When Liz Hillbruner moved to Mexico City in 2010 from the United States, she found herself obsessed with tlacoyos, the little football-shaped street eats she saw cooking on griddles around her neighborhood. They were a perfect package of corn dough, wrapped around beans or cheese. As she ate her way through the neighborhood, she simultaneously enrolled in a master course on Mexican cuisine. When it came time to formulate a final project, it seemed only natural to study what was already on her mind. She decided on a map – the Tlacoyografía – a tool for the community and street food-loving transplants to find all the tlacoyo stands in the tlacoyo paradise that is the San Rafael neighborhood.

The consumption of sake is a sacrosanct affair in Japan. In Japanese, the term “sake” technically denotes all alcohol, though it is often used interchangeably with the less ambiguous “nihonshu.” The true genesis of the island nation’s archetypal brew is lost to time, though the divine concoction of water, rice, yeast and koji mold likely originated, or at least became more standardized, sometime during the Nara period (710-784 AD) when Empress Genmei consolidated rule over an agrarian society. Most people in this fledgling nation state participated in animistic and ancestral folk worship, within which rice, and by extension nihonshu, came to play important ritualistic roles.

Stretched to translucence by a series of acrobatic, table-slapping wrist flips, then stretched just a bit further until it seemingly must tear under its own weight, the palata dough passes from the hands of Myo Lin Thway. In a moment, other hands take over. Perhaps they fill it with minced spiced chicken, for keema palata, or perhaps they fold it instead into an empty square, soon to be the conveyance for masala-red curry. After a brief interlude at the griddle, the flaky flatbread is surrendered to still other, hungrier hands. Myo, in the meantime, has swirled a little oil on his tabletop and patted down another wad of dough, pressing it wider and flatter until it, too, can take to the air.

If you hadn’t read the flyer closely before heading to Shanghai’s first ever MeatFest last month, you might have been a bit disappointed upon arrival. The sounds and smells of sizzling meat might have seemed like a carnivore’s dream come true, but the name was tongue in cheek; the event was thrown by Vegans of Shanghai for “eco-conscious meat lovers” and served only domestically sourced plant-based “meat” products. It’s part of a bigger push towards eating a plant-based diet in China, where vegetarians make up less than 5% of the population. But even at such a low rate, that still comes out to approximately 50 million people (a population larger than that of Spain). Historically vegetarianism is rooted in Buddhist or Taoist beliefs but, like recently in the West, the meat-free lifestyle in China has become less about religion and more focused on health and being environmentally friendly – and millennials are leading the pack.

Sweet, fluffy and incredibly habit forming, yakiimo (roasted sweet potatoes) are an autumnal treat loved throughout Japan. But in a small corner of Setagaya, Tokyo’s largest ward, a dedicated shop bakes them year-round. Kept busy by a steady stream of visitors, all clutching tell-tale paper bags, Fuji has a national take on a traditional snack. The slow-baked yakiimo are often sold from slow-moving mini trucks equipped with onboard wood-burning ovens. As the trucks roll by, they fill the air with both a comforting smell and familiar song. Roasted on a bed of stones, the potatoes are commonly known as ishiyaki imo and once saved Japan from famine when rice crops failed in the 18th century. Served without butter or salt, it may seem a little simple to the untrained eye, but cooked right, the flavor and texture render any additions entirely obsolete.

Saturday, late afternoon, Jackson Heights. In the shadows of the 7, the elevated train that runs along Roosevelt Ave., sunlight is already giving way to street light; music spills from passing cars and lively watering holes; a few men and women hurry along on neglected errands. More than a few step into La Gran Via Bakery, lured by a show-stopping array of cakes and a long line of display cases filled with individually portioned pastries. At the back counter, Betsy Leites is poised, pastry bag in hand, over a bright white tres leches cake rimmed with strawberries and peaches. She squeezes out a cursive "Feliz Cumpleaños."

If Mexico had to choose a national flavor, the chile pepper would without a doubt be the winner. The only issue might be which chile would take the top spot in such an honor. The country is home to more than 200 variations of chiles, stemming from some 64 distinct varieties. Almost no meal is eaten without some form of chile-based salsa. And while the variety of chile ranges from eye-twitchingly spicy to robust, sweet and smoky, seeking out a dish in Mexican cuisine that doesn’t incorporate at least one type of chile would be a difficult – if not futile – venture. When FIFA held the 1986 World Cup in Mexico, the official mascot was Pique, an anthropomorphized green chile pepper wearing a sombrero. The meaning was not lost on the world, and least of all on Mexico itself. Let it be known: Mexico is home of the chile.

We are in the Vasto district, a difficult to navigate maze of narrow streets that criss and cross, a market area squashed between Naples’ central station and Centro Direzionale, the business district. The district’s Via Nazionale, a street adjacent to the station, is a shrine to local gastronomic treasures, and we consider it a true paradise for lovers of good food. It’s a jewelry box of flavors, ideas, and unique and original products. The daily street market on Via Ferrara, another local artery, is one of the city’s most colorful and fascinating – mentioned several times in renowned author Elena Ferrante’s “My Brilliant Rriend.” It was here, in 2016, that Dario Troise brought to life a project 15 years, if not centuries, in the making: a panini bar that serves only cuzzetiello (which roughly translates to bread bowl sandwiches).

You would think Sérgio Oliveira, the owner of Conga in Porto and the secret-keeper of its legendary recipe for bifanas, would be tired of the restaurant’s signature dish. But you’d be wrong. “As much as I try not to eat it, I cannot. It is impossible,” he says. "One always eats it; there is no chance not to.” It’s a simple but addictive dish. Pork, cooked all day in a mysterious spicy sauce and stuffed into a piece of bread that looks a bit like a roll– at first glance, it does not seem to impress. But Porto continues to hide the best and tastiest of its secrets in the simplest things in life. "It was my father who invented the famous bifanas with this wonderful sauce,” says Sérgio, who’s been running Conga the last eight years. It’s been more than 40 years since Manuel Oliveira returned to Portugal from Angola and opened the restaurant in 1976.

Winding between the teenage fashion havens of Harajuku and Shinjuku is the ultra-hip Cat Street, lined with countless second-hand clothing stores and embellished with a single origin coffee shop. Just a stone’s throw to its south lies a nondescript concrete building. Unassuming from the outside, for the past 15 months its second floor hid a sake bar. The interior was a stylish and modern take on Japanese design – a sleek counter in the center, tatami mats and sliding doors splitting the space into three. Here, a young crowd gathered, sampling the latest sake and regional dishes – from Miyagi beef tongue meatballs and Iwate squid sashimi to Akita smoked pickled daikon topped with cream cheese. Given its relatively short residency, one might be forgiven for thinking the bar was a trend or a poorly conceived dream. But Mysh, (pronounced “my shu” meaning “my sake”) didn’t go out of business, nor were any of its members of staff full time. Their lease having expired, the founders decided to take some time out before finding a new home – time to review their goal of creating something more than a dining establishment, of creating a community space. Currently, the bar only exists as a monthly pop-up event, but its founding story and model are indicative of Tokyo’s broader culinary culture - one that is simultaneously steeped in tradition while constantly reinventing itself under the city’s bright neon lights.

When the other butcher shops in Naples are closing for lunch and at the end of the day, activity at D'Ausilio Macelleria is just picking up. The cooktops are lit, sandwiches are being made and this Italian butcher shop becomes a quality burgeria. “I come from Vomero (the hill district) to buy Raffaele’s hamburgers. My children love them,” says customer Rosaria Esposito at 8 p.m., when the macelleria is an hour into its transformation as a burgeria. But this is no trendy burger bar; the menu is steeped in local heritage. Rosaria leaves the burgers to the kids, choosing for herself the delicious home-style dishes created at D’Ausilio. Parmigiana alla Genovese stands out among those on display. Here are two sacred words of Neapolitan cuisine – Parmigiana and Genovese, a simple yet miraculous sauce made of meat (veal, beef or pork) and a heap of onions (red or white) – cornerstones in the history of local cooking.

There was a large table made from a huge buzzsaw blade, covered in Russian and Western photo magazines. A greasy boombox played jazz, blues and classic rock cassettes. Behind the high wooden counter was a somber, dark-haired young woman who served semi-cold Argo beer for 3 lari a bottle and a simple lunch for a few lari more. We had found our watering hole. Apollo had been designed by local artist Guga Kotetishvili, a name we wouldn’t know until 2004, when he helped two young Apollo regulars auspiciously launch an entrepreneurial gastro-dominion with the opening of Cafe Kala on Erekle II Street, a narrow, 100-meter lane in Old Town. Back then, there was nothing else on the street.

Speed down the National Road till you’re in sight of Rendis Market, then follow the trucks off the highway and into a vast depot of concrete sheds. Though the trucks are there to pick up and deliver fruits and veg from all over Greece to supermarkets, grocers’ and farmers’ markets, we pulled over and started shop-hopping. Rendis, an industrial district of small factories, warehouses and train yards on the west side of Athens, has never been an area one would go for pleasure.

CB has teamed up with the creators of “Native Dish: United Flavors of NYC,” NYC Media’s new food TV series, to offer a behind-the-scenes look at some of the New Yorkers featured in these short videos. The series, which aims to celebrate New York City immigrants from all over the world, focuses on one individual and one dish at a time as a means through which to explore the myriad cuisines represented in the city and the people who make them. This month we are spotlighting Jamyang “Jimmy” Gurung, a Nepalese immigrant from the Himalayas, who manages the Himalayan Yak, a Nepalese/Tibetan restaurant, and Raksha Thapa, a waitress and former teacher from Kathmandu Valley. The Himalayan Yak team delve into their still-deep connection to Nepal and their love in sharing their cuisine and yak momos with New York.

Like most Syrians who fled their war-ravaged country and made their way to Turkey, Fatma Jabal, a 19-year-old from Aleppo now living in Istanbul, had to get creative in order to make a living. With a baby boy to take care of and her husband struggling to provide for their family while working as a carpenter, Fatma tapped into something she’s been doing since she was a child: baking cakes and cookies. Making desserts had been something Fatma has loved from early on growing up in Aleppo, which she left in 2014 in the midst of the worsening conflict there. For her, each treat she bakes is a work of art that just happens to be edible. “The first thing I did in the kitchen was sweets,” she says. But Fatma realized she needed to develop her budding baking prowess to start charging customers.