“I'm a big pizza eater,” Francesco “Ciccio” Leone confesses. “But what I like most is being together with friends, conviviality.” The broad-shouldered Palermo native, 50, greets everyone who enters his establishment with a welcoming smile. It was during a dinner party held at his home that he came up with the idea for the name of his pizzeria. “The name came about by chance,” he recalls. “My friends would come to my house to eat, they would say, ‘Ciccio, pass me this; Ciccio, pass me that,’ and so I thought of calling the pizzeria Ciccio Passami l’Olio, which means ‘Ciccio, pass me the oil.’”

“Five years ago, I started to write a cookbook about tripe,” Chef Gareth Storey tells us. “But I realized that I knew nothing about it other than how it was served in France and Italy. I needed to explore more about tripe in different parts of the world.” It could be said that he’s conducting his research in Portugal. Gareth is originally from Ireland, but is currently the head chef of Antiga Camponesa, in Lisbon. The restaurant is overseen by André Magalhães, of Taberna da Rua das Flores fame.

Situated on a pleasant corner in the heart of Kurtuluş is an unlikely yet warmly welcomed addition to this beloved neighborhood's excellent food scene: Horo Burger, which only features Sloppy Joes on its menu. While the name of this American classic conjures pleasant memories of family dinner for some and horrifying flashbacks from the school cafeteria for others, Horo's take on the Sloppy Joe is faithful yet elevated, just as put-together as it is messy.

There’s a pocket of Tokyo, strolling distance from the stock exchange and the former commercial center, which feels like a step back in time. Ningyocho is filled with stores specializing in traditional crafts, some more than 100 years old. Here you can buy rice crackers or traditional Japanese sweets or head for a kimono, before watching kabuki (traditional Japanese theater) at Meijiza. On Ningyocho’s main street, just a few minutes from Suitengu Shrine which couples visit to pray to conceive a child or for safe childbirth, is a window. The window isn’t very wide, but a flurry of movement draws the attention of passersby. There, a broad-faced Kazuyuki Tani is making udon, bouncing – no, dancing – as he works.

At first glance, there’s not much to see in Mealhada, a town in Portugal’s central inland Bairrada region about an hour’s drive south of Porto. If there is a main feature here, it’s probably the EN1, the country’s original north-south highway, which slices the town in half, providing a conduit for a seemingly never-ending parade of large, noisy trucks. Yet the town’s roadside signs reveal something else: “Rei dos Leitões,” “Pedro dos Leitões,” “Virgílio dos Leitões,” “Meta dos Leitões,” “Hilário Leitão.” Mealhada is ground zero in Portugal for leitão, roast suckling pig.

It’s not an exaggeration to say that Lisbon’s fresh markets are disappearing. The Greater Lisbon area is home to 28 market spaces, yet only ten of these witness any significant commercial activity. As the city’s shoppers increasingly shift to supermarkets, its traditional markets have had to find new ways to remain relevant. In an effort to do this, some Lisbon markets have opted to transform part of their spaces into food courts – a phenomenon sometimes called the “Time Out effect,” after the high-profile market of the same name. It’s been a decade since the first of these relaunches, so we decided to visit the three Lisbon markets that have adopted it. What we witnessed showed a model that in one case seems to benefit both the traditional market and food court sides alike, while in the other cases, appears more lopsided.

For a dish so ubiquitous, one would be forgiven to think there’s little to debate about Georgia’s national dumpling, the khinkali. But just as tastes vary, every Georgian has their own khinkali preferences and opinions. That’s certainly the case for chef Gela Arabuli, who believes khinkali has been gentrified and mass produced to a point where most people have forgotten the dumplings’ origins in the mountains and how they should really taste. “Real khinkali is from the high mountains. And there are no pigs in the mountains,” insists Gela, referring to the most popular and common filling of minced beef and pork in equal parts as kalakuri, or “city style,” khinkali.

“A pie might seem to be just a pie, but it’s not,” Drew Ramsey, the head of the family-run Hubig’s Pies tells us. We’re standing in the company’s new location, where conveyor belts carry a steady stream of freshly baked and glazed hand pies. Ramsey is certainly right about his pies. Odes have been composed, bedtime stories have indoctrinated young ones, and Mardi Gras floats and costumes have been fashioned in Hubig’s Pies’ honor. In the 2010 HBO series Treme, a drama partly set in the neighborhood of the same name in the aftermath of Hurricane Katrina, the ashes of John Goodman’s character are scattered out of a pie bag as a brass band plays “Down by the Riverside.”

From the mid-1800s to World War I, Marseille played a prominent role in France’s industrial revolution. Semolina mills, pasta manufacturers, soap factories, and oil and sugar refineries churned out goods to be loaded on giant ships at the Vieux-Port and shipped across the globe. Most of these factories shuttered after World War II, leaving a blight on the Quartiers Nord (Northern neighborhoods) where they were based. Recently, culinary entrepreneurs like Tava Hada Pilpeta’s gourmet harissa and Sarabar’s exceptional spices are aiming to revitalize the area’s food processing past in an artisanal way. Two others who are making their mark on the area are Stéphane Chevet and Georges Temam, who are transforming Marseille’s strong bond to the sea into smoked and cured delicacies.

On a side street just behind the lower edge of the Grand Bazaar lies a small, unsuspecting sign directing one up a flight of stairs to Kardeşler Köftecisi, a no-frills, hole-in-the-wall shop that has been serving grilled meatballs (köfte) for more than half a century. Unlike many nearby restaurants on the touristy strip, no one is trying to pressure you to go inside and there is no English menu, or any menu at all, for that matter. Kardeşler Köftecisi is truly an esnaf (small tradesmen’s) restaurant, as most of their customers work in the massive covered market and in other shops in the vicinity.

“Don’t talk over the sake.” Sake evangelist Gordon Heady is holding a cup, reverentially, and pauses slightly before lifting it to his lips. He is instructing us on how to evaluate the liquid properly. Take a sip, hold it in your mouth, breathe in slightly through your mouth, swill it round, swallow, breath out through your nose. Sit with the aftertaste. Let it develop.

Upon entering Al Fresco in the Ballarò neighborhood, we are struck by both the kind welcome and the special location – the restaurant is set in a garden enclosed within the walls of Casa San Francesco, a former seventeenth-century convent, lit by strings of lights dangling between plants and saplings. There is an immediate sense of openness, freedom and freshness. This is no coincidence: while “al fresco” in Italian can refer to the chill of being out in the open air, it is also an expression used to mean “life in prison.” The double meaning makes sense in this case – despite its first impression as a regular eatery, perhaps the most special feature of Al Fresco is that working in the kitchen and in the dining room are former inmates who have joined the team following their release from prison.

On the Rue d’Aubagne, Tunisian men dunk bread into bowls of leblebi – a garlicky chickpea soup – as scooters dash by. A dashiki-clad Togolese woman plucks cassava from the Vietnamese-run market to fry up for lunch. A boy buys Algerian flatbread, kesra, to snack on after school as Maghrebi teens in track pants sell single “Marl-bo-ros.”

Whether it’s a weekend morning or weekday dinner, the 20-seat Azay in Little Tokyo is packed. On a nice day, extra tables are set up on the sidewalk, also filling up quickly. Inside the restaurant, chef Akira Hirose and his son, Philip, work the kitchen, while Akira’s wife, Jo Ann, greets customers. Azay only opened in Little Tokyo in 2019, but the legacy of chef Akira Hirose and his family goes much further, both in the Los Angeles food scene and in Little Tokyo in general.

January is a busy time in Georgia: following New Year’s Eve are two weeks of visits and celebrations with friends and family that culminate with what’s known as Old New Year on January 14. The Georgian Orthodox Church still uses the ancient Julian calendar, which sees Christmas falling on January 7th and New Year on January 14th, and while the Old New Year is now a smaller celebration than the one on December 31st, it still marks the end of the festive holiday period and is celebrated by feasting with loved ones. During the comings and goings in this period, sweet, diamond-shaped pieces of a walnut brittle called gozinaki are an obligatory part of the welcome for guests. “Gozinaki is so important to Georgian families for the New Year,” explains Irma Laghdaze, a cooking instructor in Tbilisi.