Agapi Stavrakaki was born in Anogia, a mountain village on the island of Crete famous for producing fine produce and excellent musicians. Decades before she would open Raeti, a delightful restaurant in Athens’ Ambelokoipi neighborhood which pays homage to her island home, a 10-year-old Agapi worked by her grandmother’s side at her family’s vineyard in Anogia, cooking for the workers harvesting grapes and making wine. She and the other women would prepare huge quantities of food in enormous kettles. Despite being cooked in bulk, the food was always traditional, fresh and tasty – Cretans have high standards! Before continuing with Agapi’s story, a few things about Cretan cooking: One of the most legendary of Greece’s regional cuisines, it makes use of all the simple ingredients that are offered by nature with an open hand.

When a streetcar ran down Queens’ Metropolitan Avenue in the first half of the 20th century, soda fountains like Eddie’s Sweet Shop were commonplace in big cities and small towns across America. Today, this hundred-year-old corner gem on Metropolitan in the leafy, Tudor-style enclave of Forest Hills is one of the last of its kind left in the country, and it certainly shows its vintage. On summer afternoons, Eddie’s still fills up with crowds of happy Queens kids, and the diversity of the clientele reminds you that fortunately, it’s not the 1920s anymore. The shop itself, though, is practically unchanged – every piece of equipment behind the counter, from the shiny Frigidaire to the tiny metal cabinet hand-painted with the words “hot fudge,” could be from a museum.

Walk through Lisbon’s Madragoa, a neighborhood of cobblestoned streets and small houses, and you are likely to be hit with the intoxicating smell of freshly roasted coffee. Follow the scent and you are likely to find yourself in an utterly unique spot: Flor da Selva, one of the last wood-fired coffee roasters in Europe. Manuel Alves Monteiro, from Melgaço in northern Portugal, founded Flor da Selva in 1950, and Manuel’s son, Jorge, and grandson, Francisco are keeping the family business alive and kicking via an artisanal method – one they started using many years before anything artisanal was trendy, mind you. “My father was a coffee lover,” says Jorge, thinking back to when Manuel first opened his shop. “At this time, we were drinking a lot of mixtures with barley or chicory that were inexpensive, but he could see the potential for 100% coffee blends.”

If Mexico had to choose a national flavor, the chile pepper would without a doubt be the winner. The only issue might be which chile would take the top spot in such an honor. The country is home to more than 200 variations of chiles, stemming from some 64 distinct varieties. Almost no meal is eaten without some form of chile-based salsa. And while the variety of chile ranges from eye-twitchingly spicy to robust, sweet and smoky, seeking out a dish in Mexican cuisine that doesn’t incorporate at least one type of chile would be a difficult – if not futile – venture. When FIFA held the 1986 World Cup in Mexico, the official mascot was Pique, an anthropomorphized green chile pepper wearing a sombrero. The meaning was not lost on the world, and least of all on Mexico itself. Let it be known: Mexico is home of the chile.

We are in the Vasto district, a difficult to navigate maze of narrow streets that criss and cross, a market area squashed between Naples’ central station and Centro Direzionale, the business district. The district’s Via Nazionale, a street adjacent to the station, is a shrine to local gastronomic treasures, and we consider it a true paradise for lovers of good food. It’s a jewelry box of flavors, ideas, and unique and original products. The daily street market on Via Ferrara, another local artery, is one of the city’s most colorful and fascinating – mentioned several times in renowned author Elena Ferrante’s “My Brilliant Rriend.” It was here, in 2016, that Dario Troise brought to life a project 15 years, if not centuries, in the making: a panini bar that serves only cuzzetiello (which roughly translates to bread bowl sandwiches).

In search of new adventures, we recently decided to venture to Beykoz, on the northern end of Istanbul’s Anatolian side, near where the Bosphorus meets the Black Sea. Getting there required an hour-long ferry ride – basically a mini Bosphorus cruise – from Üsküdar, and upon arrival we immediately felt catapulted out of the chaos into a green, peaceful haven. After a walk in the lush local park, Beykoz Korusu, we headed to the center, where an old lokanta opens onto a main square. “Kök Kardeşler Lokantası – Kuruluş 1935” (“Brothers Kök – since 1935”) read the restaurant’s sign. The simple but meaningful words were written in bright yellow decal on the window. Kök Kardeşler’s unpretentious apperance and the fact that it was a family-run business compelled us to stop inside and grab a quick lunch on what was an unusually cold spring day. “Hoş geldiniz,” Hamit, one of four Kök (the name means “roots” in Turkish) siblings who have been managing this little diner, said as we entered, showing an old-fashioned politeness that we now rarely see when eating at restaurants in more popular parts of town.

You would think Sérgio Oliveira, the owner of Conga in Porto and the secret-keeper of its legendary recipe for bifanas, would be tired of the restaurant’s signature dish. But you’d be wrong. “As much as I try not to eat it, I cannot. It is impossible,” he says. "One always eats it; there is no chance not to.” It’s a simple but addictive dish. Pork, cooked all day in a mysterious spicy sauce and stuffed into a piece of bread that looks a bit like a roll– at first glance, it does not seem to impress. But Porto continues to hide the best and tastiest of its secrets in the simplest things in life. "It was my father who invented the famous bifanas with this wonderful sauce,” says Sérgio, who’s been running Conga the last eight years. It’s been more than 40 years since Manuel Oliveira returned to Portugal from Angola and opened the restaurant in 1976.

Winding between the teenage fashion havens of Harajuku and Shinjuku is the ultra-hip Cat Street, lined with countless second-hand clothing stores and embellished with a single origin coffee shop. Just a stone’s throw to its south lies a nondescript concrete building. Unassuming from the outside, for the past 15 months its second floor hid a sake bar. The interior was a stylish and modern take on Japanese design – a sleek counter in the center, tatami mats and sliding doors splitting the space into three. Here, a young crowd gathered, sampling the latest sake and regional dishes – from Miyagi beef tongue meatballs and Iwate squid sashimi to Akita smoked pickled daikon topped with cream cheese. Given its relatively short residency, one might be forgiven for thinking the bar was a trend or a poorly conceived dream. But Mysh, (pronounced “my shu” meaning “my sake”) didn’t go out of business, nor were any of its members of staff full time. Their lease having expired, the founders decided to take some time out before finding a new home – time to review their goal of creating something more than a dining establishment, of creating a community space. Currently, the bar only exists as a monthly pop-up event, but its founding story and model are indicative of Tokyo’s broader culinary culture - one that is simultaneously steeped in tradition while constantly reinventing itself under the city’s bright neon lights.

Speed down the National Road till you’re in sight of Rendis Market, then follow the trucks off the highway and into a vast depot of concrete sheds. Though the trucks are there to pick up and deliver fruits and veg from all over Greece to supermarkets, grocers’ and farmers’ markets, we pulled over and started shop-hopping. Rendis, an industrial district of small factories, warehouses and train yards on the west side of Athens, has never been an area one would go for pleasure.

We recently spoke with travel writer Caroline Eden about her culinary travelogue, Black Sea: Dispatches and Recipes, Through Darkness and Light (Hardie Grant; May 2019). Eden has written for the Guardian, the Telegraph and the Financial Times, among other publications, and has filed stories from Uzbekistan, Ukraine, Russia, Kyrgyzstan, Kazakhstan and Azerbaijan for BBC Radio 4’s From Our Own Correspondent. Eden is also co-author of Samarkand: Recipes & Stories from Central Asia & the Caucasus (Kyle Books; July 2016), a Guardian book of the year in 2016 and winner of the Guild of Food Writers Award for best food and travel book in 2017.

Like most Syrians who fled their war-ravaged country and made their way to Turkey, Fatma Jabal, a 19-year-old from Aleppo now living in Istanbul, had to get creative in order to make a living. With a baby boy to take care of and her husband struggling to provide for their family while working as a carpenter, Fatma tapped into something she’s been doing since she was a child: baking cakes and cookies. Making desserts had been something Fatma has loved from early on growing up in Aleppo, which she left in 2014 in the midst of the worsening conflict there. For her, each treat she bakes is a work of art that just happens to be edible. “The first thing I did in the kitchen was sweets,” she says. But Fatma realized she needed to develop her budding baking prowess to start charging customers.

Addy has cornered the Astoria market in Kenyan cuisine. Even so, large portions of his menu are devoted to dishes familiar all around the world, and popular with all ages. They include a dozen or so flavors of chicken wings and a fistful of burgers, some basic, some overloaded. (Lean forward over the plate, is our advice, when biting into a Juicy Lucy.) To our surprise, the American South stakes a claim at Addy's after all: The country-fried steak, served atop mashed potatoes and accompanied by a brimming cup of gravy, is one of the best we've ever had. Because mishkaki is new, at first, to most of Addy's clientele, he's simplified the presentation rather than risk confusing his customers. Typically, at a Kenyan roadside stall, mishkaki is served with flatbread, the meat arrives on the skewer, and the customer adds sauces and other accompaniments to his or her liking. In Astoria, mishkaki is served with rice and a salad, and the chunks of meat, sans skewers, are already seasoned, à la Addy. We can practically taste the sizzle.

While Bolhão’s century-old original structure is being restored, the vegetables, fruits, fish and flowers of the market have been brought to a decidedly less striking indoor location with no windows. The place is new, strange to many, but the usual faces are there. We know their names, their smiles. The only thing we’re uncertain about is the setting. “It looks really beautiful,” says Rosa, “I thought it was going to be a mess, as it was something to remedy, but it’s beautiful.” Rosa tells us that she hasn’t been to Bolhão for at least a year, which is about how long the original location has been shuttered for renovation. As we walk with Fernando and Rosa, a chorus of “good days” rings out from all directions. We pass through corridors of fruit, nibble on some chorizo, smell the flowers. “Excuse me, where’s the herbalist Augusto Coutinho?”

Where the A train dead-ends at Lefferts Boulevard, Liberty Avenue stretches on into the heart of the enclave known as Little Guyana, part of the larger Richmond Hill neighborhood. To most Americans, and even New Yorkers, this population remains obscure. “People don’t know who we are,” says Lakshmee Singh, a talk show host and community leader in Queens, Richmond Hill, once a predominantly German and Italian neighborhood, has seen a steady stream of Guyanese immigrants since the 1970s. Today, it’s home to the largest Guyanese community outside of Guyana itself, with Guyanese immigrants representing the second largest foreign-born community in Queens.

Next to some wooden shelves overloaded with spirits, a photograph of Natália Correia hangs on the wall. The photo’s placement makes it appear as if Correia, cigarette in hand, is surveying the small room, which is crowded with semi-broken tables. The late poet and upstart co-founded this tiny bar/café a few decades ago, and her presence is still felt here and in the neighborhood more generally: A nearby street, with a spectacular view of the city, is also named after her. Botequím is one of Graça’s oldest bars, located on the ground floor of Vila Sousa, one of the worker apartment complexes built at the end of the 19th century.