as a lawyer, shuttling between courts and meetings with defendants, and puzzling over lawsuits and problems to unravel, he decided to give up his law career and transform his passion – cooking – into a real job. Spending his evenings at the stove was a favorite pastime, the way he relaxed after a long day in court.

At the end of Rua da Voz do Operário, the main road that leads up to the hilltop of the previously sleepy Graça neighborhood, is a new, hip Lisbon kitchen that is reflecting the city’s growing hunger for great food and a good time. Damas, as the name indicates, is run by two women who have both previously worked in some of the city’s well-known food institutions, including Chapito. The restaurant, bar and club has been popular pretty much since it launched in 2015, thanks to its combination of knowledgeable chefs, classic and not-so-classic dishes done well, and a regular music program that ranges from punk to afro-beats.

Daiji Takada, owner of Chabuzen, peeks out over the counter from the kitchen, which has about a meter-long strip of standing space for one at most. The interior of this narrow restaurant on the very fringes of the hip neighborhood of Shimokitazawa in western Tokyo isn’t much more spacious. Two low tables on tatami provide enough room for around six to squeeze in, and there are two stools at the counter – although occupying those spaces would almost certainly prevent anyone from getting out the door. With the surety of someone well-used to playing human Tetris, Takada deftly steps out and expertly delivers a plate of gyoza onto the table. He has just made these lovingly by hand and cooked them in a small, plug-in fryer.

Stepping into Otomisan in Boyle Heights feels like a step back in time. It’s a cozy diner with just three red booths to the right of the entrance, and a counter with five stools to the left. Along the walls are a mixture of old Japanese paintings, photographs of family and friends, and more recent news clippings about the restaurant. There is usually at least one table of Japanese customers chatting with the current owner. Boyle Heights sits just east of downtown Los Angeles and is known for having a large Chicano community and some of the best Mexican food in the city, but it once was also home to a large Japanese community, due to the neighborhood’s proximity to Little Tokyo, just across the L.A. river.

Regain is housed behind the marigold shutter doors of one of Marseille’s trois fenêtres (meaning “three windows,” the city’s typical brownstone). From the street, one can spy the full tables of the shady urban garden far on the other side. It is hard to believe that this Rue Saint-Pierre restaurant opened just six months ago, given its current hot-spot status among Marseille gourmands. From the unusual descriptions of chef Sarah Chougnet-Studel’s creations, it’s hard to imagine what the taste and experience of any dish will be. But Regain’s many repeat diners trust in Sarah’s intriguing French-Asian amalgams: order anything on the menu and it will prove to be both intriguing and delicious.