Editor’s note: We’re celebrating another year of excellent backstreets eating by reflecting on our favorite meals of 2019. Starting things off is a dispatch from Alexis Steinman, our Marseille bureau chief. This year began with a bang, when Marseille nabbed a coveted spot on the New York Times’ “52 Places To Go in 2019” list. Written by food writer Alexander Lobrano, the blurb lauded the city’s ever-expanding food scene. Throughout 2019, new restaurants opened, captained by chefs who trained at local tables, first-timers emboldened by the city’s entrepreneurial energy and Parisians seeking sun and the easygoing vibes that go along with it.

In Quechua, a family of languages dating to the Inca Empire and still widely spoken in Peru, the word “wa” implies things that are hidden, or unknown. According to one widely held etymology, “warique” (wah-Ree-kay) suggests a secret place where one would go to savor food. Nowadays, keeping such a secret would be well and good for cultivating a sense of mystery, but not so good for building a clientele. When we met Jimmy Lozano, 42, at Warique, his Jackson Heights restaurant, he offered a sense of the word that nods to the age of social media. “When you go to a place where they cook good” in Peru, he told us, “we say, ‘I found a warique.’”

The backstreets of Istanbul's Osmanbey quarter are loaded with fabric shops, while the adjacent thoroughfare of Halaskargazi Avenue is a busy shopping area lined with chain clothing stores and hotels. Come here for a cheap shiny suit, but don’t expect to find rewarding culinary adventures, as most of the area's restaurants offer fast food that manages to be both overpriced and underwhelming. Given all that, we were thrilled when Mahir Lokantası rolled onto the scene in 2015, bringing to the table a fine-tuned rotating menu featuring daily regional specialties from every corner of Turkey. “We make a variety of dishes from the Black Sea region, the Mediterranean and Aegean coasts and Eastern and Central Anatolia,” Mahir Nazlıcan, the restaurant's namesake and head chef, told us.

It only took three years for Alibaba’s made-up shopping holiday on Singles Day, originally a joke celebration created by students in Chinese universities in the 1990s, to exceed Cyber Monday and Black Friday’s sales figures – combined. Since 2009, massive discounts have been offered annually on November 11 (11/11 – one is the loneliest number, after all). In 2019, sales on Alibaba topped US$38 billion in a 24-hour period, blowing last year’s record – US$30 billion – out of the water. In case there’s any doubt as to the importance the company places on the date, this year Taylor Swift performed at the gala evening that coincided with the day’s online sales activities.

When Crescer, a non-profit association focused on the social integration of Lisbon’s vulnerable populations, was tasked by City Hall to create a restaurant that would serve the homeless three years ago, the association’s top brass had another idea. “If you give a man a fish, he eats for a day. If you teach a man to fish, he eats for a lifetime.” With this saying as their guiding philosophy, Crescer proposed a different venture: a restaurant where the homeless could gain professional experience and training that would allow them to integrate into the community and find a job. In other words, tools for a better future.

For those not in the know, the bright yellow table behind the shelves at Indo Java Groceries in Elmhurst, Queens, may seem like nothing more than a curious design choice. But what they don’t realize is that this table is a sign of something great – it means that one of three chefs is in the building. Hailing from different places on the long landmass of Java, the world’s most populous island, these women are cooking meals that remind New York City’s Indonesian community of the tastes they miss from back home. The origin of these popular days, when customers can purchase food cooked on the spot, happened almost by accident: Inspectors from the city health department wanted to see a working kitchen since the grocery store was selling prepared foods.

In the late 19th and early 20th centuries, Italians – particularly southern Italians – immigrated to the United States in droves. Seeking their fortune in a distant land, they boarded ships with cardboard suitcases containing only a few clothes. But there was no shortage of good food in those suitcases: bread, cheese and even soppressata, cured pork salami made with the best pieces of the pig (and thus low in fat content), a perennial favorite in southern Italy. Alas, once they arrived on American soil after the long journey, their soppressate were seized because of a law prohibiting the import of cured meat, among other meat products (a ban that still exists today).

Ramen joints are often easily recognizable, either by large windows illuminating slurping customers, a vending machine dispensing meal tickets at the doorway, or the brightly lit signs; usually it’s some combination of the three. When it comes to Ura Sablon, however, one might easily pass it by. The narrow entrance is tucked away between a storage locker and an air conditioning unit; a small notice, illegible unless up close, is attached to a traffic cone; and the paper lantern reading “tsukemen” – a kind of dipping noodles – could easily have ended up there by chance.

Avli is one of those places you have to be introduced to by someone who’s already been there. Although a sign does exist above its narrow metal door, there’s so much graffiti on either side of it, you could walk right by even if you had the address firmly in your hand or mind. Once inside, if you’re the first customer, you still might think you’ve made a mistake. Avli means “courtyard,” but this one is narrow, much more like a back alley. Blue doors and shuttered windows the same shade as the Greek flag pierce the right wall, the left has a few potted plants and three plump alley cats comfortably ensconced on the old-fashioned rush-seated taverna chairs.

Imagine the most extraordinary location for a vineyard that you can. Got an image in mind? Well, we think Cantine dell’Averno, a four-hectare vineyard in Pozzuoli, has it beat: Not only are its vines growing inside the caldera of a volcano that is theoretically still active, but they also surround the ruins of a Greek temple. We are on the shores of Lake Avernus, a volcanic lake that formed thousands of years ago and is part of the wider Campanian volcanic arc, which includes the Phlegraean Fields. It’s a place shrouded in an aura of mystery – legends and tales about this somewhat eerie body of water have been passed down since antiquity.

It’s a crisp and cold winter morning in Alentejo. We are in Mora, a one-and-a-half-hour drive from Lisbon, to visit Susana Esteban’s winery, a very simple adega where her award-winning wines are made. Susana welcomes us at the door and leads us inside, where, sitting among the barrels, we taste her wines. They leave a strong impression on us, and not just because of the early hour – the wines have a distinct personality, one that’s formed on the vine. Yet when we peek outside, there are no vineyards in sight, only oak and cork trees. That’s because Susana grows her grapes in Serra de São Mamede, a mountain range in Portalegre, one-hour east of Mora and close to the Spanish border.

It is impossible not to look at the history of Quinta de Covela, a winery in Portugal’s Douro Verde region that has faced misfortune, gotten some lucky breaks and survived tricks of fate, as a masterpiece of literature, one that could easily be adapted to the cinema. In fact, the area around the winery already has ties to both genres: It inspired A Cidade e as Serras, the last work of José Maria de Eça de Queiroz, the 19th-century writer who is one of the towering figures of Portuguese literature. And it was here that famous Portuguese film director Manoel de Oliveira bought a large swath of property to prove himself a worthy candidate for the hand of Maria Isabel Carvalhais, the woman who would become his wife.

At a typical pâtisserie orientale, the front window is often stacked with towers of sweets – honey-soaked visual merchandising to entice passersby to pop inside. Some pastry shops line their walls with colorful geometric tiles and Moorish arches, the icing on the Maghreb cake. Pâtisserie Orientale Journo goes for a decidedly more subtle approach. Though located a block from Marseille’s main drag, the Canèbiere, this unassuming shop is somewhat lost in the shuffle of the pedestrian Rue de Pavillon. The few tables scattered out front suggest that there’s food to be found inside but the open storefront is bare – save for a giant five-gallon water jug propped on a stool, with a hand-scrawled sign “citronnade – 2 euros” beside it. That’s all the advertising needed for a pastry shop that has survived by word of mouth for 60 years.

The oldest city in Western Europe, once the hub of a trading empire that connected Macau in the east to Rio de Janeiro in the west, Lisbon today feels staunchly Old World European, a sleepy town of nostalgic storefronts and scenic churches. But that’s only its façade.

The typical Neapolitan trattoria is a place where you go to eat like you would at home: the cook buys everything fresh in the morning, just like at home, and then spends the rest of the day in the kitchen, which he rules like a maestro. For the quintessential trattoria experience, we head to Fuorigrotta, a working-class district on the west side of Naples. There, close to the border with the seaside suburb of Bagnoli and not far from the Cavalleggeri Aosta metro stop, stands Cucina da Vittorio, a small trattoria with a few tables and a steady rotation of regular customers.