Editor's note: For our last stop on CB's Global Bar Crawl this week, we're pulling up a stool at our favorite mezcal bars in Mexico City, kicking back and savoring every last drop. Para todo mal, mezcal. Para todo bien, también. Y si no tiene remedio, tómate litro y medio. For everything bad, mezcal. For everything good, the same. And if that doesn’t help, drink a liter and a half. – Popular saying among mezcal lovers.

Editor's note: Our third installment in the Global Bar Crawl takes us to Barcelona, where gin continues to be the drink of choice among locals. Tomorrow we head to a spot in Istanbul where you can spend an evening visiting a number of bars, all without leaving the building. Spain is a country that loves a long-drink – alcohol in combination with a soft drink, refreshing and open to invention and reinvention. On the heels of creative gastronomy’s efflorescence in recent years, many old drinks, cuisines and forgotten ingredients have returned, revived through new and more sophisticated techniques and interpretations. The gin and tonic, called gintonic here, is one such Spanish obsession, and all that ingenuity and focus have gone into taking this highball to the next level.

Morro Fi and Mitja Vida are two relatively new entrants to Barcelona’s vermuteo (“vermouthing”) culture, whose history stretches back to the turn of the last century. These two bars are the product of nostalgia for a bygone era fused with the social network- and urban design-driven present. The vermouth tradition in Barcelona was started in the early 20th century by Flaminio Mezzalama, who represented the Italian company Martini & Rossi in Spain, at his fabulous modernist Bar Torino. Vermut began to be produced in Catalonia, and in the following decades, the province developed its own style of the aromatic fortified drink. At the same time, the custom arose of having vermut before lunch with some pickles to whet one’s appetite. That tradition faded over time but has emerged in recent years as a kind of retro, hipster-approved pastime.

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Editor’s note: This post is the fourth installment of “Best Bites of 2013,” a roundup of our top culinary experiences over the last year. Stay tuned for “Best Bites” from all of the cities Culinary Backstreets covers. Hilaria Gastrobar We visited this restaurant on revitalized Madero Street downtown just a few months after it opened, and we were immediately won over by the food and beer selection.

Editor’s note: This post is the third installment of “Best Bites of 2013,” a roundup of our top culinary experiences over the last year. Stay tuned for “Best Bites” from all of the cities Culinary Backstreets covers. Bar do Adão There are so many good fillings – 65, in fact – for the pastéis, or fried turnovers, at Bar do Adão that we appreciate their diminutive size, which allows us to eat a greater variety in one sitting.

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When we think of white wine in Catalonia, we think of its seemingly endless possibilities. Production of whites here has a 2,000-year-old history. The wide-ranging diversity in the area’s Mediterranean climate and calcareous soils, from the mountains to the sea, and the combination of old grape varieties and newly introduced “foreigners” with traditional and experimental methods of production make for innumerable styles and no taboos. Who knew white was a color with so many variations? The traditional Catalan grape varieties used to make white wine are mainly macabeo, xarel-lo, parellada and garnatxa blanca, but this area of Spain has the largest number of white grapes included in all its protected appellations (D.O.). Where other Spanish D.O.s usually are deeply defined by one or a few varieties, in the Catalunya D.O. there are more than 16 allowed – 35 counting the reds. In fact, this umbrella appellation, which covers wines that do not fall under the 10 subregion designations (Montsant, Penedès, etc.), was created to allow the use of all the grapes of the other Catalan designations in the entire area. It implicitly gives freedom to Catalan winemakers to express more than the old narrower conceptions of terroir and opens the doors to experimentation.

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For too long retsina has been thought of as a cheap, oxidized, overly pungent bad wine made from mediocre grapes, its poor quality disguised by an overdose of resin and exacerbated by being stored in questionable conditions in the backyards of seaside tavernas. To say the wine has an image problem is an understatement – but that may be changing. Regardless of its reputation, retsina is a true Greek original. It dates back to the Ancient Greeks, who would coat the interiors of their otherwise porous earthenware amphorae with resin to make their wine storage airtight. Wine drinkers grew to like the taste, and winemakers consequently began adding pine resin to grape must during fermentation.

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Mushroom hunting has an irresistible, magical pull. Composer John Cage, an avid mushroom collector, found them an integral part of his creative process, once writing: “Much can be learned about music by devoting oneself to the mushroom.” Every fall, thousands of Catalans likewise find themselves under the mushroom’s spell, following the elusive fungus’s silent melody into the woods, a rustic wicker basket in one hand and – more and more these days – a GPS-enabled smartphone in the other.