On sunny afternoons in the sleepy neighborhood of Narvarte, crowds of adults huddle around the glass counter at La Gaspacheria, eyes aglow as they consider possible toppings. While the scene evokes children at an ice cream parlor, the ingredients before them strike the uninitiated as a strange mix. Jicama. Hot sauce. Onion. Cheese. Orange juice. Even among chilangos, who famously love to cram their favorite ingredients together in ever stranger combinations (tortas de chilaquiles and tortas de tamales, for example), the idea of mixing orange juice, mango and raw onion gives pause.

In the 1980s and 1990s Bairro Alto was the epicenter of Lisbon nightlife: Bars here had the best DJs, and interesting restaurants were opening more often in this neighborhood than in any other in town. Although Bairro Alto lost some of its more compelling spots over the years, it’s still a party district and on a recent upswing, with promising new restaurants cropping up. Among these is Zé Varunca, a notable ambassador for the food of Alentejo, one of Portugal’s best regional cuisines. Having limited resources, Alentejo cooks learned how to go far with a little, deliciously using, for example, stale bread as a staple ingredient along with chouriço or other sausages, pork fat and sometimes a bit of meat.

Opening a pizza joint in a city that’s world renowned for its pies requires some gumption. Maria Rosaria Artigiano, 56, the energetic owner of Pizzeria ‘Ntretella, which opened a few years ago, certainly has it; so does her brother, the brilliant chef Gennaro Artigiano. The beautiful restaurant they built together has quickly become a “new classic” in the panorama of Neapolitan pizzerias. Gennaro, 57, owns Locanda Ntretella, an old restaurant in the Spanish Quarter known for its excellent cuisine. Yet he is a restless man, always on the lookout for a new challenge. So in 2013, when he heard of an old carpentry shop in the heart of the Spanish Quarter, he visited the space and realized it would be a perfect place to open a pizzeria.

In the latest installment in our Book Club series, we spoke to Alice Feiring about her new book, Natural Wine for the People (Ten Speed Press, 2019), a compact illustrated guide to natural wine. While this category is becoming enormously popular, especially in the U.S., there is still a lot of confusion about what exactly natural wine is, where to find it and how to enjoy it. This easy-to-understand primer sets the record straight. Feiring is the author of four other books, including For the Love of Wine: My Odyssey through the World’s Most Ancient Wine Culture, which was the subject of a previous CB Book Club Q&A. A prominent figure in the natural wine movement, she also publishes the natural wine newsletter The Feiring Line.

Imagine the most extraordinary location for a vineyard that you can. Got an image in mind? Well, we think Cantine dell’Averno, a four-hectare vineyard in Pozzuoli, has it beat: Not only are its vines growing inside the caldera of a volcano that is theoretically still active, but they also surround the ruins of a Greek temple. We are on the shores of Lake Avernus, a volcanic lake that formed thousands of years ago and is part of the wider Campanian volcanic arc, which includes the Phlegraean Fields. It’s a place shrouded in an aura of mystery – legends and tales about this somewhat eerie body of water have been passed down since antiquity.

It’s a crisp and cold winter morning in Alentejo. We are in Mora, a one-and-a-half-hour drive from Lisbon, to visit Susana Esteban’s winery, a very simple adega where her award-winning wines are made. Susana welcomes us at the door and leads us inside, where, sitting among the barrels, we taste her wines. They leave a strong impression on us, and not just because of the early hour – the wines have a distinct personality, one that’s formed on the vine. Yet when we peek outside, there are no vineyards in sight, only oak and cork trees. That’s because Susana grows her grapes in Serra de São Mamede, a mountain range in Portalegre, one-hour east of Mora and close to the Spanish border.

We used to spend a lot of time in western Georgia’s Samegrelo region when breakaway Abkhazia was our beat. Zugdidi, the regional capital, was our overnight stop coming and going across the river to the disputed land in the north. Our local friends would welcome us with Megrelian hospitality, decorating their tables with hearty and spicy local fare that made us purr. The wine, however, with its sweet barnyard vinegary tang, was a different story. We assumed that this subtropic-like land, with its year-round lushness and mandarin, hazelnut and overgrown tea fields, was hostile to good wine grapes. We didn’t realize back then that the practice of making sugar-wine was not exclusively a Megrelian thing, but a Communist legacy practiced throughout the country.

At a typical pâtisserie orientale, the front window is often stacked with towers of sweets – honey-soaked visual merchandising to entice passersby to pop inside. Some pastry shops line their walls with colorful geometric tiles and Moorish arches, the icing on the Maghreb cake. Pâtisserie Orientale Journo goes for a decidedly more subtle approach. Though located a block from Marseille’s main drag, the Canèbiere, this unassuming shop is somewhat lost in the shuffle of the pedestrian Rue de Pavillon. The few tables scattered out front suggest that there’s food to be found inside but the open storefront is bare – save for a giant five-gallon water jug propped on a stool, with a hand-scrawled sign “citronnade – 2 euros” beside it. That’s all the advertising needed for a pastry shop that has survived by word of mouth for 60 years.

A visit to Varsos, a culinary landmark in Athens that looks much the same as it did 60 years ago, is like traveling back in time to one of the city’s grand patisseries of the 1950s. The venue, which is still in the hands of the Varsos family who originally opened it, is one of the most famous of Athens’ old-style coffeehouses and is the only one that has kept its traditional charm over the last several decades. Varsos was established in 1892 in central Athens, but it is the wonderfully old-fashioned Kifisia location, to which the patisserie moved in 1932, that has made the venue famous. At the beginning of the 20th century, Kifisia was a holiday destination for rich Athenians, and their stately summer mansions still dot this beautiful yet ever-expanding northern suburb, which is now popular with professionals, families and expats.

Kadıköy’s Kimyon is a friend of the after-hours and the booze-fueled denizens who are done at the bar but have yet to call it a night. It is the buffer zone between too many drinks and a brutal hangover, and doesn’t judge those who are still up at 6:30 a.m., because it’s still open and orders of grilled chicken skewers are freshly sizzling above the charcoal. Kimyon runs nearly around the clock, save for perhaps an hour at dawn when operations shut down for cleaning. Appropriately, it’s located in the dead center of Kadife Sokak (Velvet Street), whose elegant name belies the revelry that takes place inside and frequently spills out of the numerous drinking establishments that give the street its de-facto moniker: Barlar Sokağı (Bars Street).

The classic neighborhood bodega in Barcelona is a place where customers feel at home. At Bodega Pàdua, an old bodega turned bar-restaurant in the El Farró neighborhood, part of the Sarriá-Sant Gervasi district, this quintessential spirit – usually invisible to the eye – is, somewhat surprisingly, physically manifested on the walls. The long space, which extends to a patio in the back, is decorated with mementos from the community: old photos, antique objects such as radios, cameras, and typewriters, a claviharp, written tributes to local musicians and house pets (including the bodega’s beloved parrot Ricky, who is now in a “better life” but used to say hello to the clients), and even pieces of the old iconic SEAT 600 car, which still has lots of fans in Spain.

Chaikhana Sem Sorok, a newly opened little café just off the Central Asian thoroughfare of 63rd Drive in Rego Park, proves more than anywhere else that all cuisines are fusion cuisines, if you go back far enough. Every day but Saturday – the Sabbath – loaves of round, crusty bread called non or lepyoshka emerge from the restaurant’s towering brick tanur oven. They’re distinctly Uzbek, but share Persian roots with the naan of the Indian subcontinent. Meanwhile, samsas, similar to samosas, bake while clinging to the sides of another tile tanur, which was built in Samarkand and shipped to Rego Park. Filled with onions and either lamb, pumpkin or beef, and lightly charred like a Neapolitan pizza, they are Chaikhana’s big draw.

At exactly the right moment, and not a minute sooner, lunch will be ready at La Cocina de Q.B.D.O. Generally, the magic hour of comida corrida – affordable, multi-course midday meals offered on weekdays and often Saturdays – is between 2-4 p.m., the typical lunch hour for Mexican workers. The comida corrida, also known as menú del día, is a fixture across Mexico and especially common in Mexico City. These dining options run the gamut from humble to gourmet, often depending on the neighborhood you find yourself in. But there is never a doubt that it will be satisfying – and quick (comida corrida can be roughly translated as “food on the run”).

Georgia is a small country with a huge appetite for life. This passion is evident in all aspects of the country’s extraordinary culture, from its ancient polyphonic songs and breathtaking national dances to its rich culinary heritage and winemaking tradition that goes back eight millennia. To become better acquainted with this unique region, we have organized a seven-day trip in partnership with Atlas Obscura – “In the Cradle of Wine: A Georgian Culinary Adventure” – that focuses on all the senses, with special emphasis on taste. It is a mouthwatering, belt-popping, intimate dive into the heart of Georgia.

It was a cramped but iconic tasca in the heart of Lisbon’s downtown. Its name, Adega dos Lombinhos, disclosed the house specialty: grilled lombinhos – thin slices of pork loin. And we mean really thin, almost if they were slices of wet-cured ham, served with a fried egg on top, white rice and golden fries. But it wasn’t the rice, the egg or the fries that made it special. It was the slender, delicate, hand-cut slices of meat. It was the miscellaneous crowd that chose to have lunch there daily: bankers and construction workers, marketers and shoe shiners literally rubbing elbows at the few available tables. It also was the charm of not even having coffee – “this is a tasca, not a coffee shop,” they would say – and only one dessert on the menu: a homemade arroz doce (sweet rice pudding), which was top notch, by the way.